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GratisAntony and Cleopatra
William Shakespeare
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Engelska
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Antony and CleopatraRun: 2026-07-15 13:04Sida 1 / 100
Antony and Cleopatra
Forord og innledning
ACT I
Scene I
Alexandria. A Room in Cleopatra's palace.
Scene II
Alexandria. Another Room in Cleopatra's palace.
Scene III
Alexandria. A Room in Cleopatra's palace.
Scene IV
Rome. An Apartment in Caesar's House
Scene V
Alexandria. A Room in the Palace.
ACT II
Scene I
Messina. A Room in Pompey's house.
Scene II
Rome. A Room in the House of Lepidus.
Scene III
Rome. A Room in Caesar's House.
Scene IV
Rome. A street.
Scene V
Alexandria. A Room in the Palace.
Scene VI
Near Misenum.
Scene VII
On board Pompey's Galley, lying near Misenum.
ACT III
Scene I
A plain in Syria.
Scene II
Rome. An Ante-chamber in Caesar's house.
Scene III
Alexandria. A Room in the Palace.
Scene IV
Athens. A Room in Antony's House.
Scene V
Athens. Another Room in Antony's House.
Scene VI
Rome. A Room in Caesar's House.
Scene VII
Antony's Camp near the Promontory of Actium.
Scene VIII
A plain near Actium.
Scene IX
Another part of the Plain.
Scene X
Another part of the Plain.
Scene XI
Alexandria. A Room in the Palace.
Scene XII
Caesar's camp in Egypt.
Scene XIII
Alexandria. A Room in the Palace.
ACT IV
Scene I
Caesar's Camp at Alexandria.
Scene II
Alexandria. A Room in the Palace.
Scene III
Alexandria. Before the Palace.
Scene IV
Alexandria. A Room in the Palace.
Scene V
Antony's camp near Alexandria.
Scene VI
Alexandria. Caesar's camp.
Scene VII
Field of battle between the Camps.
Scene VIII
Under the Walls of Alexandria.
Scene IX
Caesar's camp.
Scene X
Ground between the two Camps.
Scene XI
Another part of the Ground.
Scene XII
Another part of the Ground.
Scene XIII
Alexandria. A Room in the Palace.
Scene XIV
Alexandria. Another Room.
Scene XV
Alexandria. A monument.
ACT V
Scene I
Caesar's Camp before Alexandria.
Scene II
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Alexandria. A Room in the Monument. Dramatis Personæ MARK ANTONY, Triumvir OCTAVIUS CAESAR, Triumvir LEPIDUS, Triumvir SEXTUS POMPEIUS, DOMITIUS ENOBARBUS, friend to Antony VENTIDIUS, friend to Antony EROS, friend to Antony SCARUS, friend to Antony DERCETUS, friend to Antony DEMETRIUS, friend to Antony PHILO, friend to Antony MAECENAS, friend to Caesar AGRIPPA, friend to Caesar DOLABELLA, friend to Caesar PROCULEIUS, friend to Caesar THIDIAS, friend to Caesar GALLUS, friend to Caesar MENAS, friend to Pompey MENECRATES, friend to Pompey VARRIUS, friend to Pompey TAURUS, Lieutenant-General to Caesar CANIDIUS, Lieutenant-General to Antony SILIUS, an Officer in Ventidius's army EUPHRONIUS, an Ambassador from Antony to Caesar ALEXAS, attendant on Cleopatra MARDIAN, attendant on Cleopatra SELEUCUS, attendant on Cleopatra DIOMEDES, attendant on Cleopatra
A CLOWNCLEOPATRA, Queen of Egypt
OCTAVIA, sister to Caesar and wife to Antony
CHARMIAN, Attendant on Cleopatra
IRAS, Attendant on Cleopatra
Officers, Soldiers, Messengers, and other Attendants
OCTAVIA, sister to Caesar and wife to Antony
CHARMIAN, Attendant on Cleopatra
IRAS, Attendant on Cleopatra
Officers, Soldiers, Messengers, and other Attendants
SCENEDispersed, in several parts of the Roman Empire.
ACT I
SCENE I. Alexandria. A Room in Cleopatra's palace
Enter Demetrius and Philo.
PHILONay, but this dotage of our general's
O'erflows the measure. Those his goodly eyes,
That o'er the files and musters of the war
Have glowed like plated Mars, now bend, now turn
The office and devotion of their view
On a tawny front. His captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper
And is become the bellows and the fan
To cool a gipsy's lust.
Flourish. Enter Antony and Cleopatra, her Ladies, the Train, with Eunuchs fanning her.
Look where they come:
Take but good note, and you shall see in him
The triple pillar of the world transform'd
Into a strumpet's fool. Behold and see.
O'erflows the measure. Those his goodly eyes,
That o'er the files and musters of the war
Have glowed like plated Mars, now bend, now turn
The office and devotion of their view
On a tawny front. His captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper
And is become the bellows and the fan
To cool a gipsy's lust.
Flourish. Enter Antony and Cleopatra, her Ladies, the Train, with Eunuchs fanning her.
Look where they come:
Take but good note, and you shall see in him
The triple pillar of the world transform'd
Into a strumpet's fool. Behold and see.
CLEOPATRAIf it be love indeed, tell me how much.
ANTONYThere's beggary in the love that can be reckoned.
CLEOPATRAI'll set a bourn how far to be beloved.
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ANTONYThen must thou needs find out new heaven, new earth.
Enter a Messenger.
MESSENGERNews, my good lord, from Rome.
ANTONYGrates me, the sum.
CLEOPATRANay, hear them, Antony.
Fulvia perchance is angry; or who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you: "Do this or this;
Take in that kingdom and enfranchise that.
Perform't, or else we damn thee."
Fulvia perchance is angry; or who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you: "Do this or this;
Take in that kingdom and enfranchise that.
Perform't, or else we damn thee."
ANTONYHow, my love?
CLEOPATRAPerchance! Nay, and most like. You must not stay here longer; your dismission Is come from Caesar; therefore hear it, Antony. Where's Fulvia's process?—Caesar's I would say? Both? Call in the messengers. As I am Egypt's queen, Thou blushest, Antony, and that blood of thine Is Caesar's homager; else so thy cheek pays shame When shrill-tongued Fulvia scolds. The messengers!
ANTONYLet Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.
Kingdoms are clay. Our dungy earth alike
Feeds beast as man. The nobleness of life
Is to do thus [_Embracing_]; when such a mutual pair
And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
Of the ranged empire fall! Here is my space.
Kingdoms are clay. Our dungy earth alike
Feeds beast as man. The nobleness of life
Is to do thus [_Embracing_]; when such a mutual pair
And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
CLEOPATRAExcellent falsehood!
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not. Antony
Will be himself.
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not. Antony
Will be himself.
ANTONYBut stirred by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh.
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh.
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
CLEOPATRAHear the ambassadors.
ANTONYFie, wrangling queen!
Whom everything becomes—to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee fair and admired!
No messenger but thine, and all alone
Tonight we'll wander through the streets and note
The qualities of people. Come, my queen,
Last night you did desire it. Speak not to us.
_Exeunt Antony and Cleopatra with the Train._
Whom everything becomes—to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee fair and admired!
No messenger but thine, and all alone
Tonight we'll wander through the streets and note
The qualities of people. Come, my queen,
Last night you did desire it. Speak not to us.
_Exeunt Antony and Cleopatra with the Train._
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DEMETRIUSIs Caesar with Antonius prized so slight?
PHILOSir, sometimes when he is not Antony,
He comes too short of that great property
Which still should go with Antony.
He comes too short of that great property
Which still should go with Antony.
DEMETRIUSI am full sorry
That he approves the common liar who
Thus speaks of him at Rome, but I will hope
Of better deeds tomorrow. Rest you happy!
_Exeunt._
That he approves the common liar who
Thus speaks of him at Rome, but I will hope
Of better deeds tomorrow. Rest you happy!
_Exeunt._
SCENE II. Alexandria. Another Room in Cleopatra's palace
Enter Enobarbus, a Soothsayer, Charmian, Iras, Mardian and Alexas.
CHARMIANLord Alexas, sweet Alexas, most anything Alexas, almost most absolute Alexas, where's the soothsayer that you praised so to th' queen? O, that I knew this husband which you say must charge his horns with garlands!
ALEXASSoothsayer!
SOOTHSAYERYour will?
CHARMIANIs this the man? Is't you, sir, that know things?
SOOTHSAYERIn nature's infinite book of secrecy
A little I can read.
A little I can read.
ALEXASShow him your hand.
ENOBARBUSBring in the banquet quickly; wine enough
Cleopatra's health to drink.
Cleopatra's health to drink.
CHARMIANGood, sir, give me good fortune.
SOOTHSAYERI make not, but foresee.
CHARMIANPray, then, foresee me one.
SOOTHSAYERYou shall be yet far fairer than you are.
CHARMIANHe means in flesh.
IRASNo, you shall paint when you are old.
CHARMIANWrinkles forbid!
ALEXASVex not his prescience. Be attentive.
CHARMIANHush!
SOOTHSAYERYou shall be more beloving than beloved.
CHARMIANI had rather heat my liver with drinking.
ALEXASNay, hear him.
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CHARMIANGood now, some excellent fortune! Let me be married to three kings in a forenoon and widow them all. Let me have a child at fifty, to whom Herod of Jewry may do homage. Find me to marry me with Octavius Caesar, and companion me with my mistress.
SOOTHSAYERYou shall outlive the lady whom you serve.
CHARMIANO, excellent! I love long life better than figs.
SOOTHSAYERYou have seen and proved a fairer former fortune
Than that which is to approach.
Than that which is to approach.
CHARMIANThen belike my children shall have no names. Prithee, how many boys and wenches must I have?
SOOTHSAYERIf every of your wishes had a womb,
And fertile every wish, a million.
And fertile every wish, a million.
CHARMIANOut, fool! I forgive thee for a witch.
ALEXASYou think none but your sheets are privy to your wishes.
CHARMIANNay, come, tell Iras hers.
ALEXASWe'll know all our fortunes.
ENOBARBUSMine, and most of our fortunes tonight, shall be drunk to bed.
IRASThere's a palm presages chastity, if nothing else.
CHARMIANE'en as the o'erflowing Nilus presageth famine.
IRASGo, you wild bedfellow, you cannot soothsay.
CHARMIANNay, if an oily palm be not a fruitful prognostication, I cannot scratch mine ear. Prithee, tell her but workaday fortune.
SOOTHSAYERYour fortunes are alike.
IRASBut how, but how? give me particulars.
SOOTHSAYERI have said.
IRASAm I not an inch of fortune better than she?
CHARMIANWell, if you were but an inch of fortune better than I, where would you choose it?
IRASNot in my husband's nose.
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CHARMIANOur worser thoughts heavens mend! Alexas—come, his fortune! his fortune! O, let him marry a woman that cannot go, sweet Isis, I beseech thee, and let her die too, and give him a worse, and let worse follow worse, till the worst of all follow him laughing to his grave, fiftyfold a cuckold! Good Isis, hear me this prayer, though thou deny me a matter of more weight; good Isis, I beseech thee!
IRASAmen. Dear goddess, hear that prayer of the people! For, as it is a heartbreaking to see a handsome man loose-wived, so it is a deadly sorrow to behold a foul knave uncuckolded. Therefore, dear Isis, keep decorum and fortune him accordingly!
CHARMIANAmen.
ALEXASLo now, if it lay in their hands to make me a cuckold, they would make themselves whores but they'd do't!
Enter Cleopatra.
ENOBARBUSHush, Here comes Antony.
CHARMIANNot he, the queen.
CLEOPATRASaw you my lord?
ENOBARBUSNo, lady.
CLEOPATRAWas he not here?
CHARMIANNo, madam.
CLEOPATRAHe was disposed to mirth; but on the sudden
A Roman thought hath struck him. Enobarbus!
A Roman thought hath struck him. Enobarbus!
ENOBARBUSMadam?
CLEOPATRASeek him and bring him hither. Where's Alexas?
ALEXASHere, at your service. My lord approaches.
Enter Antony with a Messenger.
CLEOPATRAWe will not look on him. Go with us.
_Exeunt Cleopatra, Enobarbus, Charmian, Iras, Alexas and Soothsayer._
_Exeunt Cleopatra, Enobarbus, Charmian, Iras, Alexas and Soothsayer._
MESSENGERFulvia thy wife first came into the field.
ANTONYAgainst my brother Lucius.
MESSENGERAy.
But soon that war had end, and the time's state
Made friends of them, jointing their force 'gainst Caesar,
Whose better issue in the war from Italy
On the first encounter drave them.
But soon that war had end, and the time's state
Made friends of them, jointing their force 'gainst Caesar,
Whose better issue in the war from Italy
On the first encounter drave them.
ANTONYWell, what worst?
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MESSENGERThe nature of bad news infects the teller.
ANTONYWhen it concerns the fool or coward. On.
Things that are past are done with me. 'Tis thus:
Who tells me true, though in his tale lie death,
I hear him as he flattered.
Things that are past are done with me. 'Tis thus:
Who tells me true, though in his tale lie death,
I hear him as he flattered.
MESSENGERLabienus—
This is stiff news—hath with his Parthian force
Extended Asia from Euphrates
His conquering banner shook from Syria
To Lydia and to Ionia,
While—
This is stiff news—hath with his Parthian force
Extended Asia from Euphrates
His conquering banner shook from Syria
To Lydia and to Ionia,
While—
ANTONY"Antony", thou wouldst say—
MESSENGERO, my lord!
ANTONYSpeak to me home; mince not the general tongue. Name Cleopatra as she is called in Rome; Rail thou in Fulvia's phrase, and taunt my faults With such full licence as both truth and malice Have power to utter. O, then we bring forth weeds When our quick minds lie still, and our ills told us Is as our earing. Fare thee well awhile.
MESSENGERAt your noble pleasure.
_Exit Messenger._
_Exit Messenger._
Enter another Messenger.
ANTONYFrom Sicyon, ho, the news? Speak there!
SECOND MESSENGERThe man from Sicyon—
ANTONYIs there such a one?
SECOND MESSENGERHe stays on your will.
ANTONYLet him appear.
_Exit second Messenger._
These strong Egyptian fetters I must break, Or lose myself in dotage.
_Exit second Messenger._
These strong Egyptian fetters I must break, Or lose myself in dotage.
Enter another Messenger with a letter.
ANTONYWhat are you?
THIRD MESSENGERFulvia thy wife is dead.
ANTONYWhere died she?
THIRD MESSENGERIn Sicyon:
Her length of sickness, with what else more serious
Importeth thee to know, this bears.
_Gives a letter._
Her length of sickness, with what else more serious
Importeth thee to know, this bears.
_Gives a letter._
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ANTONYForbear me.
_Exit third Messenger._
There's a great spirit gone! Thus did I desire it.
What our contempts doth often hurl from us,
We wish it ours again. The present pleasure,
By revolution lowering, does become
The opposite of itself. She's good, being gone.
The hand could pluck her back that shoved her on.
I must from this enchanting queen break off.
Ten thousand harms, more than the ills I know,
My idleness doth hatch. How now, Enobarbus!
_Exit third Messenger._
There's a great spirit gone! Thus did I desire it.
What our contempts doth often hurl from us,
We wish it ours again. The present pleasure,
By revolution lowering, does become
The opposite of itself. She's good, being gone.
The hand could pluck her back that shoved her on.
I must from this enchanting queen break off.
Ten thousand harms, more than the ills I know,
My idleness doth hatch. How now, Enobarbus!
Enter Enobarbus.
ENOBARBUSWhat's your pleasure, sir?
ANTONYI must with haste from hence.
ENOBARBUSWhy then we kill all our women. We see how mortal an unkindness is to them. If they suffer our departure, death's the word.
ANTONYI must be gone.
ENOBARBUSUnder a compelling occasion, let women die. It were pity to cast them away for nothing, though, between them and a great cause they should be esteemed nothing. Cleopatra, catching but the least noise of this, dies instantly. I have seen her die twenty times on far poorer moment. I do think there is mettle in death which commits some loving act on her, she hath such a celerity in dying.
ANTONYShe is cunning past man's thought.
ENOBARBUSAlack, sir, no; her passions are made of nothing but the finest part of pure love. We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report. This cannot be cunning in her; if it be, she makes a shower of rain as well as Jove.
ANTONYWould I had never seen her!
ENOBARBUSO, sir, you had then left unseen a wonderful piece of work, which not to have been blest withal would have discredited your travel.
ANTONYFulvia is dead.
ENOBARBUSSir?
ANTONYFulvia is dead.
ENOBARBUSFulvia?
ANTONYDead.
Antony and CleopatraSida 9 / 100
ENOBARBUSWhy, sir, give the gods a thankful sacrifice. When it pleaseth their deities to take the wife of a man from him, it shows to man the tailors of the earth; comforting therein that when old robes are worn out, there are members to make new. If there were no more women but Fulvia, then had you indeed a cut, and the case to be lamented. This grief is crowned with consolation; your old smock brings forth a new petticoat: and indeed the tears live in an onion that should water this sorrow.
ANTONYThe business she hath broached in the state
Cannot endure my absence.
Cannot endure my absence.
ENOBARBUSAnd the business you have broached here cannot be without you, especially that of Cleopatra's, which wholly depends on your abode.
ANTONYNo more light answers. Let our officers
Have notice what we purpose. I shall break
The cause of our expedience to the Queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us, but the letters too
Of many our contriving friends in Rome
Petition us at home. Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea. Our slippery people,
Whose love is never linked to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
On his son, who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier; whose quality, going on,
The sides o' th' world may danger. Much is breeding
Which, like the courser's hair, hath yet but life
And not a serpent's poison. Say our pleasure
To such whose place is under us, requires
Our quick remove from hence.
Have notice what we purpose. I shall break
The cause of our expedience to the Queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us, but the letters too
Of many our contriving friends in Rome
Petition us at home. Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea. Our slippery people,
Whose love is never linked to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
On his son, who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier; whose quality, going on,
The sides o' th' world may danger. Much is breeding
Which, like the courser's hair, hath yet but life
And not a serpent's poison. Say our pleasure
To such whose place is under us, requires
Our quick remove from hence.
ENOBARBUSI shall do't.
_Exeunt._
_Exeunt._
SCENE III. Alexandria. A Room in Cleopatra's palace
Enter Cleopatra, Charmian, Alexas and Iras.
CLEOPATRAWhere is he?
CHARMIANI did not see him since.
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CLEOPATRASee where he is, who's with him, what he does.
I did not send you. If you find him sad,
Say I am dancing; if in mirth, report
That I am sudden sick. Quick, and return.
_Exit Alexas._
I did not send you. If you find him sad,
Say I am dancing; if in mirth, report
That I am sudden sick. Quick, and return.
_Exit Alexas._
CHARMIANMadam, methinks, if you did love him dearly,
You do not hold the method to enforce
The like from him.
You do not hold the method to enforce
The like from him.
CLEOPATRAWhat should I do I do not?
CHARMIANIn each thing give him way; cross him in nothing.
CLEOPATRAThou teachest like a fool: the way to lose him.
CHARMIANTempt him not so too far; I wish, forbear.
In time we hate that which we often fear.
But here comes Antony.
In time we hate that which we often fear.
But here comes Antony.
Enter Antony.
CLEOPATRAI am sick and sullen.
ANTONYI am sorry to give breathing to my purpose—
CLEOPATRAHelp me away, dear Charmian! I shall fall.
It cannot be thus long; the sides of nature
Will not sustain it.
It cannot be thus long; the sides of nature
Will not sustain it.
ANTONYNow, my dearest queen—
CLEOPATRAPray you, stand farther from me.
ANTONYWhat's the matter?
CLEOPATRAI know by that same eye there's some good news.
What, says the married woman you may go?
Would she had never given you leave to come!
Let her not say 'tis I that keep you here.
I have no power on you; hers you are.
What, says the married woman you may go?
Would she had never given you leave to come!
Let her not say 'tis I that keep you here.
I have no power on you; hers you are.
ANTONYThe gods best know—
CLEOPATRAO, never was there queen
So mightily betrayed! Yet at the first
I saw the treasons planted.
So mightily betrayed! Yet at the first
I saw the treasons planted.
ANTONYCleopatra—
CLEOPATRAWhy should I think you can be mine and true,
Though you in swearing shake the throned gods,
Who have been false to Fulvia? Riotous madness,
To be entangled with those mouth-made vows
Which break themselves in swearing!
Though you in swearing shake the throned gods,
Who have been false to Fulvia? Riotous madness,
To be entangled with those mouth-made vows
Which break themselves in swearing!
ANTONYMost sweet queen—
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CLEOPATRANay, pray you seek no colour for your going,
But bid farewell and go. When you sued staying,
Then was the time for words. No going then,
Eternity was in our lips and eyes,
Bliss in our brows' bent; none our parts so poor
But was a race of heaven. They are so still,
Or thou, the greatest soldier of the world,
Art turned the greatest liar.
But bid farewell and go. When you sued staying,
Then was the time for words. No going then,
Eternity was in our lips and eyes,
Bliss in our brows' bent; none our parts so poor
But was a race of heaven. They are so still,
Or thou, the greatest soldier of the world,
Art turned the greatest liar.
ANTONYHow now, lady!
CLEOPATRAI would I had thy inches, thou shouldst know
There were a heart in Egypt.
There were a heart in Egypt.
ANTONYHear me, queen:
The strong necessity of time commands
Our services awhile, but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords; Sextus Pompeius
Makes his approaches to the port of Rome;
Equality of two domestic powers
Breed scrupulous faction; the hated, grown to strength,
Are newly grown to love; the condemned Pompey,
Rich in his father's honour, creeps apace
Into the hearts of such as have not thrived
On the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change. My more particular,
And that which most with you should safe my going,
Is Fulvia's death.
The strong necessity of time commands
Our services awhile, but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords; Sextus Pompeius
Makes his approaches to the port of Rome;
Equality of two domestic powers
Breed scrupulous faction; the hated, grown to strength,
Are newly grown to love; the condemned Pompey,
Rich in his father's honour, creeps apace
Into the hearts of such as have not thrived
On the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change. My more particular,
And that which most with you should safe my going,
Is Fulvia's death.
CLEOPATRAThough age from folly could not give me freedom,
It does from childishness. Can Fulvia die?
It does from childishness. Can Fulvia die?
ANTONYShe's dead, my queen.
Look here, and at thy sovereign leisure read
The garboils she awaked; at the last, best,
See when and where she died.
Look here, and at thy sovereign leisure read
The garboils she awaked; at the last, best,
See when and where she died.
CLEOPATRAO most false love!
Where be the sacred vials thou shouldst fill
With sorrowful water? Now I see, I see,
In Fulvia's death how mine received shall be.
Where be the sacred vials thou shouldst fill
With sorrowful water? Now I see, I see,
In Fulvia's death how mine received shall be.
ANTONYQuarrel no more, but be prepared to know
The purposes I bear; which are, or cease,
As you shall give th' advice. By the fire
That quickens Nilus' slime, I go from hence
Thy soldier, servant, making peace or war
As thou affects.
The purposes I bear; which are, or cease,
As you shall give th' advice. By the fire
That quickens Nilus' slime, I go from hence
Thy soldier, servant, making peace or war
As thou affects.
CLEOPATRACut my lace, Charmian, come!
But let it be; I am quickly ill and well,
So Antony loves.
But let it be; I am quickly ill and well,
So Antony loves.
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ANTONYMy precious queen, forbear,
And give true evidence to his love, which stands
An honourable trial.
And give true evidence to his love, which stands
An honourable trial.
CLEOPATRASo Fulvia told me.
I prithee, turn aside and weep for her,
Then bid adieu to me, and say the tears
Belong to Egypt. Good now, play one scene
Of excellent dissembling, and let it look
Like perfect honour.
I prithee, turn aside and weep for her,
Then bid adieu to me, and say the tears
Belong to Egypt. Good now, play one scene
Of excellent dissembling, and let it look
Like perfect honour.
ANTONYYou'll heat my blood. No more.
CLEOPATRAYou can do better yet, but this is meetly.
ANTONYNow, by my sword—
CLEOPATRAAnd target. Still he mends.
But this is not the best. Look, prithee, Charmian,
How this Herculean Roman does become
The carriage of his chafe.
But this is not the best. Look, prithee, Charmian,
How this Herculean Roman does become
The carriage of his chafe.
ANTONYI'll leave you, lady.
CLEOPATRACourteous lord, one word.
Sir, you and I must part, but that's not it;
Sir, you and I have loved, but there's not it;
That you know well. Something it is I would—
O, my oblivion is a very Antony,
And I am all forgotten.
Sir, you and I must part, but that's not it;
Sir, you and I have loved, but there's not it;
That you know well. Something it is I would—
O, my oblivion is a very Antony,
And I am all forgotten.
ANTONYBut that your royalty
Holds idleness your subject, I should take you
For idleness itself.
Holds idleness your subject, I should take you
For idleness itself.
CLEOPATRA'Tis sweating labour
To bear such idleness so near the heart
As Cleopatra this. But, sir, forgive me,
Since my becomings kill me when they do not
Eye well to you. Your honour calls you hence;
Therefore be deaf to my unpitied folly,
And all the gods go with you! On your sword
Sit laurel victory, and smooth success
Be strewed before your feet!
To bear such idleness so near the heart
As Cleopatra this. But, sir, forgive me,
Since my becomings kill me when they do not
Eye well to you. Your honour calls you hence;
Therefore be deaf to my unpitied folly,
And all the gods go with you! On your sword
Sit laurel victory, and smooth success
Be strewed before your feet!
ANTONYLet us go. Come.
Our separation so abides and flies
That thou, residing here, goes yet with me,
And I, hence fleeting, here remain with thee.
Away!
_Exeunt._
Our separation so abides and flies
That thou, residing here, goes yet with me,
And I, hence fleeting, here remain with thee.
Away!
_Exeunt._
SCENE IV. Rome. An Apartment in Caesar's House
Enter Octavius [Caesar], Lepidus and their train.
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CAESARYou may see, Lepidus, and henceforth know,
It is not Caesar's natural vice to hate
Our great competitor. From Alexandria
This is the news: he fishes, drinks, and wastes
The lamps of night in revel: is not more manlike
Than Cleopatra, nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsafed to think he had partners. You shall find there
A man who is the abstract of all faults
That all men follow.
It is not Caesar's natural vice to hate
Our great competitor. From Alexandria
This is the news: he fishes, drinks, and wastes
The lamps of night in revel: is not more manlike
Than Cleopatra, nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsafed to think he had partners. You shall find there
A man who is the abstract of all faults
That all men follow.
LEPIDUSI must not think there are
Evils enough to darken all his goodness.
His faults in him seem as the spots of heaven,
More fiery by night's blackness; hereditary
Rather than purchased; what he cannot change
Than what he chooses.
Evils enough to darken all his goodness.
His faults in him seem as the spots of heaven,
More fiery by night's blackness; hereditary
Rather than purchased; what he cannot change
Than what he chooses.
CAESARYou are too indulgent. Let's grant it is not
Amiss to tumble on the bed of Ptolemy,
To give a kingdom for a mirth, to sit
And keep the turn of tippling with a slave,
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat. Say this becomes him—
As his composure must be rare indeed
Whom these things cannot blemish—yet must Antony
No way excuse his foils when we do bear
So great weight in his lightness. If he filled
His vacancy with his voluptuousness,
Full surfeits and the dryness of his bones
Call on him for't. But to confound such time
That drums him from his sport, and speaks as loud
As his own state and ours, 'tis to be chid
As we rate boys who, being mature in knowledge,
Pawn their experience to their present pleasure
And so rebel to judgment.
Amiss to tumble on the bed of Ptolemy,
To give a kingdom for a mirth, to sit
And keep the turn of tippling with a slave,
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat. Say this becomes him—
As his composure must be rare indeed
Whom these things cannot blemish—yet must Antony
No way excuse his foils when we do bear
So great weight in his lightness. If he filled
His vacancy with his voluptuousness,
Full surfeits and the dryness of his bones
Call on him for't. But to confound such time
That drums him from his sport, and speaks as loud
As his own state and ours, 'tis to be chid
As we rate boys who, being mature in knowledge,
Pawn their experience to their present pleasure
And so rebel to judgment.
Enter a Messenger.
LEPIDUSHere's more news.
MESSENGERThy biddings have been done, and every hour,
Most noble Caesar, shalt thou have report
How 'tis abroad. Pompey is strong at sea,
And it appears he is beloved of those
That only have feared Caesar. To the ports
The discontents repair, and men's reports
Give him much wronged.
Most noble Caesar, shalt thou have report
How 'tis abroad. Pompey is strong at sea,
And it appears he is beloved of those
That only have feared Caesar. To the ports
The discontents repair, and men's reports
Give him much wronged.
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CAESARI should have known no less.
It hath been taught us from the primal state
That he which is was wished until he were,
And the ebbed man, ne'er loved till ne'er worth love,
Comes deared by being lacked. This common body,
Like to a vagabond flag on the stream,
Goes to and back, lackeying the varying tide,
To rot itself with motion.
It hath been taught us from the primal state
That he which is was wished until he were,
And the ebbed man, ne'er loved till ne'er worth love,
Comes deared by being lacked. This common body,
Like to a vagabond flag on the stream,
Goes to and back, lackeying the varying tide,
To rot itself with motion.
Enter a second Messenger.
SECOND MESSENGERCaesar, I bring thee word
Menecrates and Menas, famous pirates,
Make the sea serve them, which they ear and wound
With keels of every kind. Many hot inroads
They make in Italy—the borders maritime
Lack blood to think on't—and flush youth revolt.
No vessel can peep forth but 'tis as soon
Taken as seen; for Pompey's name strikes more
Than could his war resisted.
Menecrates and Menas, famous pirates,
Make the sea serve them, which they ear and wound
With keels of every kind. Many hot inroads
They make in Italy—the borders maritime
Lack blood to think on't—and flush youth revolt.
No vessel can peep forth but 'tis as soon
Taken as seen; for Pompey's name strikes more
Than could his war resisted.
CAESARAntony,
Leave thy lascivious wassails. When thou once
Was beaten from Modena, where thou slew'st
Hirtius and Pansa, consuls, at thy heel
Did famine follow, whom thou fought'st against,
Though daintily brought up, with patience more
Than savages could suffer. Thou didst drink
The stale of horses and the gilded puddle
Which beasts would cough at. Thy palate then did deign
The roughest berry on the rudest hedge.
Yea, like the stag when snow the pasture sheets,
The barks of trees thou browsed. On the Alps
It is reported thou didst eat strange flesh
Which some did die to look on. And all this—
It wounds thine honour that I speak it now—
Was borne so like a soldier that thy cheek
So much as lanked not.
Leave thy lascivious wassails. When thou once
Was beaten from Modena, where thou slew'st
Hirtius and Pansa, consuls, at thy heel
Did famine follow, whom thou fought'st against,
Though daintily brought up, with patience more
Than savages could suffer. Thou didst drink
The stale of horses and the gilded puddle
Which beasts would cough at. Thy palate then did deign
The roughest berry on the rudest hedge.
Yea, like the stag when snow the pasture sheets,
The barks of trees thou browsed. On the Alps
It is reported thou didst eat strange flesh
Which some did die to look on. And all this—
It wounds thine honour that I speak it now—
Was borne so like a soldier that thy cheek
So much as lanked not.
LEPIDUS'Tis pity of him.
CAESARLet his shames quickly
Drive him to Rome. 'Tis time we twain
Did show ourselves i' th' field, and to that end
Assemble we immediate council. Pompey
Thrives in our idleness.
Drive him to Rome. 'Tis time we twain
Did show ourselves i' th' field, and to that end
Assemble we immediate council. Pompey
Thrives in our idleness.
LEPIDUSTomorrow, Caesar,
I shall be furnished to inform you rightly
Both what by sea and land I can be able
To front this present time.
I shall be furnished to inform you rightly
Both what by sea and land I can be able
To front this present time.
CAESARTill which encounter
It is my business too. Farewell.
It is my business too. Farewell.
LEPIDUSFarewell, my lord. What you shall know meantime
Of stirs abroad, I shall beseech you, sir,
To let me be partaker.
Of stirs abroad, I shall beseech you, sir,
To let me be partaker.
Antony and CleopatraSida 15 / 100
CAESARDoubt not, sir.
I knew it for my bond.
_Exeunt._
I knew it for my bond.
_Exeunt._
SCENE V. Alexandria. A Room in the Palace
Enter Cleopatra, Charmian, Iras and Mardian.
CLEOPATRACharmian!
CHARMIANMadam?
CLEOPATRAHa, ha!
Give me to drink mandragora.
Give me to drink mandragora.
CHARMIANWhy, madam?
CLEOPATRAThat I might sleep out this great gap of time
My Antony is away.
My Antony is away.
CHARMIANYou think of him too much.
CLEOPATRAO, 'tis treason!
CHARMIANMadam, I trust not so.
CLEOPATRAThou, eunuch Mardian!
MARDIANWhat's your highness' pleasure?
CLEOPATRANot now to hear thee sing. I take no pleasure
In aught an eunuch has. 'Tis well for thee
That, being unseminared, thy freer thoughts
May not fly forth of Egypt. Hast thou affections?
In aught an eunuch has. 'Tis well for thee
That, being unseminared, thy freer thoughts
May not fly forth of Egypt. Hast thou affections?
MARDIANYes, gracious madam.
CLEOPATRAIndeed?
MARDIANNot in deed, madam, for I can do nothing
But what indeed is honest to be done.
Yet have I fierce affections, and think
What Venus did with Mars.
But what indeed is honest to be done.
Yet have I fierce affections, and think
What Venus did with Mars.
CLEOPATRAO, Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? Or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse, for wot'st thou whom thou mov'st?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring "Where's my serpent of old Nile?"
For so he calls me. Now I feed myself
With most delicious poison. Think on me
That am with Phœbus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch. And great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect, and die
With looking on his life.
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? Or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse, for wot'st thou whom thou mov'st?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring "Where's my serpent of old Nile?"
For so he calls me. Now I feed myself
With most delicious poison. Think on me
That am with Phœbus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch. And great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect, and die
With looking on his life.
Enter Alexas.
ALEXASSovereign of Egypt, hail!
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CLEOPATRAHow much unlike art thou Mark Antony!
Yet, coming from him, that great medicine hath
With his tinct gilded thee.
How goes it with my brave Mark Antony?
Yet, coming from him, that great medicine hath
With his tinct gilded thee.
How goes it with my brave Mark Antony?
ALEXASLast thing he did, dear queen,
He kissed—the last of many doubled kisses—
This orient pearl. His speech sticks in my heart.
He kissed—the last of many doubled kisses—
This orient pearl. His speech sticks in my heart.
CLEOPATRAMine ear must pluck it thence.
ALEXAS"Good friend," quoth he,
"Say, the firm Roman to great Egypt sends
This treasure of an oyster; at whose foot,
To mend the petty present, I will piece
Her opulent throne with kingdoms. All the east,
Say thou, shall call her mistress." So he nodded
And soberly did mount an arm-gaunt steed,
Who neighed so high that what I would have spoke
Was beastly dumbed by him.
"Say, the firm Roman to great Egypt sends
This treasure of an oyster; at whose foot,
To mend the petty present, I will piece
Her opulent throne with kingdoms. All the east,
Say thou, shall call her mistress." So he nodded
And soberly did mount an arm-gaunt steed,
Who neighed so high that what I would have spoke
Was beastly dumbed by him.
CLEOPATRAWhat, was he sad or merry?
ALEXASLike to the time o' th' year between the extremes Of hot and cold, he was nor sad nor merry.
CLEOPATRAO well-divided disposition!—Note him,
Note him, good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seemed to tell them his remembrance lay
In Egypt with his joy; but between both.
O heavenly mingle!—Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else.—Met'st thou my posts?
Note him, good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seemed to tell them his remembrance lay
In Egypt with his joy; but between both.
O heavenly mingle!—Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else.—Met'st thou my posts?
ALEXASAy, madam, twenty several messengers.
Why do you send so thick?
Why do you send so thick?
CLEOPATRAWho's born that day
When I forget to send to Antony
Shall die a beggar.—Ink and paper, Charmian.—
Welcome, my good Alexas.—Did I, Charmian,
Ever love Caesar so?
When I forget to send to Antony
Shall die a beggar.—Ink and paper, Charmian.—
Welcome, my good Alexas.—Did I, Charmian,
Ever love Caesar so?
CHARMIANO that brave Caesar!
CLEOPATRABe choked with such another emphasis!
Say "the brave Antony."
Say "the brave Antony."
CHARMIANThe valiant Caesar!
CLEOPATRABy Isis, I will give thee bloody teeth
If thou with Caesar paragon again
My man of men.
If thou with Caesar paragon again
My man of men.
CHARMIANBy your most gracious pardon,
I sing but after you.
I sing but after you.
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CLEOPATRAMy salad days,
When I was green in judgment, cold in blood,
To say as I said then. But come, away,
Get me ink and paper.
He shall have every day a several greeting,
Or I'll unpeople Egypt.
_Exeunt._
When I was green in judgment, cold in blood,
To say as I said then. But come, away,
Get me ink and paper.
He shall have every day a several greeting,
Or I'll unpeople Egypt.
_Exeunt._
ACT II
SCENE I. Messina. A Room in Pompey's house
Enter Pompey, Menecrates and Menas in warlike manner.
POMPEYIf the great gods be just, they shall assist
The deeds of justest men.
The deeds of justest men.
MENECRATESKnow, worthy Pompey,
That what they do delay they not deny.
That what they do delay they not deny.
POMPEYWhiles we are suitors to their throne, decays
The thing we sue for.
The thing we sue for.
MENECRATESWe, ignorant of ourselves,
Beg often our own harms, which the wise powers
Deny us for our good; so find we profit
By losing of our prayers.
Beg often our own harms, which the wise powers
Deny us for our good; so find we profit
By losing of our prayers.
POMPEYI shall do well.
The people love me, and the sea is mine;
My powers are crescent, and my auguring hope
Says it will come to th' full. Mark Antony
In Egypt sits at dinner, and will make
No wars without doors. Caesar gets money where
He loses hearts. Lepidus flatters both,
Of both is flattered; but he neither loves
Nor either cares for him.
The people love me, and the sea is mine;
My powers are crescent, and my auguring hope
Says it will come to th' full. Mark Antony
In Egypt sits at dinner, and will make
No wars without doors. Caesar gets money where
He loses hearts. Lepidus flatters both,
Of both is flattered; but he neither loves
Nor either cares for him.
MENASCaesar and Lepidus
Are in the field. A mighty strength they carry.
Are in the field. A mighty strength they carry.
POMPEYWhere have you this? 'Tis false.
MENASFrom Silvius, sir.
POMPEYHe dreams. I know they are in Rome together,
Looking for Antony. But all the charms of love,
Salt Cleopatra, soften thy waned lip!
Let witchcraft join with beauty, lust with both;
Tie up the libertine in a field of feasts;
Keep his brain fuming. Epicurean cooks
Sharpen with cloyless sauce his appetite,
That sleep and feeding may prorogue his honour
Even till a Lethe'd dullness—
Looking for Antony. But all the charms of love,
Salt Cleopatra, soften thy waned lip!
Let witchcraft join with beauty, lust with both;
Tie up the libertine in a field of feasts;
Keep his brain fuming. Epicurean cooks
Sharpen with cloyless sauce his appetite,
That sleep and feeding may prorogue his honour
Even till a Lethe'd dullness—
Enter Varrius.
POMPEYHow now, Varrius!
VARRIUSThis is most certain that I shall deliver:
Mark Antony is every hour in Rome
Expected. Since he went from Egypt 'tis
A space for farther travel.
Mark Antony is every hour in Rome
Expected. Since he went from Egypt 'tis
A space for farther travel.
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POMPEYI could have given less matter
A better ear.—Menas, I did not think
This amorous surfeiter would have donned his helm
For such a petty war. His soldiership
Is twice the other twain. But let us rear
The higher our opinion, that our stirring
Can from the lap of Egypt's widow pluck
The ne'er lust-wearied Antony.
A better ear.—Menas, I did not think
This amorous surfeiter would have donned his helm
For such a petty war. His soldiership
Is twice the other twain. But let us rear
The higher our opinion, that our stirring
Can from the lap of Egypt's widow pluck
The ne'er lust-wearied Antony.
MENASI cannot hope
Caesar and Antony shall well greet together.
His wife that's dead did trespasses to Caesar;
His brother warred on him, although I think,
Not moved by Antony.
Caesar and Antony shall well greet together.
His wife that's dead did trespasses to Caesar;
His brother warred on him, although I think,
Not moved by Antony.
POMPEYI know not, Menas,
How lesser enmities may give way to greater.
Were't not that we stand up against them all,
'Twere pregnant they should square between themselves,
For they have entertained cause enough
To draw their swords. But how the fear of us
May cement their divisions, and bind up
The petty difference, we yet not know.
Be't as our gods will have't! It only stands
Our lives on to use our strongest hands.
Come, Menas.
_Exeunt._
How lesser enmities may give way to greater.
Were't not that we stand up against them all,
'Twere pregnant they should square between themselves,
For they have entertained cause enough
To draw their swords. But how the fear of us
May cement their divisions, and bind up
The petty difference, we yet not know.
Be't as our gods will have't! It only stands
Our lives on to use our strongest hands.
Come, Menas.
_Exeunt._
SCENE II. Rome. A Room in the House of Lepidus
Enter Enobarbus and Lepidus.
LEPIDUSGood Enobarbus, 'tis a worthy deed,
And shall become you well, to entreat your captain
To soft and gentle speech.
And shall become you well, to entreat your captain
To soft and gentle speech.
ENOBARBUSI shall entreat him
To answer like himself. If Caesar move him,
Let Antony look over Caesar's head
And speak as loud as Mars. By Jupiter,
Were I the wearer of Antonius' beard,
I would not shave't today.
To answer like himself. If Caesar move him,
Let Antony look over Caesar's head
And speak as loud as Mars. By Jupiter,
Were I the wearer of Antonius' beard,
I would not shave't today.
LEPIDUS'Tis not a time
For private stomaching.
For private stomaching.
ENOBARBUSEvery time
Serves for the matter that is then born in't.
Serves for the matter that is then born in't.
LEPIDUSBut small to greater matters must give way.
ENOBARBUSNot if the small come first.
LEPIDUSYour speech is passion;
But pray you stir no embers up. Here comes
The noble Antony.
But pray you stir no embers up. Here comes
The noble Antony.
Enter Antony and Ventidius.
ENOBARBUSAnd yonder Caesar.
Enter Caesar, Maecenas and Agrippa.
ANTONYIf we compose well here, to Parthia.
Hark, Ventidius.
Hark, Ventidius.
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CAESARI do not know, Maecenas. Ask Agrippa.
LEPIDUSNoble friends,
That which combined us was most great, and let not
A leaner action rend us. What's amiss,
May it be gently heard. When we debate
Our trivial difference loud, we do commit
Murder in healing wounds. Then, noble partners,
The rather for I earnestly beseech,
Touch you the sourest points with sweetest terms,
Nor curstness grow to th' matter.
That which combined us was most great, and let not
A leaner action rend us. What's amiss,
May it be gently heard. When we debate
Our trivial difference loud, we do commit
Murder in healing wounds. Then, noble partners,
The rather for I earnestly beseech,
Touch you the sourest points with sweetest terms,
Nor curstness grow to th' matter.
ANTONY'Tis spoken well.
Were we before our armies, and to fight,
I should do thus.
Were we before our armies, and to fight,
I should do thus.
CAESARWelcome to Rome.
ANTONYThank you.
CAESARSit.
ANTONYSit, sir.
CAESARNay, then.
ANTONYI learn you take things ill which are not so,
Or being, concern you not.
Or being, concern you not.
CAESARI must be laughed at
If, or for nothing or a little, I
Should say myself offended, and with you
Chiefly i' th' world; more laughed at that I should
Once name you derogately when to sound your name
It not concerned me.
If, or for nothing or a little, I
Should say myself offended, and with you
Chiefly i' th' world; more laughed at that I should
Once name you derogately when to sound your name
It not concerned me.
ANTONYMy being in Egypt, Caesar,
What was't to you?
What was't to you?
CAESARNo more than my residing here at Rome
Might be to you in Egypt. Yet if you there
Did practise on my state, your being in Egypt
Might be my question.
Might be to you in Egypt. Yet if you there
Did practise on my state, your being in Egypt
Might be my question.
ANTONYHow intend you, practised?
CAESARYou may be pleased to catch at mine intent
By what did here befall me. Your wife and brother
Made wars on me, and their contestation
Was theme for you; you were the word of war.
By what did here befall me. Your wife and brother
Made wars on me, and their contestation
Was theme for you; you were the word of war.
ANTONYYou do mistake your business. My brother never
Did urge me in his act. I did inquire it,
And have my learning from some true reports
That drew their swords with you. Did he not rather
Discredit my authority with yours,
And make the wars alike against my stomach,
Having alike your cause? Of this my letters
Before did satisfy you. If you'll patch a quarrel,
As matter whole you have not to make it with,
It must not be with this.
Did urge me in his act. I did inquire it,
And have my learning from some true reports
That drew their swords with you. Did he not rather
Discredit my authority with yours,
And make the wars alike against my stomach,
Having alike your cause? Of this my letters
Before did satisfy you. If you'll patch a quarrel,
As matter whole you have not to make it with,
It must not be with this.
Antony and CleopatraSida 20 / 100
CAESARYou praise yourself
By laying defects of judgment to me; but
You patched up your excuses.
By laying defects of judgment to me; but
You patched up your excuses.
ANTONYNot so, not so.
I know you could not lack—I am certain on't—
Very necessity of this thought, that I,
Your partner in the cause 'gainst which he fought,
Could not with graceful eyes attend those wars
Which fronted mine own peace. As for my wife,
I would you had her spirit in such another.
The third o' th' world is yours, which with a snaffle
You may pace easy, but not such a wife.
I know you could not lack—I am certain on't—
Very necessity of this thought, that I,
Your partner in the cause 'gainst which he fought,
Could not with graceful eyes attend those wars
Which fronted mine own peace. As for my wife,
I would you had her spirit in such another.
The third o' th' world is yours, which with a snaffle
You may pace easy, but not such a wife.
ENOBARBUSWould we had all such wives, that the men
Might go to wars with the women.
Might go to wars with the women.
ANTONYSo much uncurbable, her garboils, Caesar,
Made out of her impatience—which not wanted
Shrewdness of policy too—I grieving grant
Did you too much disquiet. For that you must
But say I could not help it.
Made out of her impatience—which not wanted
Shrewdness of policy too—I grieving grant
Did you too much disquiet. For that you must
But say I could not help it.
CAESARI wrote to you
When rioting in Alexandria; you
Did pocket up my letters, and with taunts
Did gibe my missive out of audience.
When rioting in Alexandria; you
Did pocket up my letters, and with taunts
Did gibe my missive out of audience.
ANTONYSir,
He fell on me ere admitted, then.
Three kings I had newly feasted, and did want
Of what I was i' th' morning. But next day
I told him of myself, which was as much
As to have asked him pardon. Let this fellow
Be nothing of our strife; if we contend,
Out of our question wipe him.
He fell on me ere admitted, then.
Three kings I had newly feasted, and did want
Of what I was i' th' morning. But next day
I told him of myself, which was as much
As to have asked him pardon. Let this fellow
Be nothing of our strife; if we contend,
Out of our question wipe him.
CAESARYou have broken
The article of your oath, which you shall never
Have tongue to charge me with.
The article of your oath, which you shall never
Have tongue to charge me with.
LEPIDUSSoft, Caesar!
ANTONYNo, Lepidus, let him speak.
The honour is sacred which he talks on now,
Supposing that I lacked it. But on, Caesar:
The article of my oath?
The honour is sacred which he talks on now,
Supposing that I lacked it. But on, Caesar:
The article of my oath?
CAESARTo lend me arms and aid when I required them,
The which you both denied.
The which you both denied.
Antony and CleopatraSida 21 / 100
ANTONYNeglected, rather;
And then when poisoned hours had bound me up
From mine own knowledge. As nearly as I may
I'll play the penitent to you. But mine honesty
Shall not make poor my greatness, nor my power
Work without it. Truth is that Fulvia,
To have me out of Egypt, made wars here,
For which myself, the ignorant motive, do
So far ask pardon as befits mine honour
To stoop in such a case.
And then when poisoned hours had bound me up
From mine own knowledge. As nearly as I may
I'll play the penitent to you. But mine honesty
Shall not make poor my greatness, nor my power
Work without it. Truth is that Fulvia,
To have me out of Egypt, made wars here,
For which myself, the ignorant motive, do
So far ask pardon as befits mine honour
To stoop in such a case.
LEPIDUS'Tis noble spoken.
MAECENASIf it might please you to enforce no further
The griefs between ye; to forget them quite
Were to remember that the present need
Speaks to atone you.
The griefs between ye; to forget them quite
Were to remember that the present need
Speaks to atone you.
LEPIDUSWorthily spoken, Maecenas.
ENOBARBUSOr, if you borrow one another's love for the instant, you may, when you hear no more words of Pompey, return it again. You shall have time to wrangle in when you have nothing else to do.
ANTONYThou art a soldier only. Speak no more.
ENOBARBUSThat truth should be silent I had almost forgot.
ANTONYYou wrong this presence; therefore speak no more.
ENOBARBUSGo to, then. Your considerate stone!
CAESARI do not much dislike the matter, but
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us staunch, from edge to edge
O' th' world I would pursue it.
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us staunch, from edge to edge
O' th' world I would pursue it.
AGRIPPAGive me leave, Caesar.
CAESARSpeak, Agrippa.
AGRIPPAThou hast a sister by the mother's side,
Admired Octavia. Great Mark Antony
Is now a widower.
Admired Octavia. Great Mark Antony
Is now a widower.
CAESARSay not so, Agrippa.
If Cleopatra heard you, your reproof
Were well deserved of rashness.
If Cleopatra heard you, your reproof
Were well deserved of rashness.
ANTONYI am not married, Caesar. Let me hear
Agrippa further speak.
Agrippa further speak.
Antony and CleopatraSida 22 / 100
AGRIPPATo hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing. Truths would be tales,
Where now half-tales be truths. Her love to both
Would each to other, and all loves to both,
Draw after her. Pardon what I have spoke,
For 'tis a studied, not a present thought,
By duty ruminated.
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing. Truths would be tales,
Where now half-tales be truths. Her love to both
Would each to other, and all loves to both,
Draw after her. Pardon what I have spoke,
For 'tis a studied, not a present thought,
By duty ruminated.
ANTONYWill Caesar speak?
CAESARNot till he hears how Antony is touched
With what is spoke already.
With what is spoke already.
ANTONYWhat power is in Agrippa,
If I would say "Agrippa, be it so,"
To make this good?
If I would say "Agrippa, be it so,"
To make this good?
CAESARThe power of Caesar, and
His power unto Octavia.
His power unto Octavia.
ANTONYMay I never
To this good purpose, that so fairly shows,
Dream of impediment! Let me have thy hand.
Further this act of grace; and from this hour
The heart of brothers govern in our loves
And sway our great designs!
To this good purpose, that so fairly shows,
Dream of impediment! Let me have thy hand.
Further this act of grace; and from this hour
The heart of brothers govern in our loves
And sway our great designs!
CAESARThere's my hand.
A sister I bequeath you, whom no brother
Did ever love so dearly. Let her live
To join our kingdoms and our hearts; and never
Fly off our loves again!
A sister I bequeath you, whom no brother
Did ever love so dearly. Let her live
To join our kingdoms and our hearts; and never
Fly off our loves again!
LEPIDUSHappily, amen!
ANTONYI did not think to draw my sword 'gainst Pompey,
For he hath laid strange courtesies and great
Of late on me. I must thank him only,
Lest my remembrance suffer ill report;
At heel of that, defy him.
For he hath laid strange courtesies and great
Of late on me. I must thank him only,
Lest my remembrance suffer ill report;
At heel of that, defy him.
LEPIDUSTime calls on 's.
Of us must Pompey presently be sought,
Or else he seeks out us.
Of us must Pompey presently be sought,
Or else he seeks out us.
ANTONYWhere lies he?
CAESARAbout the Mount Misena.
ANTONYWhat is his strength by land?
CAESARGreat and increasing; but by sea
He is an absolute master.
He is an absolute master.
Antony and CleopatraSida 23 / 100
ANTONYSo is the fame.
Would we had spoke together! Haste we for it.
Yet, ere we put ourselves in arms, dispatch we
The business we have talked of.
Would we had spoke together! Haste we for it.
Yet, ere we put ourselves in arms, dispatch we
The business we have talked of.
CAESARWith most gladness,
And do invite you to my sister's view,
Whither straight I'll lead you.
And do invite you to my sister's view,
Whither straight I'll lead you.
ANTONYLet us, Lepidus, not lack your company.
LEPIDUSNoble Antony, not sickness should detain me.
_Flourish. Exeunt all except Enobarbus, Agrippa and Maecenas._
_Flourish. Exeunt all except Enobarbus, Agrippa and Maecenas._
MAECENASWelcome from Egypt, sir.
ENOBARBUSHalf the heart of Caesar, worthy Maecenas! My honourable friend, Agrippa!
AGRIPPAGood Enobarbus!
MAECENASWe have cause to be glad that matters are so well digested. You stayed well by 't in Egypt.
ENOBARBUSAy, sir, we did sleep day out of countenance and made the night light with drinking.
MAECENASEight wild boars roasted whole at a breakfast, and but twelve persons there. Is this true?
ENOBARBUSThis was but as a fly by an eagle. We had much more monstrous matter of feast, which worthily deserved noting.
MAECENASShe's a most triumphant lady, if report be square to her.
ENOBARBUSWhen she first met Mark Antony, she pursed up his heart on the river of Cydnus.
AGRIPPAThere she appeared indeed, or my reporter devised well for her.
Antony and CleopatraSida 24 / 100
ENOBARBUSI will tell you.
The barge she sat in, like a burnished throne,
Burned on the water. The poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggared all description: she did lie
In her pavilion, cloth-of-gold of tissue,
O'erpicturing that Venus where we see
The fancy outwork nature. On each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-coloured fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
The barge she sat in, like a burnished throne,
Burned on the water. The poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggared all description: she did lie
In her pavilion, cloth-of-gold of tissue,
O'erpicturing that Venus where we see
The fancy outwork nature. On each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-coloured fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
AGRIPPAO, rare for Antony!
ENOBARBUSHer gentlewomen, like the Nereides,
So many mermaids, tended her i' th' eyes,
And made their bends adornings. At the helm
A seeming mermaid steers. The silken tackle
Swell with the touches of those flower-soft hands
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out on her, and Antony,
Enthroned i' th' market-place, did sit alone,
Whistling to th' air, which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.
So many mermaids, tended her i' th' eyes,
And made their bends adornings. At the helm
A seeming mermaid steers. The silken tackle
Swell with the touches of those flower-soft hands
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out on her, and Antony,
Enthroned i' th' market-place, did sit alone,
Whistling to th' air, which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.
AGRIPPARare Egyptian!
ENOBARBUSOn her landing, Antony sent to her,
Invited her to supper. She replied
It should be better he became her guest,
Which she entreated. Our courteous Antony,
Whom ne'er the word of "No" woman heard speak,
Being barbered ten times o'er, goes to the feast,
And, for his ordinary, pays his heart
For what his eyes eat only.
Invited her to supper. She replied
It should be better he became her guest,
Which she entreated. Our courteous Antony,
Whom ne'er the word of "No" woman heard speak,
Being barbered ten times o'er, goes to the feast,
And, for his ordinary, pays his heart
For what his eyes eat only.
AGRIPPARoyal wench!
She made great Caesar lay his sword to bed.
He ploughed her, and she cropped.
She made great Caesar lay his sword to bed.
He ploughed her, and she cropped.
ENOBARBUSI saw her once
Hop forty paces through the public street
And, having lost her breath, she spoke and panted,
That she did make defect perfection,
And, breathless, pour breath forth.
Hop forty paces through the public street
And, having lost her breath, she spoke and panted,
That she did make defect perfection,
And, breathless, pour breath forth.
MAECENASNow Antony must leave her utterly.
Antony and CleopatraSida 25 / 100
ENOBARBUSNever. He will not.
Age cannot wither her, nor custom stale
Her infinite variety. Other women cloy
The appetites they feed, but she makes hungry
Where most she satisfies. For vilest things
Become themselves in her, that the holy priests
Bless her when she is riggish.
Age cannot wither her, nor custom stale
Her infinite variety. Other women cloy
The appetites they feed, but she makes hungry
Where most she satisfies. For vilest things
Become themselves in her, that the holy priests
Bless her when she is riggish.
MAECENASIf beauty, wisdom, modesty can settle
The heart of Antony, Octavia is
A blessed lottery to him.
The heart of Antony, Octavia is
A blessed lottery to him.
AGRIPPALet us go.
Good Enobarbus, make yourself my guest
While you abide here.
Good Enobarbus, make yourself my guest
While you abide here.
ENOBARBUSHumbly, sir, I thank you.
_Exeunt._
_Exeunt._
SCENE III. Rome. A Room in Caesar's House
Enter Antony, Caesar, Octavia between them.
ANTONYThe world and my great office will sometimes
Divide me from your bosom.
Divide me from your bosom.
OCTAVIAAll which time
Before the gods my knee shall bow my prayers
To them for you.
Before the gods my knee shall bow my prayers
To them for you.
ANTONYGood night, sir.—My Octavia,
Read not my blemishes in the world's report.
I have not kept my square, but that to come
Shall all be done by th' rule. Good night, dear lady.
Read not my blemishes in the world's report.
I have not kept my square, but that to come
Shall all be done by th' rule. Good night, dear lady.
OCTAVIAGood night, sir.
CAESARGood night.
_Exeunt Caesar and Octavia._
_Exeunt Caesar and Octavia._
Enter Soothsayer.
ANTONYNow, sirrah, you do wish yourself in Egypt?
SOOTHSAYERWould I had never come from thence, nor you thither!
ANTONYIf you can, your reason.
SOOTHSAYERI see it in my motion, have it not in my tongue.
But yet hie you to Egypt again.
But yet hie you to Egypt again.
ANTONYSay to me, Whose fortunes shall rise higher, Caesar's or mine?
SOOTHSAYERCaesar's.
Therefore, O Antony, stay not by his side.
Thy dæmon—that thy spirit which keeps thee—is
Noble, courageous, high, unmatchable,
Where Caesar's is not. But near him, thy angel
Becomes afeard, as being o'erpowered. Therefore
Make space enough between you.
Therefore, O Antony, stay not by his side.
Thy dæmon—that thy spirit which keeps thee—is
Noble, courageous, high, unmatchable,
Where Caesar's is not. But near him, thy angel
Becomes afeard, as being o'erpowered. Therefore
Make space enough between you.
ANTONYSpeak this no more.
Antony and CleopatraSida 26 / 100
SOOTHSAYERTo none but thee; no more but when to thee.
If thou dost play with him at any game,
Thou art sure to lose; and of that natural luck
He beats thee 'gainst the odds. Thy lustre thickens
When he shines by. I say again, thy spirit
Is all afraid to govern thee near him;
But, he away, 'tis noble.
If thou dost play with him at any game,
Thou art sure to lose; and of that natural luck
He beats thee 'gainst the odds. Thy lustre thickens
When he shines by. I say again, thy spirit
Is all afraid to govern thee near him;
But, he away, 'tis noble.
ANTONYGet thee gone.
Say to Ventidius I would speak with him.
_Exit Soothsayer._
He shall to Parthia. Be it art or hap,
He hath spoken true. The very dice obey him,
And in our sports my better cunning faints
Under his chance. If we draw lots, he speeds;
His cocks do win the battle still of mine
When it is all to naught, and his quails ever
Beat mine, inhooped, at odds. I will to Egypt:
And though I make this marriage for my peace,
I' th' East my pleasure lies.
Say to Ventidius I would speak with him.
_Exit Soothsayer._
He shall to Parthia. Be it art or hap,
He hath spoken true. The very dice obey him,
And in our sports my better cunning faints
Under his chance. If we draw lots, he speeds;
His cocks do win the battle still of mine
When it is all to naught, and his quails ever
Beat mine, inhooped, at odds. I will to Egypt:
And though I make this marriage for my peace,
I' th' East my pleasure lies.
Enter Ventidius.
ANTONYO, come, Ventidius,
You must to Parthia. Your commission's ready.
Follow me and receive 't.
_Exeunt._
You must to Parthia. Your commission's ready.
Follow me and receive 't.
_Exeunt._
SCENE IV. Rome. A street
Enter Lepidus, Maecenas and Agrippa.
LEPIDUSTrouble yourselves no further. Pray you hasten
Your generals after.
Your generals after.
AGRIPPASir, Mark Antony
Will e'en but kiss Octavia, and we'll follow.
Will e'en but kiss Octavia, and we'll follow.
LEPIDUSTill I shall see you in your soldier's dress,
Which will become you both, farewell.
Which will become you both, farewell.
MAECENASWe shall,
As I conceive the journey, be at the Mount
Before you, Lepidus.
As I conceive the journey, be at the Mount
Before you, Lepidus.
LEPIDUSYour way is shorter;
My purposes do draw me much about.
You'll win two days on me.
My purposes do draw me much about.
You'll win two days on me.
BOTHSir, good success!
LEPIDUSFarewell.
_Exeunt._
_Exeunt._
SCENE V. Alexandria. A Room in the PalaceSida 27 / 100
SCENE V. Alexandria. A Room in the Palace
Enter Cleopatra, Charmian, Iras, Alexas.
CLEOPATRAGive me some music—music, moody food
Of us that trade in love.
Of us that trade in love.
ALLThe music, ho!
Enter Mardian, the eunuch.
CLEOPATRALet it alone. Let's to billiards. Come, Charmian.
CHARMIANMy arm is sore. Best play with Mardian.
CLEOPATRAAs well a woman with an eunuch played
As with a woman. Come, you'll play with me, sir?
As with a woman. Come, you'll play with me, sir?
MARDIANAs well as I can, madam.
CLEOPATRAAnd when good will is showed, though't come too short,
The actor may plead pardon. I'll none now.
Give me mine angle; we'll to the river. There,
My music playing far off, I will betray
Tawny-finned fishes. My bended hook shall pierce
Their slimy jaws, and as I draw them up
I'll think them every one an Antony,
And say "Ah, ha! You're caught."
The actor may plead pardon. I'll none now.
Give me mine angle; we'll to the river. There,
My music playing far off, I will betray
Tawny-finned fishes. My bended hook shall pierce
Their slimy jaws, and as I draw them up
I'll think them every one an Antony,
And say "Ah, ha! You're caught."
CHARMIAN'Twas merry when
You wagered on your angling; when your diver
Did hang a salt fish on his hook, which he
With fervency drew up.
You wagered on your angling; when your diver
Did hang a salt fish on his hook, which he
With fervency drew up.
CLEOPATRAThat time?—O times!—
I laughed him out of patience; and that night
I laughed him into patience, and next morn,
Ere the ninth hour, I drunk him to his bed,
Then put my tires and mantles on him, while
I wore his sword Philippan.
I laughed him out of patience; and that night
I laughed him into patience, and next morn,
Ere the ninth hour, I drunk him to his bed,
Then put my tires and mantles on him, while
I wore his sword Philippan.
Enter Messenger.
CLEOPATRAO! from Italy!
Ram thou thy fruitful tidings in mine ears,
That long time have been barren.
Ram thou thy fruitful tidings in mine ears,
That long time have been barren.
MESSENGERMadam, madam—
CLEOPATRAAntony's dead! If thou say so, villain,
Thou kill'st thy mistress. But well and free,
If thou so yield him, there is gold, and here
My bluest veins to kiss, a hand that kings
Have lipped, and trembled kissing.
Thou kill'st thy mistress. But well and free,
If thou so yield him, there is gold, and here
My bluest veins to kiss, a hand that kings
Have lipped, and trembled kissing.
MESSENGERFirst, madam, he's well.
CLEOPATRAWhy, there's more gold.
But sirrah, mark, we use
To say the dead are well. Bring it to that,
The gold I give thee will I melt and pour
Down thy ill-uttering throat.
But sirrah, mark, we use
To say the dead are well. Bring it to that,
The gold I give thee will I melt and pour
Down thy ill-uttering throat.
MESSENGERGood madam, hear me.
SCENE V. Alexandria. A Room in the PalaceSida 28 / 100
CLEOPATRAWell, go to, I will.
But there's no goodness in thy face if Antony
Be free and healthful. So tart a favour
To trumpet such good tidings! If not well,
Thou shouldst come like a Fury crowned with snakes,
Not like a formal man.
But there's no goodness in thy face if Antony
Be free and healthful. So tart a favour
To trumpet such good tidings! If not well,
Thou shouldst come like a Fury crowned with snakes,
Not like a formal man.
MESSENGERWill't please you hear me?
CLEOPATRAI have a mind to strike thee ere thou speak'st.
Yet if thou say Antony lives, is well,
Or friends with Caesar, or not captive to him,
I'll set thee in a shower of gold and hail
Rich pearls on thee.
Yet if thou say Antony lives, is well,
Or friends with Caesar, or not captive to him,
I'll set thee in a shower of gold and hail
Rich pearls on thee.
MESSENGERMadam, he's well.
CLEOPATRAWell said.
MESSENGERAnd friends with Caesar.
CLEOPATRATh' art an honest man.
MESSENGERCaesar and he are greater friends than ever.
CLEOPATRAMake thee a fortune from me.
MESSENGERBut yet, madam—
CLEOPATRAI do not like "But yet", it does allay
The good precedence. Fie on "But yet"!
"But yet" is as a gaoler to bring forth
Some monstrous malefactor. Prithee, friend,
Pour out the pack of matter to mine ear,
The good and bad together: he's friends with Caesar,
In state of health, thou say'st; and, thou say'st, free.
The good precedence. Fie on "But yet"!
"But yet" is as a gaoler to bring forth
Some monstrous malefactor. Prithee, friend,
Pour out the pack of matter to mine ear,
The good and bad together: he's friends with Caesar,
In state of health, thou say'st; and, thou say'st, free.
MESSENGERFree, madam? No. I made no such report.
He's bound unto Octavia.
He's bound unto Octavia.
CLEOPATRAFor what good turn?
MESSENGERFor the best turn i' th' bed.
CLEOPATRAI am pale, Charmian.
MESSENGERMadam, he's married to Octavia.
CLEOPATRAThe most infectious pestilence on thee!
_Strikes him down._
_Strikes him down._
MESSENGERGood madam, patience.
CLEOPATRAWhat say you?
_Strikes him again._
Hence, horrible villain, or I'll spurn thine eyes Like balls before me! I'll unhair thy head!
_She hales him up and down._
Thou shalt be whipped with wire and stewed in brine, Smarting in ling'ring pickle.
_Strikes him again._
Hence, horrible villain, or I'll spurn thine eyes Like balls before me! I'll unhair thy head!
_She hales him up and down._
Thou shalt be whipped with wire and stewed in brine, Smarting in ling'ring pickle.
MESSENGERGracious madam,
I that do bring the news made not the match.
I that do bring the news made not the match.
SCENE V. Alexandria. A Room in the PalaceSida 29 / 100
CLEOPATRASay 'tis not so, a province I will give thee,
And make thy fortunes proud. The blow thou hadst
Shall make thy peace for moving me to rage,
And I will boot thee with what gift beside
Thy modesty can beg.
And make thy fortunes proud. The blow thou hadst
Shall make thy peace for moving me to rage,
And I will boot thee with what gift beside
Thy modesty can beg.
MESSENGERHe's married, madam.
CLEOPATRARogue, thou hast lived too long.
_Draws a knife._
_Draws a knife._
MESSENGERNay then I'll run.
What mean you, madam? I have made no fault.
_Exit._
What mean you, madam? I have made no fault.
_Exit._
CHARMIANGood madam, keep yourself within yourself.
The man is innocent.
The man is innocent.
CLEOPATRASome innocents 'scape not the thunderbolt.
Melt Egypt into Nile, and kindly creatures
Turn all to serpents! Call the slave again.
Though I am mad, I will not bite him. Call!
Melt Egypt into Nile, and kindly creatures
Turn all to serpents! Call the slave again.
Though I am mad, I will not bite him. Call!
CHARMIANHe is afeard to come.
CLEOPATRAI will not hurt him.
_Exit Charmian._
These hands do lack nobility that they strike
A meaner than myself, since I myself
Have given myself the cause.
_Exit Charmian._
These hands do lack nobility that they strike
A meaner than myself, since I myself
Have given myself the cause.
Enter the Messenger again with Charmian.
CLEOPATRACome hither, sir.
Though it be honest, it is never good
To bring bad news. Give to a gracious message
An host of tongues, but let ill tidings tell
Themselves when they be felt.
Though it be honest, it is never good
To bring bad news. Give to a gracious message
An host of tongues, but let ill tidings tell
Themselves when they be felt.
MESSENGERI have done my duty.
CLEOPATRAIs he married?
I cannot hate thee worser than I do
If thou again say "Yes."
I cannot hate thee worser than I do
If thou again say "Yes."
MESSENGERHe's married, madam.
CLEOPATRAThe gods confound thee! Dost thou hold there still!
MESSENGERShould I lie, madam?
CLEOPATRAO, I would thou didst,
So half my Egypt were submerged and made
A cistern for scaled snakes! Go, get thee hence.
Hadst thou Narcissus in thy face, to me
Thou wouldst appear most ugly. He is married?
So half my Egypt were submerged and made
A cistern for scaled snakes! Go, get thee hence.
Hadst thou Narcissus in thy face, to me
Thou wouldst appear most ugly. He is married?
MESSENGERI crave your highness' pardon.
CLEOPATRAHe is married?
MESSENGERTake no offence that I would not offend you.
To punish me for what you make me do
Seems much unequal. He's married to Octavia.
To punish me for what you make me do
Seems much unequal. He's married to Octavia.
SCENE V. Alexandria. A Room in the PalaceSida 30 / 100
CLEOPATRAO, that his fault should make a knave of thee That art not what thou'rt sure of! Get thee hence! The merchandise which thou hast brought from Rome Are all too dear for me. Lie they on thy hand, And be undone by 'em!
_Exit Messenger._
_Exit Messenger._
CHARMIANGood your highness, patience.
CLEOPATRAIn praising Antony I have dispraised Caesar.
CHARMIANMany times, madam.
CLEOPATRAI am paid for't now.
Lead me from hence;
I faint. O Iras, Charmian! 'Tis no matter.
Go to the fellow, good Alexas, bid him
Report the feature of Octavia, her years,
Her inclination; let him not leave out
The colour of her hair. Bring me word quickly.
_Exit Alexas._
Let him for ever go—let him not, Charmian. Though he be painted one way like a Gorgon, The other way 's a Mars. [_To Mardian_] Bid you Alexas Bring me word how tall she is. Pity me, Charmian, But do not speak to me. Lead me to my chamber.
_Exeunt._
Lead me from hence;
I faint. O Iras, Charmian! 'Tis no matter.
Go to the fellow, good Alexas, bid him
Report the feature of Octavia, her years,
Her inclination; let him not leave out
The colour of her hair. Bring me word quickly.
_Exit Alexas._
Let him for ever go—let him not, Charmian. Though he be painted one way like a Gorgon, The other way 's a Mars. [_To Mardian_] Bid you Alexas Bring me word how tall she is. Pity me, Charmian, But do not speak to me. Lead me to my chamber.
_Exeunt._
SCENE VI. Near MisenumSida 31 / 100
SCENE VI. Near Misenum
Flourish. Enter Pompey and Menas at one door, with drum and trumpet; at another, Caesar, Lepidus, Antony, Enobarbus, Maecenas, Agrippa, with Soldiers marching.
POMPEYYour hostages I have, so have you mine,
And we shall talk before we fight.
And we shall talk before we fight.
CAESARMost meet
That first we come to words, and therefore have we
Our written purposes before us sent,
Which if thou hast considered, let us know
If 'twill tie up thy discontented sword
And carry back to Sicily much tall youth
That else must perish here.
That first we come to words, and therefore have we
Our written purposes before us sent,
Which if thou hast considered, let us know
If 'twill tie up thy discontented sword
And carry back to Sicily much tall youth
That else must perish here.
POMPEYTo you all three,
The senators alone of this great world,
Chief factors for the gods: I do not know
Wherefore my father should revengers want,
Having a son and friends, since Julius Caesar,
Who at Philippi the good Brutus ghosted,
There saw you labouring for him. What was't
That moved pale Cassius to conspire? And what
Made the all-honoured, honest Roman, Brutus,
With the armed rest, courtiers of beauteous freedom,
To drench the Capitol, but that they would
Have one man but a man? And that is it
Hath made me rig my navy, at whose burden
The angered ocean foams, with which I meant
To scourge th' ingratitude that despiteful Rome
Cast on my noble father.
The senators alone of this great world,
Chief factors for the gods: I do not know
Wherefore my father should revengers want,
Having a son and friends, since Julius Caesar,
Who at Philippi the good Brutus ghosted,
There saw you labouring for him. What was't
That moved pale Cassius to conspire? And what
Made the all-honoured, honest Roman, Brutus,
With the armed rest, courtiers of beauteous freedom,
To drench the Capitol, but that they would
Have one man but a man? And that is it
Hath made me rig my navy, at whose burden
The angered ocean foams, with which I meant
To scourge th' ingratitude that despiteful Rome
Cast on my noble father.
CAESARTake your time.
ANTONYThou canst not fear us, Pompey, with thy sails.
We'll speak with thee at sea. At land thou know'st
How much we do o'ercount thee.
We'll speak with thee at sea. At land thou know'st
How much we do o'ercount thee.
POMPEYAt land indeed
Thou dost o'ercount me of my father's house;
But since the cuckoo builds not for himself,
Remain in't as thou mayst.
Thou dost o'ercount me of my father's house;
But since the cuckoo builds not for himself,
Remain in't as thou mayst.
LEPIDUSBe pleased to tell us—
For this is from the present—how you take
The offers we have sent you.
For this is from the present—how you take
The offers we have sent you.
CAESARThere's the point.
ANTONYWhich do not be entreated to, but weigh
What it is worth embraced.
What it is worth embraced.
CAESARAnd what may follow
To try a larger fortune.
To try a larger fortune.
SCENE VI. Near MisenumSida 32 / 100
POMPEYYou have made me offer
Of Sicily, Sardinia; and I must
Rid all the sea of pirates; then to send
Measures of wheat to Rome. This 'greed on,
To part with unhacked edges and bear back
Our targes undinted.
CAESAR, ANTONY, and LEPIDUS. That's our offer.
Of Sicily, Sardinia; and I must
Rid all the sea of pirates; then to send
Measures of wheat to Rome. This 'greed on,
To part with unhacked edges and bear back
Our targes undinted.
CAESAR, ANTONY, and LEPIDUS. That's our offer.
POMPEYKnow, then,
I came before you here a man prepared
To take this offer. But Mark Antony
Put me to some impatience. Though I lose
The praise of it by telling, you must know
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.
I came before you here a man prepared
To take this offer. But Mark Antony
Put me to some impatience. Though I lose
The praise of it by telling, you must know
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.
ANTONYI have heard it, Pompey,
And am well studied for a liberal thanks
Which I do owe you.
And am well studied for a liberal thanks
Which I do owe you.
POMPEYLet me have your hand.
I did not think, sir, to have met you here.
I did not think, sir, to have met you here.
ANTONYThe beds i' th' East are soft; and thanks to you,
That called me timelier than my purpose hither,
For I have gained by 't.
That called me timelier than my purpose hither,
For I have gained by 't.
CAESARSince I saw you last,
There is a change on you.
There is a change on you.
POMPEYWell, I know not
What counts harsh Fortune casts on my face,
But in my bosom shall she never come
To make my heart her vassal.
What counts harsh Fortune casts on my face,
But in my bosom shall she never come
To make my heart her vassal.
LEPIDUSWell met here.
POMPEYI hope so, Lepidus. Thus we are agreed.
I crave our composition may be written
And sealed between us.
I crave our composition may be written
And sealed between us.
CAESARThat's the next to do.
POMPEYWe'll feast each other ere we part, and let's
Draw lots who shall begin.
Draw lots who shall begin.
ANTONYThat will I, Pompey.
POMPEYNo, Antony, take the lot.
But, first or last, your fine Egyptian cookery
Shall have the fame. I have heard that Julius Caesar
Grew fat with feasting there.
But, first or last, your fine Egyptian cookery
Shall have the fame. I have heard that Julius Caesar
Grew fat with feasting there.
ANTONYYou have heard much.
POMPEYI have fair meanings, sir.
ANTONYAnd fair words to them.
POMPEYThen so much have I heard.
And I have heard Apollodorus carried—
And I have heard Apollodorus carried—
ENOBARBUSNo more of that. He did so.
POMPEYWhat, I pray you?
SCENE VI. Near MisenumSida 33 / 100
ENOBARBUSA certain queen to Caesar in a mattress.
POMPEYI know thee now. How far'st thou, soldier?
ENOBARBUSWell;
And well am like to do, for I perceive
Four feasts are toward.
And well am like to do, for I perceive
Four feasts are toward.
POMPEYLet me shake thy hand.
I never hated thee. I have seen thee fight
When I have envied thy behaviour.
I never hated thee. I have seen thee fight
When I have envied thy behaviour.
ENOBARBUSSir,
I never loved you much, but I ha' praised ye
When you have well deserved ten times as much
As I have said you did.
I never loved you much, but I ha' praised ye
When you have well deserved ten times as much
As I have said you did.
POMPEYEnjoy thy plainness;
It nothing ill becomes thee.
Aboard my galley I invite you all.
Will you lead, lords?
CAESAR, ANTONY, and LEPIDUS. Show's the way, sir.
It nothing ill becomes thee.
Aboard my galley I invite you all.
Will you lead, lords?
CAESAR, ANTONY, and LEPIDUS. Show's the way, sir.
POMPEYCome.
_Exeunt all but Enobarbus and Menas._
_Exeunt all but Enobarbus and Menas._
MENAS[_Aside_.] Thy father, Pompey, would ne'er have made this treaty.— You and I have known, sir.
ENOBARBUSAt sea, I think.
MENASWe have, sir.
ENOBARBUSYou have done well by water.
MENASAnd you by land.
ENOBARBUSI will praise any man that will praise me, though it cannot be denied what I have done by land.
MENASNor what I have done by water.
ENOBARBUSYes, something you can deny for your own safety: you have been a great thief by sea.
MENASAnd you by land.
ENOBARBUSThere I deny my land service. But give me your hand, Menas. If our eyes had authority, here they might take two thieves kissing.
MENASAll men's faces are true, whatsome'er their hands are.
ENOBARBUSBut there is never a fair woman has a true face.
MENASNo slander. They steal hearts.
ENOBARBUSWe came hither to fight with you.
MENASFor my part, I am sorry it is turned to a drinking. Pompey doth this day laugh away his fortune.
ENOBARBUSIf he do, sure he cannot weep 't back again.
SCENE VI. Near MisenumSida 34 / 100
MENASYou have said, sir. We looked not for Mark Antony here. Pray you, is he married to Cleopatra?
ENOBARBUSCaesar's sister is called Octavia.
MENASTrue, sir. She was the wife of Caius Marcellus.
ENOBARBUSBut she is now the wife of Marcus Antonius.
MENASPray you, sir?
ENOBARBUS'Tis true.
MENASThen is Caesar and he for ever knit together.
ENOBARBUSIf I were bound to divine of this unity, I would not prophesy so.
MENASI think the policy of that purpose made more in the marriage than the love of the parties.
ENOBARBUSI think so too. But you shall find the band that seems to tie their friendship together will be the very strangler of their amity. Octavia is of a holy, cold, and still conversation.
MENASWho would not have his wife so?
ENOBARBUSNot he that himself is not so; which is Mark Antony. He will to his Egyptian dish again. Then shall the sighs of Octavia blow the fire up in Caesar, and, as I said before, that which is the strength of their amity shall prove the immediate author of their variance. Antony will use his affection where it is. He married but his occasion here.
MENASAnd thus it may be. Come, sir, will you aboard? I have a health for you.
ENOBARBUSI shall take it, sir. We have used our throats in Egypt.
MENASCome, let's away.
_Exeunt._
_Exeunt._
SCENE VII. On board Pompey's Galley, lying near MisenumSida 35 / 100
SCENE VII. On board Pompey's Galley, lying near Misenum
Music. Enter two or three Servants with a banquet.
FIRST SERVANTHere they'll be, man. Some o' their plants are ill-rooted already; the least wind i' th' world will blow them down.
SECOND SERVANTLepidus is high-coloured.
FIRST SERVANTThey have made him drink alms-drink.
SECOND SERVANTAs they pinch one another by the disposition, he cries out "no more", reconciles them to his entreaty and himself to th' drink.
FIRST SERVANTBut it raises the greater war between him and his discretion.
SECOND SERVANTWhy, this it is to have a name in great men's fellowship. I had as lief have a reed that will do me no service as a partisan I could not heave.
FIRST SERVANTTo be called into a huge sphere, and not to be seen to move in 't, are the holes where eyes should be, which pitifully disaster the cheeks.
A sennet sounded. Enter Caesar, Antony, Pompey, Lepidus, Agrippa, Maecenas, Enobarbus, Menas with other Captains.
A sennet sounded. Enter Caesar, Antony, Pompey, Lepidus, Agrippa, Maecenas, Enobarbus, Menas with other Captains.
ANTONY[_To Caesar_.] Thus do they, sir: they take the flow o' th' Nile
By certain scales i' th' pyramid; they know
By th' height, the lowness, or the mean, if dearth
Or foison follow. The higher Nilus swells,
The more it promises. As it ebbs, the seedsman
On the slime and ooze scatters his grain,
And shortly comes to harvest.
By certain scales i' th' pyramid; they know
By th' height, the lowness, or the mean, if dearth
Or foison follow. The higher Nilus swells,
The more it promises. As it ebbs, the seedsman
On the slime and ooze scatters his grain,
And shortly comes to harvest.
LEPIDUSYou've strange serpents there?
ANTONYAy, Lepidus.
LEPIDUSYour serpent of Egypt is bred now of your mud by the operation of your sun; so is your crocodile.
ANTONYThey are so.
POMPEYSit, and some wine! A health to Lepidus!
LEPIDUSI am not so well as I should be, but I'll ne'er out.
ENOBARBUSNot till you have slept. I fear me you'll be in till then.
LEPIDUSNay, certainly, I have heard the Ptolemies' pyramises are very goodly things. Without contradiction I have heard that.
SCENE VII. On board Pompey's Galley, lying near MisenumSida 36 / 100
MENAS[_Aside to Pompey_.] Pompey, a word.
POMPEY[_Aside to Menas_.] Say in mine ear what is 't?
MENAS[_Whispers in 's ear._] Forsake thy seat, I do beseech thee, captain, And hear me speak a word.
POMPEY[_Aside to Menas._] Forbear me till anon.—
This wine for Lepidus!
This wine for Lepidus!
LEPIDUSWhat manner o' thing is your crocodile?
ANTONYIt is shaped, sir, like itself, and it is as broad as it hath breadth. It is just so high as it is, and moves with it own organs. It lives by that which nourisheth it, and the elements once out of it, it transmigrates.
LEPIDUSWhat colour is it of?
ANTONYOf its own colour too.
LEPIDUS'Tis a strange serpent.
ANTONY'Tis so, and the tears of it are wet.
CAESARWill this description satisfy him?
ANTONYWith the health that Pompey gives him, else he is a very epicure.
POMPEY[_Aside to Menas._] Go hang, sir, hang! Tell me of that? Away! Do as I bid you.—Where's this cup I called for?
MENAS[_Aside to Pompey_.] If for the sake of merit thou wilt hear me, Rise from thy stool.
POMPEY[_Aside to Menas_.] I think thou'rt mad.
_Rises and walks aside._
The matter?
_Rises and walks aside._
The matter?
MENASI have ever held my cap off to thy fortunes.
POMPEYThou hast served me with much faith. What's else to say?— Be jolly, lords.
ANTONYThese quicksands, Lepidus,
Keep off them, for you sink.
Keep off them, for you sink.
MENASWilt thou be lord of all the world?
POMPEYWhat sayst thou?
MENASWilt thou be lord of the whole world?
That's twice.
That's twice.
POMPEYHow should that be?
MENASBut entertain it,
And though you think me poor, I am the man
Will give thee all the world.
And though you think me poor, I am the man
Will give thee all the world.
POMPEYHast thou drunk well?
SCENE VII. On board Pompey's Galley, lying near MisenumSida 37 / 100
MENASNo, Pompey, I have kept me from the cup.
Thou art, if thou dar'st be, the earthly Jove.
Whate'er the ocean pales or sky inclips
Is thine, if thou wilt have't.
Thou art, if thou dar'st be, the earthly Jove.
Whate'er the ocean pales or sky inclips
Is thine, if thou wilt have't.
POMPEYShow me which way.
MENASThese three world-sharers, these competitors,
Are in thy vessel. Let me cut the cable,
And when we are put off, fall to their throats.
All then is thine.
Are in thy vessel. Let me cut the cable,
And when we are put off, fall to their throats.
All then is thine.
POMPEYAh, this thou shouldst have done
And not have spoke on 't! In me 'tis villainy;
In thee 't had been good service. Thou must know
'Tis not my profit that does lead mine honour;
Mine honour it. Repent that e'er thy tongue
Hath so betray'd thine act. Being done unknown,
I should have found it afterwards well done,
But must condemn it now. Desist, and drink.
And not have spoke on 't! In me 'tis villainy;
In thee 't had been good service. Thou must know
'Tis not my profit that does lead mine honour;
Mine honour it. Repent that e'er thy tongue
Hath so betray'd thine act. Being done unknown,
I should have found it afterwards well done,
But must condemn it now. Desist, and drink.
MENAS[_Aside_.] For this,
I'll never follow thy palled fortunes more.
Who seeks, and will not take when once 'tis offered,
Shall never find it more.
I'll never follow thy palled fortunes more.
Who seeks, and will not take when once 'tis offered,
Shall never find it more.
POMPEYThis health to Lepidus!
ANTONYBear him ashore. I'll pledge it for him, Pompey.
ENOBARBUSHere's to thee, Menas!
MENASEnobarbus, welcome!
POMPEYFill till the cup be hid.
ENOBARBUSThere's a strong fellow, Menas.
_Pointing to the servant who carries off Lepidus._
_Pointing to the servant who carries off Lepidus._
MENASWhy?
ENOBARBUS'A bears the third part of the world, man. Seest not?
MENASThe third part, then, is drunk. Would it were all, That it might go on wheels!
ENOBARBUSDrink thou. Increase the reels.
MENASCome.
POMPEYThis is not yet an Alexandrian feast.
ANTONYIt ripens towards it. Strike the vessels, ho!
Here is to Caesar!
Here is to Caesar!
CAESARI could well forbear't.
It's monstrous labour when I wash my brain
And it grows fouler.
It's monstrous labour when I wash my brain
And it grows fouler.
ANTONYBe a child o' the time.
SCENE VII. On board Pompey's Galley, lying near MisenumSida 38 / 100
CAESARPossess it, I'll make answer.
But I had rather fast from all, four days,
Than drink so much in one.
But I had rather fast from all, four days,
Than drink so much in one.
ENOBARBUS[_To Antony_.] Ha, my brave emperor,
Shall we dance now the Egyptian Bacchanals
And celebrate our drink?
Shall we dance now the Egyptian Bacchanals
And celebrate our drink?
POMPEYLet's ha't, good soldier.
ANTONYCome, let's all take hands
Till that the conquering wine hath steeped our sense
In soft and delicate Lethe.
Till that the conquering wine hath steeped our sense
In soft and delicate Lethe.
ENOBARBUSAll take hands.
Make battery to our ears with the loud music,
The while I'll place you; then the boy shall sing.
The holding every man shall beat as loud
As his strong sides can volley.
Music plays. Enobarbus places them hand in hand.
Make battery to our ears with the loud music,
The while I'll place you; then the boy shall sing.
The holding every man shall beat as loud
As his strong sides can volley.
Music plays. Enobarbus places them hand in hand.
THE SONGCome, thou monarch of the vine,
Plumpy Bacchus with pink eyne!
In thy vats our cares be drowned,
With thy grapes our hairs be crowned.
Cup us till the world go round,
Cup us till the world go round!
Plumpy Bacchus with pink eyne!
In thy vats our cares be drowned,
With thy grapes our hairs be crowned.
Cup us till the world go round,
Cup us till the world go round!
CAESARWhat would you more? Pompey, good night. Good brother, Let me request you off. Our graver business Frowns at this levity.—Gentle lords, let's part. You see we have burnt our cheeks. Strong Enobarb Is weaker than the wine, and mine own tongue Splits what it speaks. The wild disguise hath almost Anticked us all. What needs more words. Good night. Good Antony, your hand.
POMPEYI'll try you on the shore.
ANTONYAnd shall, sir. Give's your hand.
POMPEYO Antony,
You have my father's house.
But, what? We are friends. Come, down into the boat.
You have my father's house.
But, what? We are friends. Come, down into the boat.
ENOBARBUSTake heed you fall not.
_Exeunt Pompey, Caesar, Antony and Attendants._
Menas, I'll not on shore.
_Exeunt Pompey, Caesar, Antony and Attendants._
Menas, I'll not on shore.
MENASNo, to my cabin. These drums, these trumpets, flutes! What! Let Neptune hear we bid a loud farewell To these great fellows. Sound and be hanged, sound out!
_Sound a flourish with drums._
_Sound a flourish with drums._
ENOBARBUSHoo, says 'a! There's my cap!
MENASHoo! Noble captain, come.
_Exeunt._
_Exeunt._
SCENE I. A plain in SyriaSida 39 / 100
SCENE I. A plain in Syria
Enter Ventidius as it were in triumph, with Silius and other Romans, Officers and Soldiers; the dead body of Pacorus borne before him.
VENTIDIUSNow, darting Parthia, art thou struck, and now
Pleased Fortune does of Marcus Crassus' death
Make me revenger. Bear the king's son's body
Before our army. Thy Pacorus, Orodes,
Pays this for Marcus Crassus.
Pleased Fortune does of Marcus Crassus' death
Make me revenger. Bear the king's son's body
Before our army. Thy Pacorus, Orodes,
Pays this for Marcus Crassus.
SILIUSNoble Ventidius,
While yet with Parthian blood thy sword is warm,
The fugitive Parthians follow. Spur through Media,
Mesopotamia, and the shelters whither
The routed fly. So thy grand captain Antony
Shall set thee on triumphant chariots, and
Put garlands on thy head.
While yet with Parthian blood thy sword is warm,
The fugitive Parthians follow. Spur through Media,
Mesopotamia, and the shelters whither
The routed fly. So thy grand captain Antony
Shall set thee on triumphant chariots, and
Put garlands on thy head.
VENTIDIUSO Silius, Silius,
I have done enough. A lower place, note well,
May make too great an act. For learn this, Silius:
Better to leave undone than by our deed
Acquire too high a fame when him we serve's away.
Caesar and Antony have ever won
More in their officer, than person. Sossius,
One of my place in Syria, his lieutenant,
For quick accumulation of renown,
Which he achieved by th' minute, lost his favour.
Who does i' th' wars more than his captain can
Becomes his captain's captain; and ambition,
The soldier's virtue, rather makes choice of loss
Than gain which darkens him.
I could do more to do Antonius good,
But 'twould offend him, and in his offence
Should my performance perish.
I have done enough. A lower place, note well,
May make too great an act. For learn this, Silius:
Better to leave undone than by our deed
Acquire too high a fame when him we serve's away.
Caesar and Antony have ever won
More in their officer, than person. Sossius,
One of my place in Syria, his lieutenant,
For quick accumulation of renown,
Which he achieved by th' minute, lost his favour.
Who does i' th' wars more than his captain can
Becomes his captain's captain; and ambition,
The soldier's virtue, rather makes choice of loss
Than gain which darkens him.
I could do more to do Antonius good,
But 'twould offend him, and in his offence
Should my performance perish.
SILIUSThou hast, Ventidius, that
Without the which a soldier and his sword
Grants scarce distinction. Thou wilt write to Antony?
Without the which a soldier and his sword
Grants scarce distinction. Thou wilt write to Antony?
VENTIDIUSI'll humbly signify what in his name,
That magical word of war, we have effected;
How, with his banners, and his well-paid ranks,
The ne'er-yet-beaten horse of Parthia
We have jaded out o' th' field.
That magical word of war, we have effected;
How, with his banners, and his well-paid ranks,
The ne'er-yet-beaten horse of Parthia
We have jaded out o' th' field.
SILIUSWhere is he now?
VENTIDIUSHe purposeth to Athens, whither, with what haste
The weight we must convey with 's will permit,
We shall appear before him.—On there, pass along!
_Exeunt._
The weight we must convey with 's will permit,
We shall appear before him.—On there, pass along!
_Exeunt._
SCENE II. Rome. An Ante-chamber in Caesar's houseSida 40 / 100
SCENE II. Rome. An Ante-chamber in Caesar's house
Enter Agrippa at one door, Enobarbus at another.
AGRIPPAWhat, are the brothers parted?
ENOBARBUSThey have dispatched with Pompey; he is gone.
The other three are sealing. Octavia weeps
To part from Rome. Caesar is sad, and Lepidus,
Since Pompey's feast, as Menas says, is troubled
With the greensickness.
The other three are sealing. Octavia weeps
To part from Rome. Caesar is sad, and Lepidus,
Since Pompey's feast, as Menas says, is troubled
With the greensickness.
AGRIPPA'Tis a noble Lepidus.
ENOBARBUSA very fine one. O, how he loves Caesar!
AGRIPPANay, but how dearly he adores Mark Antony!
ENOBARBUSCaesar? Why he's the Jupiter of men.
AGRIPPAWhat's Antony? The god of Jupiter.
ENOBARBUSSpake you of Caesar? How, the nonpareil!
AGRIPPAO, Antony! O thou Arabian bird!
ENOBARBUSWould you praise Caesar, say "Caesar". Go no further.
AGRIPPAIndeed, he plied them both with excellent praises.
ENOBARBUSBut he loves Caesar best, yet he loves Antony.
Hoo! Hearts, tongues, figures, scribes, bards, poets, cannot
Think, speak, cast, write, sing, number—hoo!—
His love to Antony. But as for Caesar,
Kneel down, kneel down, and wonder.
Hoo! Hearts, tongues, figures, scribes, bards, poets, cannot
Think, speak, cast, write, sing, number—hoo!—
His love to Antony. But as for Caesar,
Kneel down, kneel down, and wonder.
AGRIPPABoth he loves.
ENOBARBUSThey are his shards, and he their beetle.
_Trumpets within._
So, This is to horse. Adieu, noble Agrippa.
_Trumpets within._
So, This is to horse. Adieu, noble Agrippa.
AGRIPPAGood fortune, worthy soldier, and farewell.
Enter Caesar, Antony, Lepidus and Octavia.
ANTONYNo further, sir.
CAESARYou take from me a great part of myself.
Use me well in't. Sister, prove such a wife
As my thoughts make thee, and as my farthest bond
Shall pass on thy approof. Most noble Antony,
Let not the piece of virtue which is set
Betwixt us, as the cement of our love
To keep it builded, be the ram to batter
The fortress of it. For better might we
Have loved without this mean, if on both parts
This be not cherished.
Use me well in't. Sister, prove such a wife
As my thoughts make thee, and as my farthest bond
Shall pass on thy approof. Most noble Antony,
Let not the piece of virtue which is set
Betwixt us, as the cement of our love
To keep it builded, be the ram to batter
The fortress of it. For better might we
Have loved without this mean, if on both parts
This be not cherished.
ANTONYMake me not offended
In your distrust.
In your distrust.
SCENE II. Rome. An Ante-chamber in Caesar's houseSida 41 / 100
CAESARI have said.
ANTONYYou shall not find,
Though you be therein curious, the least cause
For what you seem to fear. So the gods keep you,
And make the hearts of Romans serve your ends.
We will here part.
Though you be therein curious, the least cause
For what you seem to fear. So the gods keep you,
And make the hearts of Romans serve your ends.
We will here part.
CAESARFarewell, my dearest sister, fare thee well.
The elements be kind to thee, and make
Thy spirits all of comfort! Fare thee well.
The elements be kind to thee, and make
Thy spirits all of comfort! Fare thee well.
OCTAVIAMy noble brother!
ANTONYThe April's in her eyes. It is love's spring, And these the showers to bring it on.—Be cheerful.
OCTAVIASir, look well to my husband's house, and—
CAESARWhat, Octavia?
OCTAVIAI'll tell you in your ear.
ANTONYHer tongue will not obey her heart, nor can
Her heart inform her tongue—the swan's-down feather,
That stands on the swell at the full of tide,
And neither way inclines.
Her heart inform her tongue—the swan's-down feather,
That stands on the swell at the full of tide,
And neither way inclines.
ENOBARBUS[_Aside to Agrippa_.] Will Caesar weep?
AGRIPPA[_Aside to Enobarbus_.] He has a cloud in 's face.
ENOBARBUS[_Aside to Agrippa_.] He were the worse for that were he a horse; So is he, being a man.
AGRIPPA[_Aside to Enobarbus_.] Why, Enobarbus,
When Antony found Julius Caesar dead,
He cried almost to roaring, and he wept
When at Philippi he found Brutus slain.
When Antony found Julius Caesar dead,
He cried almost to roaring, and he wept
When at Philippi he found Brutus slain.
ENOBARBUS[_Aside to Agrippa_.] That year, indeed, he was troubled with a rheum;
What willingly he did confound he wailed,
Believe 't, till I weep too.
What willingly he did confound he wailed,
Believe 't, till I weep too.
CAESARNo, sweet Octavia,
You shall hear from me still. The time shall not
Outgo my thinking on you.
You shall hear from me still. The time shall not
Outgo my thinking on you.
ANTONYCome, sir, come,
I'll wrestle with you in my strength of love.
Look, here I have you, thus I let you go,
And give you to the gods.
I'll wrestle with you in my strength of love.
Look, here I have you, thus I let you go,
And give you to the gods.
CAESARAdieu, be happy!
LEPIDUSLet all the number of the stars give light
To thy fair way!
To thy fair way!
CAESARFarewell, farewell!
_Kisses Octavia._
_Kisses Octavia._
SCENE II. Rome. An Ante-chamber in Caesar's houseSida 42 / 100
ANTONYFarewell!
_Trumpets sound. Exeunt._
_Trumpets sound. Exeunt._
SCENE III. Alexandria. A Room in the PalaceSida 43 / 100
SCENE III. Alexandria. A Room in the Palace
Enter Cleopatra, Charmian, Iras and Alexas.
CLEOPATRAWhere is the fellow?
ALEXASHalf afeared to come.
CLEOPATRAGo to, go to.
Enter a Messenger as before.
CLEOPATRACome hither, sir.
ALEXASGood majesty,
Herod of Jewry dare not look on you
But when you are well pleased.
Herod of Jewry dare not look on you
But when you are well pleased.
CLEOPATRAThat Herod's head
I'll have! But how, when Antony is gone,
Through whom I might command it?—Come thou near.
I'll have! But how, when Antony is gone,
Through whom I might command it?—Come thou near.
MESSENGERMost gracious majesty!
CLEOPATRADidst thou behold Octavia?
MESSENGERAy, dread queen.
CLEOPATRAWhere?
MESSENGERMadam, in Rome
I looked her in the face, and saw her led
Between her brother and Mark Antony.
I looked her in the face, and saw her led
Between her brother and Mark Antony.
CLEOPATRAIs she as tall as me?
MESSENGERShe is not, madam.
CLEOPATRADidst hear her speak? Is she shrill-tongued or low?
MESSENGERMadam, I heard her speak. She is low-voiced.
CLEOPATRAThat's not so good. He cannot like her long.
CHARMIANLike her? O Isis! 'Tis impossible.
CLEOPATRAI think so, Charmian: dull of tongue and dwarfish!
What majesty is in her gait? Remember,
If e'er thou look'dst on majesty.
What majesty is in her gait? Remember,
If e'er thou look'dst on majesty.
MESSENGERShe creeps.
Her motion and her station are as one.
She shows a body rather than a life,
A statue than a breather.
Her motion and her station are as one.
She shows a body rather than a life,
A statue than a breather.
CLEOPATRAIs this certain?
MESSENGEROr I have no observance.
CHARMIANThree in Egypt
Cannot make better note.
Cannot make better note.
CLEOPATRAHe's very knowing;
I do perceive't. There's nothing in her yet.
The fellow has good judgment.
I do perceive't. There's nothing in her yet.
The fellow has good judgment.
CHARMIANExcellent.
CLEOPATRAGuess at her years, I prithee.
MESSENGERMadam,
She was a widow.
She was a widow.
CLEOPATRAWidow! Charmian, hark!
SCENE III. Alexandria. A Room in the PalaceSida 44 / 100
MESSENGERAnd I do think she's thirty.
CLEOPATRABear'st thou her face in mind? Is't long or round?
MESSENGERRound even to faultiness.
CLEOPATRAFor the most part, too, they are foolish that are so. Her hair, what colour?
MESSENGERBrown, madam, and her forehead
As low as she would wish it.
As low as she would wish it.
CLEOPATRAThere's gold for thee.
Thou must not take my former sharpness ill.
I will employ thee back again; I find thee
Most fit for business. Go make thee ready;
Our letters are prepared.
_Exit Messenger._
Thou must not take my former sharpness ill.
I will employ thee back again; I find thee
Most fit for business. Go make thee ready;
Our letters are prepared.
_Exit Messenger._
CHARMIANA proper man.
CLEOPATRAIndeed, he is so. I repent me much
That so I harried him. Why, methinks, by him,
This creature's no such thing.
That so I harried him. Why, methinks, by him,
This creature's no such thing.
CHARMIANNothing, madam.
CLEOPATRAThe man hath seen some majesty, and should know.
CHARMIANHath he seen majesty? Isis else defend,
And serving you so long!
And serving you so long!
CLEOPATRAI have one thing more to ask him yet, good Charmian.
But 'tis no matter; thou shalt bring him to me
Where I will write. All may be well enough.
But 'tis no matter; thou shalt bring him to me
Where I will write. All may be well enough.
CHARMIANI warrant you, madam.
_Exeunt._
_Exeunt._
SCENE IV. Athens. A Room in Antony's HouseSida 45 / 100
SCENE IV. Athens. A Room in Antony's House
Enter Antony and Octavia.
ANTONYNay, nay, Octavia, not only that—
That were excusable, that and thousands more
Of semblable import—but he hath waged
New wars 'gainst Pompey; made his will, and read it
To public ear;
Spoke scantly of me; when perforce he could not
But pay me terms of honour, cold and sickly
He vented them; most narrow measure lent me;
When the best hint was given him, he not took 't,
Or did it from his teeth.
That were excusable, that and thousands more
Of semblable import—but he hath waged
New wars 'gainst Pompey; made his will, and read it
To public ear;
Spoke scantly of me; when perforce he could not
But pay me terms of honour, cold and sickly
He vented them; most narrow measure lent me;
When the best hint was given him, he not took 't,
Or did it from his teeth.
OCTAVIAO, my good lord,
Believe not all, or if you must believe,
Stomach not all. A more unhappy lady,
If this division chance, ne'er stood between,
Praying for both parts.
The good gods will mock me presently
When I shall pray "O, bless my lord and husband!"
Undo that prayer by crying out as loud
"O, bless my brother!" Husband win, win brother,
Prays and destroys the prayer; no midway
'Twixt these extremes at all.
Believe not all, or if you must believe,
Stomach not all. A more unhappy lady,
If this division chance, ne'er stood between,
Praying for both parts.
The good gods will mock me presently
When I shall pray "O, bless my lord and husband!"
Undo that prayer by crying out as loud
"O, bless my brother!" Husband win, win brother,
Prays and destroys the prayer; no midway
'Twixt these extremes at all.
ANTONYGentle Octavia,
Let your best love draw to that point which seeks
Best to preserve it. If I lose mine honour,
I lose myself; better I were not yours
Than yours so branchless. But, as you requested,
Yourself shall go between's. The meantime, lady,
I'll raise the preparation of a war
Shall stain your brother. Make your soonest haste,
So your desires are yours.
Let your best love draw to that point which seeks
Best to preserve it. If I lose mine honour,
I lose myself; better I were not yours
Than yours so branchless. But, as you requested,
Yourself shall go between's. The meantime, lady,
I'll raise the preparation of a war
Shall stain your brother. Make your soonest haste,
So your desires are yours.
OCTAVIAThanks to my lord.
The Jove of power make me, most weak, most weak,
Your reconciler! Wars 'twixt you twain would be
As if the world should cleave, and that slain men
Should solder up the rift.
The Jove of power make me, most weak, most weak,
Your reconciler! Wars 'twixt you twain would be
As if the world should cleave, and that slain men
Should solder up the rift.
ANTONYWhen it appears to you where this begins,
Turn your displeasure that way, for our faults
Can never be so equal that your love
Can equally move with them. Provide your going;
Choose your own company, and command what cost
Your heart has mind to.
_Exeunt._
Turn your displeasure that way, for our faults
Can never be so equal that your love
Can equally move with them. Provide your going;
Choose your own company, and command what cost
Your heart has mind to.
_Exeunt._
SCENE V. Athens. Another Room in Antony's HouseSida 46 / 100
SCENE V. Athens. Another Room in Antony's House
Enter Enobarbus and Eros meeting.
ENOBARBUSHow now, friend Eros?
EROSThere's strange news come, sir.
ENOBARBUSWhat, man?
EROSCaesar and Lepidus have made wars on Pompey.
ENOBARBUSThis is old. What is the success?
EROSCaesar, having made use of him in the wars 'gainst Pompey, presently denied him rivality; would not let him partake in the glory of the action, and, not resting here, accuses him of letters he had formerly wrote to Pompey; on his own appeal, seizes him. So the poor third is up, till death enlarge his confine.
ENOBARBUSThen, world, thou hast a pair of chaps, no more,
And throw between them all the food thou hast,
They'll grind the one the other. Where's Antony?
And throw between them all the food thou hast,
They'll grind the one the other. Where's Antony?
EROSHe's walking in the garden, thus, and spurns
The rush that lies before him; cries "Fool Lepidus!"
And threats the throat of that his officer
That murdered Pompey.
The rush that lies before him; cries "Fool Lepidus!"
And threats the throat of that his officer
That murdered Pompey.
ENOBARBUSOur great navy's rigged.
EROSFor Italy and Caesar. More, Domitius:
My lord desires you presently. My news
I might have told hereafter.
My lord desires you presently. My news
I might have told hereafter.
ENOBARBUS'Twill be naught,
But let it be. Bring me to Antony.
But let it be. Bring me to Antony.
EROSCome, sir.
_Exeunt._
_Exeunt._
SCENE VI. Rome. A Room in Caesar's HouseSida 47 / 100
SCENE VI. Rome. A Room in Caesar's House
Enter Agrippa, Maecenas and Caesar.
CAESARContemning Rome, he has done all this, and more
In Alexandria. Here's the manner of 't:
I' th' market-place, on a tribunal silvered,
Cleopatra and himself in chairs of gold
Were publicly enthroned. At the feet sat
Caesarion, whom they call my father's son,
And all the unlawful issue that their lust
Since then hath made between them. Unto her
He gave the stablishment of Egypt; made her
Of lower Syria, Cyprus, Lydia,
Absolute queen.
In Alexandria. Here's the manner of 't:
I' th' market-place, on a tribunal silvered,
Cleopatra and himself in chairs of gold
Were publicly enthroned. At the feet sat
Caesarion, whom they call my father's son,
And all the unlawful issue that their lust
Since then hath made between them. Unto her
He gave the stablishment of Egypt; made her
Of lower Syria, Cyprus, Lydia,
Absolute queen.
MAECENASThis in the public eye?
CAESARI' th' common showplace where they exercise.
His sons he there proclaimed the kings of kings:
Great Media, Parthia, and Armenia
He gave to Alexander; to Ptolemy he assigned
Syria, Cilicia, and Phoenicia. She
In th' habiliments of the goddess Isis
That day appeared, and oft before gave audience,
As 'tis reported, so.
His sons he there proclaimed the kings of kings:
Great Media, Parthia, and Armenia
He gave to Alexander; to Ptolemy he assigned
Syria, Cilicia, and Phoenicia. She
In th' habiliments of the goddess Isis
That day appeared, and oft before gave audience,
As 'tis reported, so.
MAECENASLet Rome be thus informed.
AGRIPPAWho, queasy with his insolence already,
Will their good thoughts call from him.
Will their good thoughts call from him.
CAESARThe people knows it and have now received
His accusations.
His accusations.
AGRIPPAWho does he accuse?
CAESARCaesar, and that, having in Sicily
Sextus Pompeius spoiled, we had not rated him
His part o' th' isle. Then does he say he lent me
Some shipping, unrestored. Lastly, he frets
That Lepidus of the triumvirate
Should be deposed and, being, that we detain
All his revenue.
Sextus Pompeius spoiled, we had not rated him
His part o' th' isle. Then does he say he lent me
Some shipping, unrestored. Lastly, he frets
That Lepidus of the triumvirate
Should be deposed and, being, that we detain
All his revenue.
AGRIPPASir, this should be answered.
CAESAR'Tis done already, and messenger gone.
I have told him Lepidus was grown too cruel,
That he his high authority abused,
And did deserve his change. For what I have conquered
I grant him part; but then in his Armenia
And other of his conquered kingdoms, I
Demand the like.
I have told him Lepidus was grown too cruel,
That he his high authority abused,
And did deserve his change. For what I have conquered
I grant him part; but then in his Armenia
And other of his conquered kingdoms, I
Demand the like.
MAECENASHe'll never yield to that.
CAESARNor must not then be yielded to in this.
Enter Octavia with her train.
OCTAVIAHail, Caesar, and my lord! Hail, most dear Caesar!
SCENE VI. Rome. A Room in Caesar's HouseSida 48 / 100
CAESARThat ever I should call thee castaway!
OCTAVIAYou have not called me so, nor have you cause.
CAESARWhy have you stolen on us thus? You come not
Like Caesar's sister. The wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear. The trees by th' way
Should have borne men, and expectation fainted,
Longing for what it had not. Nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops. But you are come
A market-maid to Rome, and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved. We should have met you
By sea and land, supplying every stage
With an augmented greeting.
Like Caesar's sister. The wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear. The trees by th' way
Should have borne men, and expectation fainted,
Longing for what it had not. Nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops. But you are come
A market-maid to Rome, and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved. We should have met you
By sea and land, supplying every stage
With an augmented greeting.
OCTAVIAGood my lord,
To come thus was I not constrained, but did it
On my free will. My lord, Mark Antony,
Hearing that you prepared for war, acquainted
My grieved ear withal, whereon I begged
His pardon for return.
To come thus was I not constrained, but did it
On my free will. My lord, Mark Antony,
Hearing that you prepared for war, acquainted
My grieved ear withal, whereon I begged
His pardon for return.
CAESARWhich soon he granted,
Being an abstract 'tween his lust and him.
Being an abstract 'tween his lust and him.
OCTAVIADo not say so, my lord.
CAESARI have eyes on him,
And his affairs come to me on the wind.
Where is he now?
And his affairs come to me on the wind.
Where is he now?
OCTAVIAMy lord, in Athens.
CAESARNo, my most wronged sister. Cleopatra
Hath nodded him to her. He hath given his empire
Up to a whore, who now are levying
The kings o' th' earth for war. He hath assembled
Bocchus, the king of Libya; Archelaus
Of Cappadocia; Philadelphos, king
Of Paphlagonia; the Thracian king, Adallas;
King Manchus of Arabia; King of Pont;
Herod of Jewry; Mithridates, king
Of Comagene; Polemon and Amyntas,
The kings of Mede and Lycaonia,
With a more larger list of sceptres.
Hath nodded him to her. He hath given his empire
Up to a whore, who now are levying
The kings o' th' earth for war. He hath assembled
Bocchus, the king of Libya; Archelaus
Of Cappadocia; Philadelphos, king
Of Paphlagonia; the Thracian king, Adallas;
King Manchus of Arabia; King of Pont;
Herod of Jewry; Mithridates, king
Of Comagene; Polemon and Amyntas,
The kings of Mede and Lycaonia,
With a more larger list of sceptres.
OCTAVIAAy me, most wretched,
That have my heart parted betwixt two friends
That does afflict each other!
That have my heart parted betwixt two friends
That does afflict each other!
SCENE VI. Rome. A Room in Caesar's HouseSida 49 / 100
CAESARWelcome hither.
Your letters did withhold our breaking forth
Till we perceived both how you were wrong led
And we in negligent danger. Cheer your heart.
Be you not troubled with the time, which drives
O'er your content these strong necessities,
But let determined things to destiny
Hold unbewailed their way. Welcome to Rome,
Nothing more dear to me. You are abused
Beyond the mark of thought, and the high gods,
To do you justice, make their ministers
Of us and those that love you. Best of comfort,
And ever welcome to us.
Your letters did withhold our breaking forth
Till we perceived both how you were wrong led
And we in negligent danger. Cheer your heart.
Be you not troubled with the time, which drives
O'er your content these strong necessities,
But let determined things to destiny
Hold unbewailed their way. Welcome to Rome,
Nothing more dear to me. You are abused
Beyond the mark of thought, and the high gods,
To do you justice, make their ministers
Of us and those that love you. Best of comfort,
And ever welcome to us.
AGRIPPAWelcome, lady.
MAECENASWelcome, dear madam.
Each heart in Rome does love and pity you.
Only th' adulterous Antony, most large
In his abominations, turns you off
And gives his potent regiment to a trull
That noises it against us.
Each heart in Rome does love and pity you.
Only th' adulterous Antony, most large
In his abominations, turns you off
And gives his potent regiment to a trull
That noises it against us.
OCTAVIAIs it so, sir?
CAESARMost certain. Sister, welcome. Pray you
Be ever known to patience. My dear'st sister!
_Exeunt._
Be ever known to patience. My dear'st sister!
_Exeunt._
SCENE VII. Antony's Camp near the Promontory of ActiumSida 50 / 100
SCENE VII. Antony's Camp near the Promontory of Actium
Enter Cleopatra and Enobarbus.
CLEOPATRAI will be even with thee, doubt it not.
ENOBARBUSBut why, why, why?
CLEOPATRAThou hast forspoke my being in these wars
And say'st it is not fit.
And say'st it is not fit.
ENOBARBUSWell, is it, is it?
CLEOPATRAIs 't not denounced against us? Why should not we Be there in person?
ENOBARBUSWell, I could reply:
If we should serve with horse and mares together,
The horse were merely lost. The mares would bear
A soldier and his horse.
If we should serve with horse and mares together,
The horse were merely lost. The mares would bear
A soldier and his horse.
CLEOPATRAWhat is't you say?
ENOBARBUSYour presence needs must puzzle Antony,
Take from his heart, take from his brain, from 's time,
What should not then be spared. He is already
Traduced for levity, and 'tis said in Rome
That Photinus, an eunuch, and your maids
Manage this war.
Take from his heart, take from his brain, from 's time,
What should not then be spared. He is already
Traduced for levity, and 'tis said in Rome
That Photinus, an eunuch, and your maids
Manage this war.
CLEOPATRASink Rome, and their tongues rot
That speak against us! A charge we bear i' th' war,
And, as the president of my kingdom, will
Appear there for a man. Speak not against it.
I will not stay behind.
That speak against us! A charge we bear i' th' war,
And, as the president of my kingdom, will
Appear there for a man. Speak not against it.
I will not stay behind.
Enter Antony and Canidius.
ENOBARBUSNay, I have done.
Here comes the Emperor.
Here comes the Emperor.
ANTONYIs it not strange, Canidius,
That from Tarentum and Brundusium
He could so quickly cut the Ionian sea
And take in Toryne?—You have heard on 't, sweet?
That from Tarentum and Brundusium
He could so quickly cut the Ionian sea
And take in Toryne?—You have heard on 't, sweet?
CLEOPATRACelerity is never more admired
Than by the negligent.
Than by the negligent.
ANTONYA good rebuke,
Which might have well becomed the best of men
To taunt at slackness.—Canidius, we
Will fight with him by sea.
Which might have well becomed the best of men
To taunt at slackness.—Canidius, we
Will fight with him by sea.
CLEOPATRABy sea, what else?
CANIDIUSWhy will my lord do so?
ANTONYFor that he dares us to 't.
ENOBARBUSSo hath my lord dared him to single fight.
CANIDIUSAy, and to wage this battle at Pharsalia,
Where Caesar fought with Pompey. But these offers,
Which serve not for his vantage, he shakes off,
And so should you.
Where Caesar fought with Pompey. But these offers,
Which serve not for his vantage, he shakes off,
And so should you.
SCENE VII. Antony's Camp near the Promontory of ActiumSida 51 / 100
ENOBARBUSYour ships are not well manned,
Your mariners are muleteers, reapers, people
Engrossed by swift impress. In Caesar's fleet
Are those that often have 'gainst Pompey fought.
Their ships are yare, yours heavy. No disgrace
Shall fall you for refusing him at sea,
Being prepared for land.
Your mariners are muleteers, reapers, people
Engrossed by swift impress. In Caesar's fleet
Are those that often have 'gainst Pompey fought.
Their ships are yare, yours heavy. No disgrace
Shall fall you for refusing him at sea,
Being prepared for land.
ANTONYBy sea, by sea.
ENOBARBUSMost worthy sir, you therein throw away
The absolute soldiership you have by land;
Distract your army, which doth most consist
Of war-marked footmen; leave unexecuted
Your own renowned knowledge; quite forgo
The way which promises assurance; and
Give up yourself merely to chance and hazard
From firm security.
The absolute soldiership you have by land;
Distract your army, which doth most consist
Of war-marked footmen; leave unexecuted
Your own renowned knowledge; quite forgo
The way which promises assurance; and
Give up yourself merely to chance and hazard
From firm security.
ANTONYI'll fight at sea.
CLEOPATRAI have sixty sails, Caesar none better.
ANTONYOur overplus of shipping will we burn,
And with the rest full-manned, from th' head of Actium
Beat th' approaching Caesar. But if we fail,
We then can do 't at land.
And with the rest full-manned, from th' head of Actium
Beat th' approaching Caesar. But if we fail,
We then can do 't at land.
Enter a Messenger.
ANTONYThy business?
MESSENGERThe news is true, my lord; he is descried.
Caesar has taken Toryne.
Caesar has taken Toryne.
ANTONYCan he be there in person? 'Tis impossible;
Strange that his power should be. Canidius,
Our nineteen legions thou shalt hold by land,
And our twelve thousand horse. We'll to our ship.
Away, my Thetis!
Strange that his power should be. Canidius,
Our nineteen legions thou shalt hold by land,
And our twelve thousand horse. We'll to our ship.
Away, my Thetis!
Enter a Soldier.
ANTONYHow now, worthy soldier?
SOLDIERO noble emperor, do not fight by sea.
Trust not to rotten planks. Do you misdoubt
This sword and these my wounds? Let th' Egyptians
And the Phoenicians go a-ducking. We
Have used to conquer standing on the earth
And fighting foot to foot.
Trust not to rotten planks. Do you misdoubt
This sword and these my wounds? Let th' Egyptians
And the Phoenicians go a-ducking. We
Have used to conquer standing on the earth
And fighting foot to foot.
ANTONYWell, well, away.
_Exeunt Antony, Cleopatra and Enobarbus._
_Exeunt Antony, Cleopatra and Enobarbus._
SOLDIERBy Hercules, I think I am i' th' right.
CANIDIUSSoldier, thou art. But his whole action grows
Not in the power on 't. So our leader's led,
And we are women's men.
Not in the power on 't. So our leader's led,
And we are women's men.
SCENE VII. Antony's Camp near the Promontory of ActiumSida 52 / 100
SOLDIERYou keep by land
The legions and the horse whole, do you not?
The legions and the horse whole, do you not?
CANIDIUSMarcus Octavius, Marcus Justeius,
Publicola, and Caelius are for sea,
But we keep whole by land. This speed of Caesar's
Carries beyond belief.
Publicola, and Caelius are for sea,
But we keep whole by land. This speed of Caesar's
Carries beyond belief.
SOLDIERWhile he was yet in Rome,
His power went out in such distractions as
Beguiled all spies.
His power went out in such distractions as
Beguiled all spies.
CANIDIUSWho's his lieutenant, hear you?
SOLDIERThey say one Taurus.
CANIDIUSWell I know the man.
Enter a Messenger.
MESSENGERThe Emperor calls Canidius.
CANIDIUSWith news the time's with labour, and throes forth Each minute some.
_Exeunt._
_Exeunt._
SCENE VIII. A plain near ActiumSida 53 / 100
SCENE VIII. A plain near Actium
Enter Caesar with his army and Taurus marching.
CAESARTaurus!
TAURUSMy lord?
CAESARStrike not by land; keep whole; provoke not battle
Till we have done at sea. Do not exceed
The prescript of this scroll. Our fortune lies
On this jump.
_Exeunt._
Till we have done at sea. Do not exceed
The prescript of this scroll. Our fortune lies
On this jump.
_Exeunt._
SCENE IX. Another part of the PlainSida 54 / 100
SCENE IX. Another part of the Plain
Enter Antony and Enobarbus.
ANTONYSet we our squadrons on yon side o' th' hill
In eye of Caesar's battle, from which place
We may the number of the ships behold
And so proceed accordingly.
_Exeunt._
In eye of Caesar's battle, from which place
We may the number of the ships behold
And so proceed accordingly.
_Exeunt._
SCENE X. Another part of the PlainSida 55 / 100
SCENE X. Another part of the Plain
Canidius marching with his land army one way over the stage, and Taurus, the Lieutenant of Caesar, with his Army, the other way. After their going in, is heard the noise of a sea fight. Alarum. Enter Enobarbus.
ENOBARBUSNaught, naught, all naught! I can behold no longer.
Th' Antoniad, the Egyptian admiral,
With all their sixty, fly and turn the rudder.
To see 't mine eyes are blasted.
Th' Antoniad, the Egyptian admiral,
With all their sixty, fly and turn the rudder.
To see 't mine eyes are blasted.
Enter Scarus.
SCARUSGods and goddesses,
All the whole synod of them!
All the whole synod of them!
ENOBARBUSWhat's thy passion?
SCARUSThe greater cantle of the world is lost
With very ignorance. We have kissed away
Kingdoms and provinces.
With very ignorance. We have kissed away
Kingdoms and provinces.
ENOBARBUSHow appears the fight?
SCARUSOn our side, like the tokened pestilence,
Where death is sure. Yon ribaudred nag of Egypt,
Whom leprosy o'ertake, i' th' midst o' th' fight,
When vantage like a pair of twins appeared,
Both as the same—or, rather, ours the elder—
The breeze on her, like a cow in June,
Hoists sails and flies.
Where death is sure. Yon ribaudred nag of Egypt,
Whom leprosy o'ertake, i' th' midst o' th' fight,
When vantage like a pair of twins appeared,
Both as the same—or, rather, ours the elder—
The breeze on her, like a cow in June,
Hoists sails and flies.
ENOBARBUSThat I beheld.
Mine eyes did sicken at the sight and could not
Endure a further view.
Mine eyes did sicken at the sight and could not
Endure a further view.
SCARUSShe once being loofed,
The noble ruin of her magic, Antony,
Claps on his sea-wing and, like a doting mallard,
Leaving the fight in height, flies after her.
I never saw an action of such shame.
Experience, manhood, honour, ne'er before
Did violate so itself.
The noble ruin of her magic, Antony,
Claps on his sea-wing and, like a doting mallard,
Leaving the fight in height, flies after her.
I never saw an action of such shame.
Experience, manhood, honour, ne'er before
Did violate so itself.
ENOBARBUSAlack, alack!
Enter Canidius.
CANIDIUSOur fortune on the sea is out of breath
And sinks most lamentably. Had our general
Been what he knew himself, it had gone well.
O, he has given example for our flight
Most grossly by his own!
And sinks most lamentably. Had our general
Been what he knew himself, it had gone well.
O, he has given example for our flight
Most grossly by his own!
ENOBARBUSAy, are you thereabouts?
Why, then, good night indeed.
Why, then, good night indeed.
CANIDIUSToward Peloponnesus are they fled.
SCARUS'Tis easy to't, and there I will attend
What further comes.
What further comes.
CANIDIUSTo Caesar will I render
My legions and my horse. Six kings already
Show me the way of yielding.
My legions and my horse. Six kings already
Show me the way of yielding.
SCENE X. Another part of the PlainSida 56 / 100
ENOBARBUSI'll yet follow
The wounded chance of Antony, though my reason
Sits in the wind against me.
_Exeunt._
The wounded chance of Antony, though my reason
Sits in the wind against me.
_Exeunt._
SCENE XI. Alexandria. A Room in the PalaceSida 57 / 100
SCENE XI. Alexandria. A Room in the Palace
Enter Antony with attendants.
ANTONYHark, the land bids me tread no more on't.
It is ashamed to bear me. Friends, come hither.
I am so lated in the world that I
Have lost my way for ever. I have a ship
Laden with gold. Take that, divide it. Fly,
And make your peace with Caesar.
It is ashamed to bear me. Friends, come hither.
I am so lated in the world that I
Have lost my way for ever. I have a ship
Laden with gold. Take that, divide it. Fly,
And make your peace with Caesar.
ALLFly? Not we.
ANTONYI have fled myself, and have instructed cowards
To run and show their shoulders. Friends, be gone.
I have myself resolved on a course
Which has no need of you. Be gone.
My treasure's in the harbour. Take it. O,
I followed that I blush to look on.
My very hairs do mutiny, for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone. You shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness. Take the hint
Which my despair proclaims. Let that be left
Which leaves itself. To the sea-side straightway.
I will possess you of that ship and treasure.
Leave me, I pray, a little—pray you, now,
Nay, do so; for indeed I have lost command.
Therefore I pray you. I'll see you by and by.
_Sits down._
To run and show their shoulders. Friends, be gone.
I have myself resolved on a course
Which has no need of you. Be gone.
My treasure's in the harbour. Take it. O,
I followed that I blush to look on.
My very hairs do mutiny, for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone. You shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness. Take the hint
Which my despair proclaims. Let that be left
Which leaves itself. To the sea-side straightway.
I will possess you of that ship and treasure.
Leave me, I pray, a little—pray you, now,
Nay, do so; for indeed I have lost command.
Therefore I pray you. I'll see you by and by.
_Sits down._
Enter Cleopatra led by Charmian, Iras and Eros.
EROSNay, gentle madam, to him! Comfort him.
IRASDo, most dear queen.
CHARMIANDo! Why, what else?
CLEOPATRALet me sit down. O Juno!
ANTONYNo, no, no, no, no.
EROSSee you here, sir?
ANTONYO, fie, fie, fie!
CHARMIANMadam.
IRASMadam, O good empress!
EROSSir, sir!
ANTONYYes, my lord, yes. He at Philippi kept
His sword e'en like a dancer, while I struck
The lean and wrinkled Cassius, and 'twas I
That the mad Brutus ended. He alone
Dealt on lieutenantry, and no practice had
In the brave squares of war. Yet now—no matter.
His sword e'en like a dancer, while I struck
The lean and wrinkled Cassius, and 'twas I
That the mad Brutus ended. He alone
Dealt on lieutenantry, and no practice had
In the brave squares of war. Yet now—no matter.
CLEOPATRAAh, stand by.
EROSThe Queen, my lord, the Queen!
SCENE XI. Alexandria. A Room in the PalaceSida 58 / 100
IRASGo to him, madam; speak to him.
He is unqualitied with very shame.
He is unqualitied with very shame.
CLEOPATRAWell then, sustain me. O!
EROSMost noble sir, arise. The Queen approaches.
Her head's declined, and death will seize her but
Your comfort makes the rescue.
Her head's declined, and death will seize her but
Your comfort makes the rescue.
ANTONYI have offended reputation,
A most unnoble swerving.
A most unnoble swerving.
EROSSir, the Queen.
ANTONYO, whither hast thou led me, Egypt? See
How I convey my shame out of thine eyes
By looking back what I have left behind
'Stroyed in dishonour.
How I convey my shame out of thine eyes
By looking back what I have left behind
'Stroyed in dishonour.
CLEOPATRAO my lord, my lord,
Forgive my fearful sails! I little thought
You would have followed.
Forgive my fearful sails! I little thought
You would have followed.
ANTONYEgypt, thou knew'st too well
My heart was to thy rudder tied by th' strings,
And thou shouldst tow me after. O'er my spirit
Thy full supremacy thou knew'st, and that
Thy beck might from the bidding of the gods
Command me.
My heart was to thy rudder tied by th' strings,
And thou shouldst tow me after. O'er my spirit
Thy full supremacy thou knew'st, and that
Thy beck might from the bidding of the gods
Command me.
CLEOPATRAO, my pardon!
ANTONYNow I must
To the young man send humble treaties, dodge
And palter in the shifts of lowness, who
With half the bulk o' th' world played as I pleased,
Making and marring fortunes. You did know
How much you were my conqueror, and that
My sword, made weak by my affection, would
Obey it on all cause.
To the young man send humble treaties, dodge
And palter in the shifts of lowness, who
With half the bulk o' th' world played as I pleased,
Making and marring fortunes. You did know
How much you were my conqueror, and that
My sword, made weak by my affection, would
Obey it on all cause.
CLEOPATRAPardon, pardon!
ANTONYFall not a tear, I say; one of them rates
All that is won and lost. Give me a kiss.
Even this repays me.
We sent our schoolmaster. Is he come back?
Love, I am full of lead. Some wine
All that is won and lost. Give me a kiss.
Even this repays me.
We sent our schoolmaster. Is he come back?
Love, I am full of lead. Some wine
Within there, and our viands! Fortune knows
ANTONYWe scorn her most when most she offers blows.
_Exeunt._
_Exeunt._
SCENE XII. Caesar's camp in EgyptSida 59 / 100
SCENE XII. Caesar's camp in Egypt
Enter Caesar, Agrippa, Dolabella with others.
CAESARLet him appear that's come from Antony.
Know you him?
Know you him?
DOLABELLACaesar, 'tis his schoolmaster—
An argument that he is plucked, when hither
He sends so poor a pinion of his wing,
Which had superfluous kings for messengers
Not many moons gone by.
An argument that he is plucked, when hither
He sends so poor a pinion of his wing,
Which had superfluous kings for messengers
Not many moons gone by.
Enter Ambassador from Anthony.
CAESARApproach, and speak.
AMBASSADORSuch as I am, I come from Antony.
I was of late as petty to his ends
As is the morn-dew on the myrtle leaf
To his grand sea.
I was of late as petty to his ends
As is the morn-dew on the myrtle leaf
To his grand sea.
CAESARBe't so. Declare thine office.
AMBASSADORLord of his fortunes he salutes thee, and
Requires to live in Egypt, which not granted,
He lessens his requests, and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens. This for him.
Next, Cleopatra does confess thy greatness,
Submits her to thy might, and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.
Requires to live in Egypt, which not granted,
He lessens his requests, and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens. This for him.
Next, Cleopatra does confess thy greatness,
Submits her to thy might, and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.
CAESARFor Antony,
I have no ears to his request. The queen
Of audience nor desire shall fail, so she
From Egypt drive her all-disgraced friend,
Or take his life there. This if she perform,
She shall not sue unheard. So to them both.
I have no ears to his request. The queen
Of audience nor desire shall fail, so she
From Egypt drive her all-disgraced friend,
Or take his life there. This if she perform,
She shall not sue unheard. So to them both.
AMBASSADORFortune pursue thee!
CAESARBring him through the bands.
_Exit Ambassador, attended._
[_To Thidias_.] To try thy eloquence now 'tis time. Dispatch. From Antony win Cleopatra. Promise, And in our name, what she requires; add more, From thine invention, offers. Women are not In their best fortunes strong, but want will perjure The ne'er-touch'd vestal. Try thy cunning, Thidias; Make thine own edict for thy pains, which we Will answer as a law.
_Exit Ambassador, attended._
[_To Thidias_.] To try thy eloquence now 'tis time. Dispatch. From Antony win Cleopatra. Promise, And in our name, what she requires; add more, From thine invention, offers. Women are not In their best fortunes strong, but want will perjure The ne'er-touch'd vestal. Try thy cunning, Thidias; Make thine own edict for thy pains, which we Will answer as a law.
THIDIASCaesar, I go.
CAESARObserve how Antony becomes his flaw,
And what thou think'st his very action speaks
In every power that moves.
And what thou think'st his very action speaks
In every power that moves.
THIDIASCaesar, I shall.
_Exeunt._
_Exeunt._
SCENE XIII. Alexandria. A Room in the PalaceSida 60 / 100
SCENE XIII. Alexandria. A Room in the Palace
Enter Cleopatra, Enobarbus, Charmian and Iras.
CLEOPATRAWhat shall we do, Enobarbus?
ENOBARBUSThink, and die.
CLEOPATRAIs Antony or we in fault for this?
ENOBARBUSAntony only, that would make his will
Lord of his reason. What though you fled
From that great face of war, whose several ranges
Frighted each other? Why should he follow?
The itch of his affection should not then
Have nicked his captainship, at such a point,
When half to half the world opposed, he being
The mered question. 'Twas a shame no less
Than was his loss, to course your flying flags
And leave his navy gazing.
Lord of his reason. What though you fled
From that great face of war, whose several ranges
Frighted each other? Why should he follow?
The itch of his affection should not then
Have nicked his captainship, at such a point,
When half to half the world opposed, he being
The mered question. 'Twas a shame no less
Than was his loss, to course your flying flags
And leave his navy gazing.
CLEOPATRAPrithee, peace.
Enter the Ambassador with Antony.
ANTONYIs that his answer?
AMBASSADORAy, my lord.
ANTONYThe Queen shall then have courtesy, so she
Will yield us up.
Will yield us up.
AMBASSADORHe says so.
ANTONYLet her know't.—
To the boy Caesar send this grizzled head,
And he will fill thy wishes to the brim
With principalities.
To the boy Caesar send this grizzled head,
And he will fill thy wishes to the brim
With principalities.
CLEOPATRAThat head, my lord?
ANTONYTo him again. Tell him he wears the rose
Of youth on him, from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' th' command of Caesar. I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it. Follow me.
_Exeunt Antony and Ambassador._
Of youth on him, from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' th' command of Caesar. I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it. Follow me.
_Exeunt Antony and Ambassador._
ENOBARBUSYes, like enough high-battled Caesar will
Unstate his happiness, and be staged to th' show
Against a sworder! I see men's judgments are
A parcel of their fortunes, and things outward
Do draw the inward quality after them
To suffer all alike. That he should dream,
Knowing all measures, the full Caesar will
Answer his emptiness! Caesar, thou hast subdued
His judgment too.
Unstate his happiness, and be staged to th' show
Against a sworder! I see men's judgments are
A parcel of their fortunes, and things outward
Do draw the inward quality after them
To suffer all alike. That he should dream,
Knowing all measures, the full Caesar will
Answer his emptiness! Caesar, thou hast subdued
His judgment too.
Enter a Servant.
SCENE XIII. Alexandria. A Room in the PalaceSida 61 / 100
SERVANTA messenger from Caesar.
CLEOPATRAWhat, no more ceremony? See, my women,
Against the blown rose may they stop their nose
That kneeled unto the buds. Admit him, sir.
_Exit Servant._
Against the blown rose may they stop their nose
That kneeled unto the buds. Admit him, sir.
_Exit Servant._
ENOBARBUS[_Aside_.] Mine honesty and I begin to square.
The loyalty well held to fools does make
Our faith mere folly. Yet he that can endure
To follow with allegiance a fallen lord
Does conquer him that did his master conquer,
And earns a place i' th' story.
The loyalty well held to fools does make
Our faith mere folly. Yet he that can endure
To follow with allegiance a fallen lord
Does conquer him that did his master conquer,
And earns a place i' th' story.
Enter Thidias.
CLEOPATRACaesar's will?
THIDIASHear it apart.
CLEOPATRANone but friends. Say boldly.
THIDIASSo haply are they friends to Antony.
ENOBARBUSHe needs as many, sir, as Caesar has,
Or needs not us. If Caesar please, our master
Will leap to be his friend. For us, you know
Whose he is we are, and that is Caesar's.
Or needs not us. If Caesar please, our master
Will leap to be his friend. For us, you know
Whose he is we are, and that is Caesar's.
THIDIASSo.—
Thus then, thou most renowned: Caesar entreats
Not to consider in what case thou stand'st
Further than he is Caesar.
Thus then, thou most renowned: Caesar entreats
Not to consider in what case thou stand'st
Further than he is Caesar.
CLEOPATRAGo on; right royal.
THIDIASHe knows that you embrace not Antony
As you did love, but as you feared him.
As you did love, but as you feared him.
CLEOPATRAO!
THIDIASThe scars on your honour, therefore, he
Does pity as constrained blemishes,
Not as deserved.
Does pity as constrained blemishes,
Not as deserved.
CLEOPATRAHe is a god and knows
What is most right. Mine honour was not yielded,
But conquered merely.
What is most right. Mine honour was not yielded,
But conquered merely.
ENOBARBUS[_Aside_.] To be sure of that,
I will ask Antony. Sir, sir, thou art so leaky
That we must leave thee to thy sinking, for
Thy dearest quit thee.
_Exit Enobarbus._
I will ask Antony. Sir, sir, thou art so leaky
That we must leave thee to thy sinking, for
Thy dearest quit thee.
_Exit Enobarbus._
THIDIASShall I say to Caesar
What you require of him? For he partly begs
To be desired to give. It much would please him
That of his fortunes you should make a staff
To lean on. But it would warm his spirits
To hear from me you had left Antony,
And put yourself under his shroud,
The universal landlord.
What you require of him? For he partly begs
To be desired to give. It much would please him
That of his fortunes you should make a staff
To lean on. But it would warm his spirits
To hear from me you had left Antony,
And put yourself under his shroud,
The universal landlord.
CLEOPATRAWhat's your name?
SCENE XIII. Alexandria. A Room in the PalaceSida 62 / 100
THIDIASMy name is Thidias.
CLEOPATRAMost kind messenger,
Say to great Caesar this in deputation:
I kiss his conqu'ring hand. Tell him I am prompt
To lay my crown at's feet, and there to kneel.
Tell him, from his all-obeying breath I hear
The doom of Egypt.
Say to great Caesar this in deputation:
I kiss his conqu'ring hand. Tell him I am prompt
To lay my crown at's feet, and there to kneel.
Tell him, from his all-obeying breath I hear
The doom of Egypt.
THIDIAS'Tis your noblest course.
Wisdom and fortune combating together,
If that the former dare but what it can,
No chance may shake it. Give me grace to lay
My duty on your hand.
Wisdom and fortune combating together,
If that the former dare but what it can,
No chance may shake it. Give me grace to lay
My duty on your hand.
CLEOPATRAYour Caesar's father oft,
When he hath mused of taking kingdoms in,
Bestowed his lips on that unworthy place
As it rained kisses.
When he hath mused of taking kingdoms in,
Bestowed his lips on that unworthy place
As it rained kisses.
Enter Antony and Enobarbus.
ANTONYFavours, by Jove that thunders!
What art thou, fellow?
What art thou, fellow?
THIDIASOne that but performs
The bidding of the fullest man and worthiest
To have command obeyed.
The bidding of the fullest man and worthiest
To have command obeyed.
ENOBARBUS[_Aside_.] You will be whipped.
ANTONYApproach there.—Ah, you kite!—Now, gods and devils, Authority melts from me. Of late when I cried "Ho!" Like boys unto a muss, kings would start forth And cry "Your will?" Have you no ears? I am Antony yet.
Enter Servants.
ANTONYTake hence this jack and whip him.
ENOBARBUS'Tis better playing with a lion's whelp
Than with an old one dying.
Than with an old one dying.
ANTONYMoon and stars!
Whip him. Were't twenty of the greatest tributaries
That do acknowledge Caesar, should I find them
So saucy with the hand of she here—what's her name
Since she was Cleopatra? Whip him, fellows,
Till like a boy you see him cringe his face
And whine aloud for mercy. Take him hence.
Whip him. Were't twenty of the greatest tributaries
That do acknowledge Caesar, should I find them
So saucy with the hand of she here—what's her name
Since she was Cleopatra? Whip him, fellows,
Till like a boy you see him cringe his face
And whine aloud for mercy. Take him hence.
THIDIASMark Antony—
ANTONYTug him away. Being whipp'd,
Bring him again. This jack of Caesar's shall
Bear us an errand to him.
_Exeunt Servants with Thidias._
You were half blasted ere I knew you. Ha!
Have I my pillow left unpressed in Rome,
Forborne the getting of a lawful race,
And by a gem of women, to be abused
By one that looks on feeders?
Bring him again. This jack of Caesar's shall
Bear us an errand to him.
_Exeunt Servants with Thidias._
You were half blasted ere I knew you. Ha!
Have I my pillow left unpressed in Rome,
Forborne the getting of a lawful race,
And by a gem of women, to be abused
By one that looks on feeders?
SCENE XIII. Alexandria. A Room in the PalaceSida 63 / 100
CLEOPATRAGood my lord—
ANTONYYou have been a boggler ever.
But when we in our viciousness grow hard—
O misery on't!—the wise gods seal our eyes,
In our own filth drop our clear judgments, make us
Adore our errors, laugh at's while we strut
To our confusion.
But when we in our viciousness grow hard—
O misery on't!—the wise gods seal our eyes,
In our own filth drop our clear judgments, make us
Adore our errors, laugh at's while we strut
To our confusion.
CLEOPATRAO, is't come to this?
ANTONYI found you as a morsel cold on
Dead Caesar's trencher; nay, you were a fragment
Of Gneius Pompey's, besides what hotter hours,
Unregistered in vulgar fame, you have
Luxuriously pick'd out. For I am sure,
Though you can guess what temperance should be,
You know not what it is.
Dead Caesar's trencher; nay, you were a fragment
Of Gneius Pompey's, besides what hotter hours,
Unregistered in vulgar fame, you have
Luxuriously pick'd out. For I am sure,
Though you can guess what temperance should be,
You know not what it is.
CLEOPATRAWherefore is this?
ANTONYTo let a fellow that will take rewards
And say "God quit you!" be familiar with
My playfellow, your hand, this kingly seal
And plighter of high hearts! O that I were
On the hill of Basan, to outroar
The horned herd! For I have savage cause,
And to proclaim it civilly were like
A haltered neck which does the hangman thank
For being yare about him.
And say "God quit you!" be familiar with
My playfellow, your hand, this kingly seal
And plighter of high hearts! O that I were
On the hill of Basan, to outroar
The horned herd! For I have savage cause,
And to proclaim it civilly were like
A haltered neck which does the hangman thank
For being yare about him.
Enter a Servant with Thidias.
ANTONYIs he whipped?
SERVANTSoundly, my lord.
ANTONYCried he? And begged he pardon?
SERVANTHe did ask favour.
SCENE XIII. Alexandria. A Room in the PalaceSida 64 / 100
ANTONYIf that thy father live, let him repent
Thou wast not made his daughter; and be thou sorry
To follow Caesar in his triumph, since
Thou hast been whipped for following him. Henceforth
The white hand of a lady fever thee;
Shake thou to look on't. Get thee back to Caesar;
Tell him thy entertainment. Look thou say
He makes me angry with him; for he seems
Proud and disdainful, harping on what I am,
Not what he knew I was. He makes me angry,
And at this time most easy 'tis to do't,
When my good stars that were my former guides
Have empty left their orbs and shot their fires
Into th' abysm of hell. If he mislike
My speech and what is done, tell him he has
Hipparchus, my enfranched bondman, whom
He may at pleasure whip, or hang, or torture,
As he shall like, to quit me. Urge it thou.
Hence with thy stripes, be gone.
_Exit Thidias._
Thou wast not made his daughter; and be thou sorry
To follow Caesar in his triumph, since
Thou hast been whipped for following him. Henceforth
The white hand of a lady fever thee;
Shake thou to look on't. Get thee back to Caesar;
Tell him thy entertainment. Look thou say
He makes me angry with him; for he seems
Proud and disdainful, harping on what I am,
Not what he knew I was. He makes me angry,
And at this time most easy 'tis to do't,
When my good stars that were my former guides
Have empty left their orbs and shot their fires
Into th' abysm of hell. If he mislike
My speech and what is done, tell him he has
Hipparchus, my enfranched bondman, whom
He may at pleasure whip, or hang, or torture,
As he shall like, to quit me. Urge it thou.
Hence with thy stripes, be gone.
_Exit Thidias._
CLEOPATRAHave you done yet?
ANTONYAlack, our terrene moon is now eclipsed,
And it portends alone the fall of Antony.
And it portends alone the fall of Antony.
CLEOPATRAI must stay his time.
ANTONYTo flatter Caesar, would you mingle eyes
With one that ties his points?
With one that ties his points?
CLEOPATRANot know me yet?
ANTONYCold-hearted toward me?
CLEOPATRAAh, dear, if I be so,
From my cold heart let heaven engender hail
And poison it in the source, and the first stone
Drop in my neck; as it determines, so
Dissolve my life! The next Caesarion smite,
Till, by degrees the memory of my womb,
Together with my brave Egyptians all,
By the discandying of this pelleted storm,
Lie graveless, till the flies and gnats of Nile
Have buried them for prey!
From my cold heart let heaven engender hail
And poison it in the source, and the first stone
Drop in my neck; as it determines, so
Dissolve my life! The next Caesarion smite,
Till, by degrees the memory of my womb,
Together with my brave Egyptians all,
By the discandying of this pelleted storm,
Lie graveless, till the flies and gnats of Nile
Have buried them for prey!
ANTONYI am satisfied.
Caesar sits down in Alexandria, where
I will oppose his fate. Our force by land
Hath nobly held; our severed navy too
Have knit again, and fleet, threat'ning most sea-like.
Where hast thou been, my heart? Dost thou hear, lady?
If from the field I shall return once more
To kiss these lips, I will appear in blood.
I and my sword will earn our chronicle.
There's hope in't yet.
Caesar sits down in Alexandria, where
I will oppose his fate. Our force by land
Hath nobly held; our severed navy too
Have knit again, and fleet, threat'ning most sea-like.
Where hast thou been, my heart? Dost thou hear, lady?
If from the field I shall return once more
To kiss these lips, I will appear in blood.
I and my sword will earn our chronicle.
There's hope in't yet.
SCENE XIII. Alexandria. A Room in the PalaceSida 65 / 100
CLEOPATRAThat's my brave lord!
ANTONYI will be treble-sinewed, hearted, breathed,
And fight maliciously. For when mine hours
Were nice and lucky, men did ransom lives
Of me for jests. But now I'll set my teeth
And send to darkness all that stop me. Come,
Let's have one other gaudy night. Call to me
All my sad captains. Fill our bowls once more
Let's mock the midnight bell.
And fight maliciously. For when mine hours
Were nice and lucky, men did ransom lives
Of me for jests. But now I'll set my teeth
And send to darkness all that stop me. Come,
Let's have one other gaudy night. Call to me
All my sad captains. Fill our bowls once more
Let's mock the midnight bell.
CLEOPATRAIt is my birthday.
I had thought t'have held it poor, but since my lord
Is Antony again, I will be Cleopatra.
I had thought t'have held it poor, but since my lord
Is Antony again, I will be Cleopatra.
ANTONYWe will yet do well.
CLEOPATRACall all his noble captains to my lord.
ANTONYDo so; we'll speak to them; and tonight I'll force The wine peep through their scars. Come on, my queen, There's sap in't yet. The next time I do fight I'll make Death love me, for I will contend Even with his pestilent scythe.
_Exeunt all but Enobarbus._
_Exeunt all but Enobarbus._
ENOBARBUSNow he'll outstare the lightning. To be furious
Is to be frighted out of fear, and in that mood
The dove will peck the estridge; and I see still
A diminution in our captain's brain
Restores his heart. When valour preys on reason,
It eats the sword it fights with. I will seek
Some way to leave him.
_Exit._
Is to be frighted out of fear, and in that mood
The dove will peck the estridge; and I see still
A diminution in our captain's brain
Restores his heart. When valour preys on reason,
It eats the sword it fights with. I will seek
Some way to leave him.
_Exit._
SCENE I. Caesar's Camp at AlexandriaSida 66 / 100
SCENE I. Caesar's Camp at Alexandria
Enter Caesar, Agrippa, and Maecenas, with his army. Caesar reading a letter.
CAESARHe calls me boy, and chides as he had power
To beat me out of Egypt. My messenger
He hath whipped with rods; dares me to personal combat,
Caesar to Antony. Let the old ruffian know
I have many other ways to die; meantime
Laugh at his challenge.
To beat me out of Egypt. My messenger
He hath whipped with rods; dares me to personal combat,
Caesar to Antony. Let the old ruffian know
I have many other ways to die; meantime
Laugh at his challenge.
MAECENASCaesar must think,
When one so great begins to rage, he's hunted
Even to falling. Give him no breath, but now
Make boot of his distraction. Never anger
Made good guard for itself.
When one so great begins to rage, he's hunted
Even to falling. Give him no breath, but now
Make boot of his distraction. Never anger
Made good guard for itself.
CAESARLet our best heads
Know that tomorrow the last of many battles
We mean to fight. Within our files there are,
Of those that served Mark Antony but late,
Enough to fetch him in. See it done,
And feast the army; we have store to do't,
And they have earned the waste. Poor Antony!
_Exeunt._
Know that tomorrow the last of many battles
We mean to fight. Within our files there are,
Of those that served Mark Antony but late,
Enough to fetch him in. See it done,
And feast the army; we have store to do't,
And they have earned the waste. Poor Antony!
_Exeunt._
SCENE II. Alexandria. A Room in the PalaceSida 67 / 100
SCENE II. Alexandria. A Room in the Palace
Enter Antony, Cleopatra, Enobarbus, Charmian, Iras, Alexas with others.
ANTONYHe will not fight with me, Domitius?
ENOBARBUSNo.
ANTONYWhy should he not?
ENOBARBUSHe thinks, being twenty times of better fortune,
He is twenty men to one.
He is twenty men to one.
ANTONYTomorrow, soldier,
By sea and land I'll fight. Or I will live,
Or bathe my dying honour in the blood
Shall make it live again. Woo't thou fight well?
By sea and land I'll fight. Or I will live,
Or bathe my dying honour in the blood
Shall make it live again. Woo't thou fight well?
ENOBARBUSI'll strike, and cry "Take all."
ANTONYWell said. Come on.
Call forth my household servants. Let's tonight
Be bounteous at our meal.—
Call forth my household servants. Let's tonight
Be bounteous at our meal.—
Enter Servants.
ANTONYGive me thy hand.
Thou has been rightly honest; so hast thou,
Thou, and thou, and thou. You have served me well,
And kings have been your fellows.
Thou has been rightly honest; so hast thou,
Thou, and thou, and thou. You have served me well,
And kings have been your fellows.
CLEOPATRA[_Aside to Enobarbus_.] What means this?
ENOBARBUS[_Aside to Cleopatra_.] 'Tis one of those odd tricks which sorrow
shoots
Out of the mind.
shoots
Out of the mind.
ANTONYAnd thou art honest too.
I wish I could be made so many men,
And all of you clapped up together in
An Antony, that I might do you service
So good as you have done.
I wish I could be made so many men,
And all of you clapped up together in
An Antony, that I might do you service
So good as you have done.
ALL THE SERVANTSThe gods forbid!
ANTONYWell, my good fellows, wait on me tonight.
Scant not my cups, and make as much of me
As when mine empire was your fellow too
And suffered my command.
Scant not my cups, and make as much of me
As when mine empire was your fellow too
And suffered my command.
CLEOPATRA[_Aside to Enobarbus_.] What does he mean?
ENOBARBUS[_Aside to Cleopatra_.] To make his followers weep.
ANTONYTend me tonight;
May be it is the period of your duty.
Haply you shall not see me more, or if,
A mangled shadow. Perchance tomorrow
You'll serve another master. I look on you
As one that takes his leave. Mine honest friends,
I turn you not away, but, like a master
Married to your good service, stay till death.
Tend me tonight two hours, I ask no more,
And the gods yield you for't!
May be it is the period of your duty.
Haply you shall not see me more, or if,
A mangled shadow. Perchance tomorrow
You'll serve another master. I look on you
As one that takes his leave. Mine honest friends,
I turn you not away, but, like a master
Married to your good service, stay till death.
Tend me tonight two hours, I ask no more,
And the gods yield you for't!
SCENE II. Alexandria. A Room in the PalaceSida 68 / 100
ENOBARBUSWhat mean you, sir,
To give them this discomfort? Look, they weep,
And I, an ass, am onion-eyed. For shame,
Transform us not to women.
To give them this discomfort? Look, they weep,
And I, an ass, am onion-eyed. For shame,
Transform us not to women.
ANTONYHo, ho, ho!
Now the witch take me if I meant it thus!
Grace grow where those drops fall! My hearty friends,
You take me in too dolorous a sense,
For I spake to you for your comfort, did desire you
To burn this night with torches. Know, my hearts,
I hope well of tomorrow, and will lead you
Where rather I'll expect victorious life
Than death and honour. Let's to supper, come,
And drown consideration.
_Exeunt._
Now the witch take me if I meant it thus!
Grace grow where those drops fall! My hearty friends,
You take me in too dolorous a sense,
For I spake to you for your comfort, did desire you
To burn this night with torches. Know, my hearts,
I hope well of tomorrow, and will lead you
Where rather I'll expect victorious life
Than death and honour. Let's to supper, come,
And drown consideration.
_Exeunt._
SCENE III. Alexandria. Before the PalaceSida 69 / 100
SCENE III. Alexandria. Before the Palace
Enter a Company of Soldiers.
FIRST SOLDIERBrother, good night. Tomorrow is the day.
SECOND SOLDIERIt will determine one way. Fare you well.
Heard you of nothing strange about the streets?
Heard you of nothing strange about the streets?
FIRST SOLDIERNothing. What news?
SECOND SOLDIERBelike 'tis but a rumour. Good night to you.
FIRST SOLDIERWell, sir, good night.
Enter two other Soldiers.
SECOND SOLDIERSoldiers, have careful watch.
THIRD SOLDIERAnd you. Good night, good night.
_They place themselves in every corner of the stage._
_They place themselves in every corner of the stage._
SECOND SOLDIERHere we. And if tomorrow
Our navy thrive, I have an absolute hope
Our landmen will stand up.
Our navy thrive, I have an absolute hope
Our landmen will stand up.
FIRST SOLDIER'Tis a brave army, and full of purpose.
_Music of the hautboys under the stage._
_Music of the hautboys under the stage._
SECOND SOLDIERPeace, what noise?
FIRST SOLDIERList, list!
SECOND SOLDIERHark!
FIRST SOLDIERMusic i' th' air.
THIRD SOLDIERUnder the earth.
FOURTH SOLDIERIt signs well, does it not?
THIRD SOLDIERNo.
FIRST SOLDIERPeace, I say! What should this mean?
SECOND SOLDIER'Tis the god Hercules, whom Antony loved,
Now leaves him.
Now leaves him.
FIRST SOLDIERWalk. Let's see if other watchmen
Do hear what we do.
_They advance to another post._
Do hear what we do.
_They advance to another post._
SECOND SOLDIERHow now, masters!
ALLHow now! How now! Do you hear this?
FIRST SOLDIERAy. Is't not strange?
THIRD SOLDIERDo you hear, masters? Do you hear?
FIRST SOLDIERFollow the noise so far as we have quarter.
Let's see how it will give off.
Let's see how it will give off.
ALLContent. 'Tis strange.
_Exeunt._
_Exeunt._
SCENE IV. Alexandria. A Room in the PalaceSida 70 / 100
SCENE IV. Alexandria. A Room in the Palace
Enter Antony and Cleopatra with others.
ANTONYEros! Mine armour, Eros!
CLEOPATRASleep a little.
ANTONYNo, my chuck.—Eros! Come, mine armour, Eros!
Enter Eros with armour.
ANTONYCome, good fellow, put thine iron on.
If fortune be not ours today, it is
Because we brave her. Come.
If fortune be not ours today, it is
Because we brave her. Come.
CLEOPATRANay, I'll help too.
What's this for?
What's this for?
ANTONYAh, let be, let be! Thou art The armourer of my heart. False, false. This, this!
CLEOPATRASooth, la, I'll help. Thus it must be.
ANTONYWell, well,
We shall thrive now. Seest thou, my good fellow?
Go put on thy defences.
We shall thrive now. Seest thou, my good fellow?
Go put on thy defences.
EROSBriefly, sir.
CLEOPATRAIs not this buckled well?
ANTONYRarely, rarely.
He that unbuckles this, till we do please
To daff't for our repose, shall hear a storm.
Thou fumblest, Eros, and my queen's a squire
More tight at this than thou. Dispatch. O love,
That thou couldst see my wars today, and knew'st
The royal occupation, thou shouldst see
A workman in't.
He that unbuckles this, till we do please
To daff't for our repose, shall hear a storm.
Thou fumblest, Eros, and my queen's a squire
More tight at this than thou. Dispatch. O love,
That thou couldst see my wars today, and knew'st
The royal occupation, thou shouldst see
A workman in't.
Enter an Officer, armed.
ANTONYGood morrow to thee. Welcome.
Thou look'st like him that knows a warlike charge.
To business that we love we rise betime
And go to't with delight.
Thou look'st like him that knows a warlike charge.
To business that we love we rise betime
And go to't with delight.
OFFICERA thousand, sir,
Early though't be, have on their riveted trim
And at the port expect you.
_Shout. Trumpets flourish._
Early though't be, have on their riveted trim
And at the port expect you.
_Shout. Trumpets flourish._
Enter other Captains and Soldiers.
CAPTAINThe morn is fair. Good morrow, general.
ALLGood morrow, general.
SCENE IV. Alexandria. A Room in the PalaceSida 71 / 100
ANTONY'Tis well blown, lads.
This morning, like the spirit of a youth
That means to be of note, begins betimes.
So, so. Come, give me that. This way. Well said.
Fare thee well, dame.
Whate'er becomes of me,
This is a soldier's kiss. [_Kisses her._] Rebukeable
And worthy shameful check it were, to stand
On more mechanic compliment. I'll leave thee
Now like a man of steel.—You that will fight,
Follow me close, I'll bring you to't. Adieu.
_Exeunt Antony, Eros, Captains and Soldiers._
This morning, like the spirit of a youth
That means to be of note, begins betimes.
So, so. Come, give me that. This way. Well said.
Fare thee well, dame.
Whate'er becomes of me,
This is a soldier's kiss. [_Kisses her._] Rebukeable
And worthy shameful check it were, to stand
On more mechanic compliment. I'll leave thee
Now like a man of steel.—You that will fight,
Follow me close, I'll bring you to't. Adieu.
_Exeunt Antony, Eros, Captains and Soldiers._
CHARMIANPlease you, retire to your chamber.
CLEOPATRALead me.
He goes forth gallantly. That he and Caesar might
Determine this great war in single fight!
Then Antony—but now—. Well, on.
_Exeunt._
He goes forth gallantly. That he and Caesar might
Determine this great war in single fight!
Then Antony—but now—. Well, on.
_Exeunt._
SCENE V. Antony's camp near AlexandriaSida 72 / 100
SCENE V. Antony's camp near Alexandria
Trumpets sound. Enter Antony and Eros, a Soldier meeting them.
SOLDIERThe gods make this a happy day to Antony!
ANTONYWould thou and those thy scars had once prevailed To make me fight at land!
SOLDIERHadst thou done so,
The kings that have revolted and the soldier
That has this morning left thee would have still
Followed thy heels.
The kings that have revolted and the soldier
That has this morning left thee would have still
Followed thy heels.
ANTONYWho's gone this morning?
SOLDIERWho?
One ever near thee. Call for Enobarbus,
He shall not hear thee, or from Caesar's camp
Say "I am none of thine."
One ever near thee. Call for Enobarbus,
He shall not hear thee, or from Caesar's camp
Say "I am none of thine."
ANTONYWhat sayest thou?
SOLDIERSir,
He is with Caesar.
He is with Caesar.
EROSSir, his chests and treasure
He has not with him.
He has not with him.
ANTONYIs he gone?
SOLDIERMost certain.
ANTONYGo, Eros, send his treasure after. Do it.
Detain no jot, I charge thee. Write to him—
I will subscribe—gentle adieus and greetings.
Say that I wish he never find more cause
To change a master. O, my fortunes have
Corrupted honest men! Dispatch.—Enobarbus!
_Exeunt._
Detain no jot, I charge thee. Write to him—
I will subscribe—gentle adieus and greetings.
Say that I wish he never find more cause
To change a master. O, my fortunes have
Corrupted honest men! Dispatch.—Enobarbus!
_Exeunt._
SCENE VI. Alexandria. Caesar's campSida 73 / 100
SCENE VI. Alexandria. Caesar's camp
Flourish. Enter Agrippa, Caesar with Enobarbus and Dolabella.
CAESARGo forth, Agrippa, and begin the fight.
Our will is Antony be took alive;
Make it so known.
Our will is Antony be took alive;
Make it so known.
AGRIPPACaesar, I shall.
_Exit._
_Exit._
CAESARThe time of universal peace is near.
Prove this a prosp'rous day, the three-nooked world
Shall bear the olive freely.
Prove this a prosp'rous day, the three-nooked world
Shall bear the olive freely.
Enter a Messenger.
MESSENGERAntony
Is come into the field.
Is come into the field.
CAESARGo charge Agrippa
Plant those that have revolted in the van
That Antony may seem to spend his fury
On himself.
_Exeunt Caesar and his Train._
Plant those that have revolted in the van
That Antony may seem to spend his fury
On himself.
_Exeunt Caesar and his Train._
ENOBARBUSAlexas did revolt and went to Jewry on
Affairs of Antony; there did dissuade
Great Herod to incline himself to Caesar
And leave his master Antony. For this pains
Caesar hath hanged him. Canidius and the rest
That fell away have entertainment but
No honourable trust. I have done ill,
Of which I do accuse myself so sorely
That I will joy no more.
Affairs of Antony; there did dissuade
Great Herod to incline himself to Caesar
And leave his master Antony. For this pains
Caesar hath hanged him. Canidius and the rest
That fell away have entertainment but
No honourable trust. I have done ill,
Of which I do accuse myself so sorely
That I will joy no more.
Enter a Soldier of Caesar's.
SOLDIEREnobarbus, Antony
Hath after thee sent all thy treasure, with
His bounty overplus. The messenger
Came on my guard, and at thy tent is now
Unloading of his mules.
Hath after thee sent all thy treasure, with
His bounty overplus. The messenger
Came on my guard, and at thy tent is now
Unloading of his mules.
ENOBARBUSI give it you.
SOLDIERMock not, Enobarbus.
I tell you true. Best you safed the bringer
Out of the host. I must attend mine office,
Or would have done't myself. Your emperor
Continues still a Jove.
_Exit._
I tell you true. Best you safed the bringer
Out of the host. I must attend mine office,
Or would have done't myself. Your emperor
Continues still a Jove.
_Exit._
ENOBARBUSI am alone the villain of the earth,
And feel I am so most. O Antony,
Thou mine of bounty, how wouldst thou have paid
My better service, when my turpitude
Thou dost so crown with gold! This blows my heart.
If swift thought break it not, a swifter mean
Shall outstrike thought, but thought will do't, I feel.
I fight against thee! No, I will go seek
Some ditch wherein to die; the foul'st best fits
My latter part of life.
_Exit._
And feel I am so most. O Antony,
Thou mine of bounty, how wouldst thou have paid
My better service, when my turpitude
Thou dost so crown with gold! This blows my heart.
If swift thought break it not, a swifter mean
Shall outstrike thought, but thought will do't, I feel.
I fight against thee! No, I will go seek
Some ditch wherein to die; the foul'st best fits
My latter part of life.
_Exit._
SCENE VII. Field of battle between the CampsSida 74 / 100
SCENE VII. Field of battle between the Camps
Alarum. Drums and Trumpets. Enter Agrippa and others.
AGRIPPARetire! We have engaged ourselves too far.
Caesar himself has work, and our oppression
Exceeds what we expected.
_Exeunt._
Alarums. Enter Antony and Scarus wounded.
Caesar himself has work, and our oppression
Exceeds what we expected.
_Exeunt._
Alarums. Enter Antony and Scarus wounded.
SCARUSO my brave emperor, this is fought indeed!
Had we done so at first, we had droven them home
With clouts about their heads.
Had we done so at first, we had droven them home
With clouts about their heads.
ANTONYThou bleed'st apace.
SCARUSI had a wound here that was like a T,
But now 'tis made an H.
_Sounds retreat far off._
But now 'tis made an H.
_Sounds retreat far off._
ANTONYThey do retire.
SCARUSWe'll beat 'em into bench-holes. I have yet
Room for six scotches more.
Room for six scotches more.
Enter Eros.
EROSThey are beaten, sir, and our advantage serves
For a fair victory.
For a fair victory.
SCARUSLet us score their backs
And snatch 'em up as we take hares, behind.
'Tis sport to maul a runner.
And snatch 'em up as we take hares, behind.
'Tis sport to maul a runner.
ANTONYI will reward thee
Once for thy sprightly comfort, and tenfold
For thy good valour. Come thee on.
Once for thy sprightly comfort, and tenfold
For thy good valour. Come thee on.
SCARUSI'll halt after.
_Exeunt._
_Exeunt._
SCENE VIII. Under the Walls of AlexandriaSida 75 / 100
SCENE VIII. Under the Walls of Alexandria
Alarum. Enter Antony again in a march; Scarus with others.
ANTONYWe have beat him to his camp. Run one before
And let the Queen know of our gests.
Tomorrow,
Before the sun shall see's, we'll spill the blood
That has today escaped. I thank you all,
For doughty-handed are you, and have fought
Not as you served the cause, but as't had been
Each man's like mine. You have shown all Hectors.
And let the Queen know of our gests.
Tomorrow,
Before the sun shall see's, we'll spill the blood
That has today escaped. I thank you all,
For doughty-handed are you, and have fought
Not as you served the cause, but as't had been
Each man's like mine. You have shown all Hectors.
Enter the city, clip your wives, your friends,
ANTONYTell them your feats; while they with joyful tears
Wash the congealment from your wounds and kiss
The honoured gashes whole.
Wash the congealment from your wounds and kiss
The honoured gashes whole.
Enter Cleopatra.
[_To Scarus_.] Give me thy hand. To this great fairy I'll commend thy acts, Make her thanks bless thee. O thou day o' th' world, Chain mine armed neck. Leap thou, attire and all, Through proof of harness to my heart, and there Ride on the pants triumphing
CLEOPATRALord of lords!
O infinite virtue, com'st thou smiling from
The world's great snare uncaught?
O infinite virtue, com'st thou smiling from
The world's great snare uncaught?
ANTONYMine nightingale,
We have beat them to their beds. What, girl! Though grey
Do something mingle with our younger brown, yet ha' we
A brain that nourishes our nerves and can
Get goal for goal of youth. Behold this man.
Commend unto his lips thy favouring hand.—
Kiss it, my warrior. He hath fought today
As if a god, in hate of mankind, had
Destroyed in such a shape.
We have beat them to their beds. What, girl! Though grey
Do something mingle with our younger brown, yet ha' we
A brain that nourishes our nerves and can
Get goal for goal of youth. Behold this man.
Commend unto his lips thy favouring hand.—
Kiss it, my warrior. He hath fought today
As if a god, in hate of mankind, had
Destroyed in such a shape.
CLEOPATRAI'll give thee, friend,
An armour all of gold. It was a king's.
An armour all of gold. It was a king's.
ANTONYHe has deserved it, were it carbuncled
Like holy Phœbus' car. Give me thy hand.
Through Alexandria make a jolly march;
Bear our hacked targets like the men that owe them.
Had our great palace the capacity
To camp this host, we all would sup together
And drink carouses to the next day's fate,
Which promises royal peril.—Trumpeters,
With brazen din blast you the city's ear;
Make mingle with our rattling tabourines,
That heaven and earth may strike their sounds together,
Applauding our approach.
_Exeunt._
Like holy Phœbus' car. Give me thy hand.
Through Alexandria make a jolly march;
Bear our hacked targets like the men that owe them.
Had our great palace the capacity
To camp this host, we all would sup together
And drink carouses to the next day's fate,
Which promises royal peril.—Trumpeters,
With brazen din blast you the city's ear;
Make mingle with our rattling tabourines,
That heaven and earth may strike their sounds together,
Applauding our approach.
_Exeunt._
SCENE IX. Caesar's campSida 76 / 100
SCENE IX. Caesar's camp
Enter a Sentry and his company. Enobarbus follows.
SENTRYIf we be not relieved within this hour,
We must return to th' court of guard. The night
Is shiny, and they say we shall embattle
By th' second hour i' th' morn.
We must return to th' court of guard. The night
Is shiny, and they say we shall embattle
By th' second hour i' th' morn.
FIRST WATCHThis last day was a shrewd one to's.
ENOBARBUSO, bear me witness, night.—
SECOND WATCHWhat man is this?
FIRST WATCHStand close and list him.
ENOBARBUSBe witness to me, O thou blessed moon,
When men revolted shall on record
Bear hateful memory, poor Enobarbus did
Before thy face repent.
When men revolted shall on record
Bear hateful memory, poor Enobarbus did
Before thy face repent.
SENTRYEnobarbus?
SECOND WATCHPeace! Hark further.
ENOBARBUSO sovereign mistress of true melancholy,
The poisonous damp of night disponge on me,
That life, a very rebel to my will,
May hang no longer on me. Throw my heart
Against the flint and hardness of my fault,
Which, being dried with grief, will break to powder
And finish all foul thoughts. O Antony,
Nobler than my revolt is infamous,
Forgive me in thine own particular,
But let the world rank me in register
A master-leaver and a fugitive.
O Antony! O Antony!
_Dies._
The poisonous damp of night disponge on me,
That life, a very rebel to my will,
May hang no longer on me. Throw my heart
Against the flint and hardness of my fault,
Which, being dried with grief, will break to powder
And finish all foul thoughts. O Antony,
Nobler than my revolt is infamous,
Forgive me in thine own particular,
But let the world rank me in register
A master-leaver and a fugitive.
O Antony! O Antony!
_Dies._
FIRST WATCHLet's speak to him.
SENTRYLet's hear him, for the things he speaks may concern Caesar.
SECOND WATCHLet's do so. But he sleeps.
SENTRYSwoons rather, for so bad a prayer as his
Was never yet for sleep.
Was never yet for sleep.
FIRST WATCHGo we to him.
SECOND WATCHAwake, sir, awake! Speak to us.
FIRST WATCHHear you, sir?
SENTRYThe hand of death hath raught him.
_Drums afar off._
Hark! The drums
Demurely wake the sleepers. Let us bear him
To th' court of guard; he is of note. Our hour
Is fully out.
_Drums afar off._
Hark! The drums
Demurely wake the sleepers. Let us bear him
To th' court of guard; he is of note. Our hour
Is fully out.
SECOND WATCHCome on, then. He may recover yet.
_Exeunt with the body._
_Exeunt with the body._
SCENE X. Ground between the two CampsSida 77 / 100
SCENE X. Ground between the two Camps
Enter Antony and Scarus with their army.
ANTONYTheir preparation is today by sea;
We please them not by land.
We please them not by land.
SCARUSFor both, my lord.
ANTONYI would they'd fight i' th' fire or i' th' air;
We'd fight there too. But this it is: our foot
On the hills adjoining to the city
Shall stay with us—order for sea is given;
They have put forth the haven—
Where their appointment we may best discover
And look on their endeavour.
_Exeunt._
We'd fight there too. But this it is: our foot
On the hills adjoining to the city
Shall stay with us—order for sea is given;
They have put forth the haven—
Where their appointment we may best discover
And look on their endeavour.
_Exeunt._
SCENE XI. Another part of the GroundSida 78 / 100
SCENE XI. Another part of the Ground
Enter Caesar and his army.
CAESARBut being charged, we will be still by land,
Which, as I take't, we shall, for his best force
Is forth to man his galleys. To the vales,
And hold our best advantage.
_Exeunt._
Which, as I take't, we shall, for his best force
Is forth to man his galleys. To the vales,
And hold our best advantage.
_Exeunt._
SCENE XII. Another part of the GroundSida 79 / 100
SCENE XII. Another part of the Ground
Alarum afar off, as at a sea fight. Enter Antony and Scarus.
ANTONYYet they are not joined. Where yond pine does stand
I shall discover all. I'll bring thee word
Straight how 'tis like to go.
_Exit._
I shall discover all. I'll bring thee word
Straight how 'tis like to go.
_Exit._
SCARUSSwallows have built
In Cleopatra's sails their nests. The augurs
Say they know not, they cannot tell; look grimly,
And dare not speak their knowledge. Antony
Is valiant and dejected, and by starts
His fretted fortunes give him hope and fear
Of what he has and has not.
In Cleopatra's sails their nests. The augurs
Say they know not, they cannot tell; look grimly,
And dare not speak their knowledge. Antony
Is valiant and dejected, and by starts
His fretted fortunes give him hope and fear
Of what he has and has not.
Enter Antony.
ANTONYAll is lost!
This foul Egyptian hath betrayed me.
My fleet hath yielded to the foe, and yonder
They cast their caps up and carouse together
Like friends long lost. Triple-turned whore! 'Tis thou
Hast sold me to this novice, and my heart
Makes only wars on thee. Bid them all fly;
For when I am revenged on my charm,
I have done all. Bid them all fly! Be gone!
_Exit Scarus._
O sun, thy uprise shall I see no more.
Fortune and Antony part here; even here
Do we shake hands. All come to this! The hearts
That spanieled me at heels, to whom I gave
Their wishes, do discandy, melt their sweets
On blossoming Caesar, and this pine is barked
That overtopped them all. Betray'd I am:
O this false soul of Egypt! This grave charm,
Whose eye becked forth my wars and called them home,
Whose bosom was my crownet, my chief end,
Like a right gypsy hath at fast and loose
Beguiled me to the very heart of loss.
What, Eros, Eros!
This foul Egyptian hath betrayed me.
My fleet hath yielded to the foe, and yonder
They cast their caps up and carouse together
Like friends long lost. Triple-turned whore! 'Tis thou
Hast sold me to this novice, and my heart
Makes only wars on thee. Bid them all fly;
For when I am revenged on my charm,
I have done all. Bid them all fly! Be gone!
_Exit Scarus._
O sun, thy uprise shall I see no more.
Fortune and Antony part here; even here
Do we shake hands. All come to this! The hearts
That spanieled me at heels, to whom I gave
Their wishes, do discandy, melt their sweets
On blossoming Caesar, and this pine is barked
That overtopped them all. Betray'd I am:
O this false soul of Egypt! This grave charm,
Whose eye becked forth my wars and called them home,
Whose bosom was my crownet, my chief end,
Like a right gypsy hath at fast and loose
Beguiled me to the very heart of loss.
What, Eros, Eros!
Enter Cleopatra.
ANTONYAh, thou spell! Avaunt!
CLEOPATRAWhy is my lord enraged against his love?
SCENE XII. Another part of the GroundSida 80 / 100
ANTONYVanish, or I shall give thee thy deserving
And blemish Caesar's triumph. Let him take thee
And hoist thee up to the shouting plebeians!
Follow his chariot, like the greatest spot
Of all thy sex; most monster-like be shown
For poor'st diminutives, for dolts, and let
Patient Octavia plough thy visage up
With her prepared nails.
_Exit Cleopatra._
'Tis well thou'rt gone,
If it be well to live; but better 'twere
Thou fell'st into my fury, for one death
Might have prevented many.—Eros, ho!—
The shirt of Nessus is on me. Teach me,
Alcides, thou mine ancestor, thy rage.
Let me lodge Lichas on the horns o' th' moon,
And with those hands that grasped the heaviest club
Subdue my worthiest self. The witch shall die.
To the young Roman boy she hath sold me, and I fall
Under this plot. She dies for't.—Eros, ho!
_Exit._
And blemish Caesar's triumph. Let him take thee
And hoist thee up to the shouting plebeians!
Follow his chariot, like the greatest spot
Of all thy sex; most monster-like be shown
For poor'st diminutives, for dolts, and let
Patient Octavia plough thy visage up
With her prepared nails.
_Exit Cleopatra._
'Tis well thou'rt gone,
If it be well to live; but better 'twere
Thou fell'st into my fury, for one death
Might have prevented many.—Eros, ho!—
The shirt of Nessus is on me. Teach me,
Alcides, thou mine ancestor, thy rage.
Let me lodge Lichas on the horns o' th' moon,
And with those hands that grasped the heaviest club
Subdue my worthiest self. The witch shall die.
To the young Roman boy she hath sold me, and I fall
Under this plot. She dies for't.—Eros, ho!
_Exit._
SCENE XIII. Alexandria. A Room in the PalaceSida 81 / 100
SCENE XIII. Alexandria. A Room in the Palace
Enter Cleopatra, Charmian, Iras and Mardian.
CLEOPATRAHelp me, my women! O, he is more mad
Than Telamon for his shield; the boar of Thessaly
Was never so embossed.
Than Telamon for his shield; the boar of Thessaly
Was never so embossed.
CHARMIANTo th' monument!
There lock yourself and send him word you are dead.
The soul and body rive not more in parting
Than greatness going off.
There lock yourself and send him word you are dead.
The soul and body rive not more in parting
Than greatness going off.
CLEOPATRATo th' monument!
Mardian, go tell him I have slain myself.
Say that the last I spoke was "Antony",
And word it, prithee, piteously. Hence, Mardian,
And bring me how he takes my death.—To th' monument!
_Exeunt._
Mardian, go tell him I have slain myself.
Say that the last I spoke was "Antony",
And word it, prithee, piteously. Hence, Mardian,
And bring me how he takes my death.—To th' monument!
_Exeunt._
SCENE XIV. Alexandria. Another RoomSida 82 / 100
SCENE XIV. Alexandria. Another Room
Enter Antony and Eros.
ANTONYEros, thou yet behold'st me?
EROSAy, noble lord.
ANTONYSometime we see a cloud that's dragonish,
A vapour sometime like a bear or lion,
A towered citadel, a pendant rock,
A forked mountain, or blue promontory
With trees on't, that nod unto the world
And mock our eyes with air. Thou hast seen these signs.
They are black vesper's pageants.
A vapour sometime like a bear or lion,
A towered citadel, a pendant rock,
A forked mountain, or blue promontory
With trees on't, that nod unto the world
And mock our eyes with air. Thou hast seen these signs.
They are black vesper's pageants.
EROSAy, my lord.
ANTONYThat which is now a horse, even with a thought
The rack dislimns and makes it indistinct
As water is in water.
The rack dislimns and makes it indistinct
As water is in water.
EROSIt does, my lord.
ANTONYMy good knave Eros, now thy captain is
Even such a body. Here I am Antony,
Yet cannot hold this visible shape, my knave.
I made these wars for Egypt, and the Queen,
Whose heart I thought I had, for she had mine,
Which, while it was mine, had annexed unto't
A million more, now lost—she, Eros, has
Packed cards with Caesar, and false-played my glory
Unto an enemy's triumph.
Nay, weep not, gentle Eros. There is left us
Ourselves to end ourselves.
Even such a body. Here I am Antony,
Yet cannot hold this visible shape, my knave.
I made these wars for Egypt, and the Queen,
Whose heart I thought I had, for she had mine,
Which, while it was mine, had annexed unto't
A million more, now lost—she, Eros, has
Packed cards with Caesar, and false-played my glory
Unto an enemy's triumph.
Nay, weep not, gentle Eros. There is left us
Ourselves to end ourselves.
Enter Mardian.
ANTONYO, thy vile lady! She has robbed me of my sword.
MARDIANNo, Antony,
My mistress loved thee and her fortunes mingled
With thine entirely.
My mistress loved thee and her fortunes mingled
With thine entirely.
ANTONYHence, saucy eunuch! Peace!
She hath betrayed me and shall die the death.
She hath betrayed me and shall die the death.
MARDIANDeath of one person can be paid but once,
And that she has discharged. What thou wouldst do
Is done unto thy hand. The last she spake
Was "Antony! Most noble Antony!"
Then in the midst a tearing groan did break
The name of Antony; it was divided
Between her heart and lips. She rendered life,
Thy name so buried in her.
And that she has discharged. What thou wouldst do
Is done unto thy hand. The last she spake
Was "Antony! Most noble Antony!"
Then in the midst a tearing groan did break
The name of Antony; it was divided
Between her heart and lips. She rendered life,
Thy name so buried in her.
ANTONYDead, then?
MARDIANDead.
SCENE XIV. Alexandria. Another RoomSida 83 / 100
ANTONYUnarm, Eros. The long day's task is done,
And we must sleep.—That thou depart'st hence safe
Does pay thy labour richly. Go.
_Exit Mardian._
Off, pluck off!
The sevenfold shield of Ajax cannot keep
The battery from my heart. O, cleave, my sides!
Heart, once be stronger than thy continent;
Crack thy frail case! Apace, Eros, apace!
No more a soldier. Bruised pieces, go;
You have been nobly borne. From me awhile.
_Exit Eros._
I will o'ertake thee, Cleopatra, and
Weep for my pardon. So it must be, for now
All length is torture. Since the torch is out,
Lie down, and stray no farther. Now all labour
Mars what it does; yea, very force entangles
Itself with strength. Seal then, and all is done.
Eros!—I come, my queen.—Eros!—Stay for me.
Where souls do couch on flowers, we'll hand in hand,
And with our sprightly port make the ghosts gaze.
Dido and her Aeneas shall want troops,
And all the haunt be ours.—Come, Eros, Eros!
And we must sleep.—That thou depart'st hence safe
Does pay thy labour richly. Go.
_Exit Mardian._
Off, pluck off!
The sevenfold shield of Ajax cannot keep
The battery from my heart. O, cleave, my sides!
Heart, once be stronger than thy continent;
Crack thy frail case! Apace, Eros, apace!
No more a soldier. Bruised pieces, go;
You have been nobly borne. From me awhile.
_Exit Eros._
I will o'ertake thee, Cleopatra, and
Weep for my pardon. So it must be, for now
All length is torture. Since the torch is out,
Lie down, and stray no farther. Now all labour
Mars what it does; yea, very force entangles
Itself with strength. Seal then, and all is done.
Eros!—I come, my queen.—Eros!—Stay for me.
Where souls do couch on flowers, we'll hand in hand,
And with our sprightly port make the ghosts gaze.
Dido and her Aeneas shall want troops,
And all the haunt be ours.—Come, Eros, Eros!
Enter Eros.
EROSWhat would my lord?
ANTONYSince Cleopatra died,
I have lived in such dishonour that the gods
Detest my baseness. I, that with my sword
Quartered the world, and o'er green Neptune's back
With ships made cities, condemn myself to lack
The courage of a woman; less noble mind
Than she which, by her death, our Caesar tells
"I am conqueror of myself." Thou art sworn, Eros,
That when the exigent should come, which now
Is come indeed, when I should see behind me
Th' inevitable prosecution of
Disgrace and horror, that on my command
Thou then wouldst kill me. Do't. The time is come.
Thou strik'st not me; 'tis Caesar thou defeat'st.
Put colour in thy cheek.
I have lived in such dishonour that the gods
Detest my baseness. I, that with my sword
Quartered the world, and o'er green Neptune's back
With ships made cities, condemn myself to lack
The courage of a woman; less noble mind
Than she which, by her death, our Caesar tells
"I am conqueror of myself." Thou art sworn, Eros,
That when the exigent should come, which now
Is come indeed, when I should see behind me
Th' inevitable prosecution of
Disgrace and horror, that on my command
Thou then wouldst kill me. Do't. The time is come.
Thou strik'st not me; 'tis Caesar thou defeat'st.
Put colour in thy cheek.
EROSThe gods withhold me!
Shall I do that which all the Parthian darts,
Though enemy, lost aim and could not?
Shall I do that which all the Parthian darts,
Though enemy, lost aim and could not?
ANTONYEros,
Wouldst thou be windowed in great Rome and see
Thy master thus with pleached arms, bending down
His corrigible neck, his face subdued
To penetrative shame, while the wheeled seat
Of fortunate Caesar, drawn before him, branded
His baseness that ensued?
Wouldst thou be windowed in great Rome and see
Thy master thus with pleached arms, bending down
His corrigible neck, his face subdued
To penetrative shame, while the wheeled seat
Of fortunate Caesar, drawn before him, branded
His baseness that ensued?
EROSI would not see't.
SCENE XIV. Alexandria. Another RoomSida 84 / 100
ANTONYCome, then, for with a wound I must be cured.
Draw that thy honest sword, which thou hast worn
Most useful for thy country.
Draw that thy honest sword, which thou hast worn
Most useful for thy country.
EROSO, sir, pardon me!
ANTONYWhen I did make thee free, swor'st thou not then
To do this when I bade thee? Do it at once,
Or thy precedent services are all
But accidents unpurposed. Draw, and come.
To do this when I bade thee? Do it at once,
Or thy precedent services are all
But accidents unpurposed. Draw, and come.
EROSTurn from me then that noble countenance
Wherein the worship of the whole world lies.
Wherein the worship of the whole world lies.
ANTONYLo thee!
_Turning from him._
_Turning from him._
EROSMy sword is drawn.
ANTONYThen let it do at once
The thing why thou hast drawn it.
The thing why thou hast drawn it.
EROSMy dear master,
My captain and my emperor, let me say,
Before I strike this bloody stroke, farewell.
My captain and my emperor, let me say,
Before I strike this bloody stroke, farewell.
ANTONY'Tis said, man, and farewell.
EROSFarewell, great chief. Shall I strike now?
ANTONYNow, Eros.
EROSWhy, there then! [_kills himself_]
Thus do I escape the sorrow
Of Antony's death.
_Dies._
Thus do I escape the sorrow
Of Antony's death.
_Dies._
ANTONYThrice nobler than myself!
Thou teachest me, O valiant Eros, what
I should and thou couldst not. My queen and Eros
Have by their brave instruction got on me
A nobleness in record. But I will be
A bridegroom in my death and run into't
As to a lover's bed. Come then, and, Eros,
Thy master dies thy scholar. To do thus
_Falling on his sword._
I learned of thee. How? Not dead? Not dead? The guard, ho! O, dispatch me!
Thou teachest me, O valiant Eros, what
I should and thou couldst not. My queen and Eros
Have by their brave instruction got on me
A nobleness in record. But I will be
A bridegroom in my death and run into't
As to a lover's bed. Come then, and, Eros,
Thy master dies thy scholar. To do thus
_Falling on his sword._
I learned of thee. How? Not dead? Not dead? The guard, ho! O, dispatch me!
Enter a company of the Guard, one of them Dercetus.
FIRST GUARDWhat's the noise?
ANTONYI have done my work ill, friends. O, make an end
Of what I have begun.
Of what I have begun.
SECOND GUARDThe star is fallen.
FIRST GUARDAnd time is at his period.
ALLAlas, and woe!
ANTONYLet him that loves me strike me dead.
FIRST GUARDNot I.
SECOND GUARDNor I.
SCENE XIV. Alexandria. Another RoomSida 85 / 100
THIRD GUARDNor anyone.
_Exeunt guard._
_Exeunt guard._
DERCETUSThy death and fortunes bid thy followers fly.
This sword but shown to Caesar with this tidings,
Shall enter me with him.
This sword but shown to Caesar with this tidings,
Shall enter me with him.
Enter Diomedes.
DIOMEDESWhere's Antony?
DERCETUSThere, Diomed, there.
DIOMEDESLives he? Wilt thou not answer, man?
_Exit Dercetus._
_Exit Dercetus._
ANTONYArt thou there, Diomed? Draw thy sword and give me Sufficing strokes for death.
DIOMEDESMost absolute lord,
My mistress Cleopatra sent me to thee.
My mistress Cleopatra sent me to thee.
ANTONYWhen did she send thee?
DIOMEDESNow, my lord.
ANTONYWhere is she?
DIOMEDESLocked in her monument. She had a prophesying fear
Of what hath come to pass. For when she saw—
Which never shall be found—you did suspect
She had disposed with Caesar, and that your rage
Would not be purged, she sent you word she was dead;
But fearing since how it might work, hath sent
Me to proclaim the truth, and I am come,
I dread, too late.
Of what hath come to pass. For when she saw—
Which never shall be found—you did suspect
She had disposed with Caesar, and that your rage
Would not be purged, she sent you word she was dead;
But fearing since how it might work, hath sent
Me to proclaim the truth, and I am come,
I dread, too late.
ANTONYToo late, good Diomed. Call my guard, I prithee.
DIOMEDESWhat, ho! The emperor's guard! The guard, what ho! Come, your lord calls!
Enter four or five of the Guard of Antony.
ANTONYBear me, good friends, where Cleopatra bides.
'Tis the last service that I shall command you.
'Tis the last service that I shall command you.
FIRST GUARDWoe, woe are we, sir, you may not live to wear
All your true followers out.
All your true followers out.
ALLMost heavy day!
ANTONYNay, good my fellows, do not please sharp fate
To grace it with your sorrows. Bid that welcome
Which comes to punish us, and we punish it,
Seeming to bear it lightly. Take me up.
I have led you oft; carry me now, good friends,
And have my thanks for all.
_Exeunt, bearing Antony._
To grace it with your sorrows. Bid that welcome
Which comes to punish us, and we punish it,
Seeming to bear it lightly. Take me up.
I have led you oft; carry me now, good friends,
And have my thanks for all.
_Exeunt, bearing Antony._
SCENE XV. Alexandria. A monumentSida 86 / 100
SCENE XV. Alexandria. A monument
Enter Cleopatra and her maids aloft, with Charmian and Iras.
CLEOPATRAO Charmian, I will never go from hence.
CHARMIANBe comforted, dear madam.
CLEOPATRANo, I will not.
All strange and terrible events are welcome,
But comforts we despise. Our size of sorrow,
Proportioned to our cause, must be as great
As that which makes it.
All strange and terrible events are welcome,
But comforts we despise. Our size of sorrow,
Proportioned to our cause, must be as great
As that which makes it.
Enter, below Diomedes.
CLEOPATRAHow now! Is he dead?
DIOMEDESHis death's on him, but not dead.
Look out o' th' other side your monument;
His guard have brought him thither.
Look out o' th' other side your monument;
His guard have brought him thither.
Enter, below Antony borne by the Guard.
CLEOPATRAO sun, Burn the great sphere thou mov'st in! Darkling stand The varying shore o' th' world. O Antony, Antony, Antony! Help, Charmian! Help, Iras, help! Help, friends below! Let's draw him hither.
ANTONYPeace!
Not Caesar's valour hath o'erthrown Antony,
But Antony's hath triumphed on itself.
Not Caesar's valour hath o'erthrown Antony,
But Antony's hath triumphed on itself.
CLEOPATRASo it should be, that none but Antony
Should conquer Antony, but woe 'tis so!
Should conquer Antony, but woe 'tis so!
ANTONYI am dying, Egypt, dying. Only
I here importune death awhile until
Of many thousand kisses the poor last
I lay on thy lips.
I here importune death awhile until
Of many thousand kisses the poor last
I lay on thy lips.
CLEOPATRAI dare not, dear
Dear my lord, pardon. I dare not,
Lest I be taken. Not th' imperious show
Of the full-fortuned Caesar ever shall
Be brooched with me; if knife, drugs, serpents, have
Edge, sting, or operation, I am safe.
Your wife Octavia, with her modest eyes
And still conclusion, shall acquire no honour
Demuring on me. But come, come, Antony—
Help me, my women—we must draw thee up.
Assist, good friends.
Dear my lord, pardon. I dare not,
Lest I be taken. Not th' imperious show
Of the full-fortuned Caesar ever shall
Be brooched with me; if knife, drugs, serpents, have
Edge, sting, or operation, I am safe.
Your wife Octavia, with her modest eyes
And still conclusion, shall acquire no honour
Demuring on me. But come, come, Antony—
Help me, my women—we must draw thee up.
Assist, good friends.
ANTONYO, quick, or I am gone.
SCENE XV. Alexandria. A monumentSida 87 / 100
CLEOPATRAHere's sport indeed! How heavy weighs my lord!
Our strength is all gone into heaviness;
That makes the weight. Had I great Juno's power,
The strong-winged Mercury should fetch thee up
And set thee by Jove's side. Yet come a little;
Wishers were ever fools. O come, come come,
_They heave Antony aloft to Cleopatra._
And welcome, welcome! Die where thou hast lived;
Quicken with kissing. Had my lips that power,
Thus would I wear them out.
Our strength is all gone into heaviness;
That makes the weight. Had I great Juno's power,
The strong-winged Mercury should fetch thee up
And set thee by Jove's side. Yet come a little;
Wishers were ever fools. O come, come come,
_They heave Antony aloft to Cleopatra._
And welcome, welcome! Die where thou hast lived;
Quicken with kissing. Had my lips that power,
Thus would I wear them out.
ALLA heavy sight!
ANTONYI am dying, Egypt, dying.
Give me some wine, and let me speak a little.
Give me some wine, and let me speak a little.
CLEOPATRANo, let me speak, and let me rail so high
That the false huswife Fortune break her wheel,
Provoked by my offence.
That the false huswife Fortune break her wheel,
Provoked by my offence.
ANTONYOne word, sweet queen:
Of Caesar seek your honour, with your safety. O!
Of Caesar seek your honour, with your safety. O!
CLEOPATRAThey do not go together.
ANTONYGentle, hear me.
None about Caesar trust but Proculeius.
None about Caesar trust but Proculeius.
CLEOPATRAMy resolution and my hands I'll trust;
None about Caesar.
None about Caesar.
ANTONYThe miserable change now at my end
Lament nor sorrow at, but please your thoughts
In feeding them with those my former fortunes
Wherein I lived the greatest prince o' th' world,
The noblest; and do now not basely die,
Not cowardly put off my helmet to
My countryman; a Roman by a Roman
Valiantly vanquished. Now my spirit is going;
I can no more.
Lament nor sorrow at, but please your thoughts
In feeding them with those my former fortunes
Wherein I lived the greatest prince o' th' world,
The noblest; and do now not basely die,
Not cowardly put off my helmet to
My countryman; a Roman by a Roman
Valiantly vanquished. Now my spirit is going;
I can no more.
CLEOPATRANoblest of men, woo't die?
Hast thou no care of me? Shall I abide
In this dull world, which in thy absence is
No better than a sty? O, see, my women,
_ Antony dies._
The crown o' th' earth doth melt.—My lord!
O, withered is the garland of the war,
The soldier's pole is fallen; young boys and girls
Are level now with men. The odds is gone,
And there is nothing left remarkable
Beneath the visiting moon.
_Faints._
Hast thou no care of me? Shall I abide
In this dull world, which in thy absence is
No better than a sty? O, see, my women,
_ Antony dies._
The crown o' th' earth doth melt.—My lord!
O, withered is the garland of the war,
The soldier's pole is fallen; young boys and girls
Are level now with men. The odds is gone,
And there is nothing left remarkable
Beneath the visiting moon.
_Faints._
CHARMIANO, quietness, lady!
IRASShe is dead too, our sovereign.
CHARMIANLady!
IRASMadam!
CHARMIANO madam, madam, madam!
SCENE XV. Alexandria. A monumentSida 88 / 100
IRASRoyal Egypt, Empress!
CHARMIANPeace, peace, Iras!
CLEOPATRANo more but e'en a woman, and commanded
By such poor passion as the maid that milks
And does the meanest chares. It were for me
To throw my sceptre at the injurious gods,
To tell them that this world did equal theirs
Till they had stolen our jewel. All's but naught;
Patience is sottish, and impatience does
Become a dog that's mad. Then is it sin
To rush into the secret house of death
Ere death dare come to us? How do you, women?
What, what! good cheer! Why, how now, Charmian?
My noble girls! Ah, women, women! Look,
Our lamp is spent, it's out! Good sirs, take heart.
We'll bury him; and then, what's brave, what's noble,
Let's do it after the high Roman fashion
And make death proud to take us. Come, away.
This case of that huge spirit now is cold.
Ah, women, women! Come, we have no friend
But resolution and the briefest end.
_Exeunt, bearing off Antony's body._
By such poor passion as the maid that milks
And does the meanest chares. It were for me
To throw my sceptre at the injurious gods,
To tell them that this world did equal theirs
Till they had stolen our jewel. All's but naught;
Patience is sottish, and impatience does
Become a dog that's mad. Then is it sin
To rush into the secret house of death
Ere death dare come to us? How do you, women?
What, what! good cheer! Why, how now, Charmian?
My noble girls! Ah, women, women! Look,
Our lamp is spent, it's out! Good sirs, take heart.
We'll bury him; and then, what's brave, what's noble,
Let's do it after the high Roman fashion
And make death proud to take us. Come, away.
This case of that huge spirit now is cold.
Ah, women, women! Come, we have no friend
But resolution and the briefest end.
_Exeunt, bearing off Antony's body._
SCENE I. Caesar's Camp before AlexandriaSida 89 / 100
SCENE I. Caesar's Camp before Alexandria
Enter Caesar, Agrippa, Dolabella, Maecenas, Gallus, Proculeius with his council of war.
CAESARGo to him, Dolabella, bid him yield.
Being so frustrate, tell him, he mocks
The pauses that he makes.
Being so frustrate, tell him, he mocks
The pauses that he makes.
DOLABELLACaesar, I shall.
_Exit._
_Exit._
Enter Dercetus with the sword of Antony.
CAESARWherefore is that? And what art thou that dar'st
Appear thus to us?
Appear thus to us?
DERCETUSI am called Dercetus.
Mark Antony I served, who best was worthy
Best to be served. While he stood up and spoke,
He was my master, and I wore my life
To spend on his haters. If thou please
To take me to thee, as I was to him
I'll be to Caesar; if thou pleasest not,
I yield thee up my life.
Mark Antony I served, who best was worthy
Best to be served. While he stood up and spoke,
He was my master, and I wore my life
To spend on his haters. If thou please
To take me to thee, as I was to him
I'll be to Caesar; if thou pleasest not,
I yield thee up my life.
CAESARWhat is't thou say'st?
DERCETUSI say, O Caesar, Antony is dead.
CAESARThe breaking of so great a thing should make
A greater crack. The round world
Should have shook lions into civil streets,
And citizens to their dens. The death of Antony
Is not a single doom; in the name lay
A moiety of the world.
A greater crack. The round world
Should have shook lions into civil streets,
And citizens to their dens. The death of Antony
Is not a single doom; in the name lay
A moiety of the world.
DERCETUSHe is dead, Caesar,
Not by a public minister of justice,
Nor by a hired knife, but that self hand
Which writ his honour in the acts it did
Hath, with the courage which the heart did lend it,
Splitted the heart. This is his sword.
I robbed his wound of it. Behold it stained
With his most noble blood.
Not by a public minister of justice,
Nor by a hired knife, but that self hand
Which writ his honour in the acts it did
Hath, with the courage which the heart did lend it,
Splitted the heart. This is his sword.
I robbed his wound of it. Behold it stained
With his most noble blood.
CAESARLook you sad, friends?
The gods rebuke me, but it is tidings
To wash the eyes of kings.
The gods rebuke me, but it is tidings
To wash the eyes of kings.
AGRIPPAAnd strange it is
That nature must compel us to lament
Our most persisted deeds.
That nature must compel us to lament
Our most persisted deeds.
MAECENASHis taints and honours
Waged equal with him.
Waged equal with him.
AGRIPPAA rarer spirit never
Did steer humanity, but you gods will give us
Some faults to make us men. Caesar is touched.
Did steer humanity, but you gods will give us
Some faults to make us men. Caesar is touched.
MAECENASWhen such a spacious mirror's set before him,
He needs must see himself.
He needs must see himself.
SCENE I. Caesar's Camp before AlexandriaSida 90 / 100
CAESARO Antony,
I have followed thee to this, but we do lance
Diseases in our bodies. I must perforce
Have shown to thee such a declining day
Or look on thine. We could not stall together
In the whole world. But yet let me lament
With tears as sovereign as the blood of hearts,
That thou, my brother, my competitor
In top of all design, my mate in empire,
Friend and companion in the front of war,
The arm of mine own body, and the heart
Where mine his thoughts did kindle, that our stars,
Unreconciliable, should divide
Our equalness to this. Hear me, good friends—
I have followed thee to this, but we do lance
Diseases in our bodies. I must perforce
Have shown to thee such a declining day
Or look on thine. We could not stall together
In the whole world. But yet let me lament
With tears as sovereign as the blood of hearts,
That thou, my brother, my competitor
In top of all design, my mate in empire,
Friend and companion in the front of war,
The arm of mine own body, and the heart
Where mine his thoughts did kindle, that our stars,
Unreconciliable, should divide
Our equalness to this. Hear me, good friends—
Enter an Egyptian.
CAESARBut I will tell you at some meeter season.
The business of this man looks out of him;
We'll hear him what he says. Whence are you?
The business of this man looks out of him;
We'll hear him what he says. Whence are you?
EGYPTIANA poor Egyptian yet. The queen, my mistress,
Confined in all she has, her monument,
Of thy intents desires instruction,
That she preparedly may frame herself
To the way she's forced to.
Confined in all she has, her monument,
Of thy intents desires instruction,
That she preparedly may frame herself
To the way she's forced to.
CAESARBid her have good heart.
She soon shall know of us, by some of ours,
How honourable and how kindly we
Determine for her. For Caesar cannot lean
To be ungentle.
She soon shall know of us, by some of ours,
How honourable and how kindly we
Determine for her. For Caesar cannot lean
To be ungentle.
EGYPTIANSo the gods preserve thee!
_Exit._
_Exit._
CAESARCome hither, Proculeius. Go and say
We purpose her no shame. Give her what comforts
The quality of her passion shall require,
Lest, in her greatness, by some mortal stroke
She do defeat us, for her life in Rome
Would be eternal in our triumph. Go,
And with your speediest bring us what she says
And how you find of her.
We purpose her no shame. Give her what comforts
The quality of her passion shall require,
Lest, in her greatness, by some mortal stroke
She do defeat us, for her life in Rome
Would be eternal in our triumph. Go,
And with your speediest bring us what she says
And how you find of her.
PROCULEIUSCaesar, I shall.
_Exit Proculeius._
_Exit Proculeius._
CAESARGallus, go you along.
_Exit Gallus._
Where's Dolabella, to second Proculeius?
_Exit Gallus._
Where's Dolabella, to second Proculeius?
ALLDolabella!
CAESARLet him alone, for I remember now
How he's employed. He shall in time be ready.
Go with me to my tent, where you shall see
How hardly I was drawn into this war,
How calm and gentle I proceeded still
In all my writings. Go with me and see
What I can show in this.
_Exeunt._
How he's employed. He shall in time be ready.
Go with me to my tent, where you shall see
How hardly I was drawn into this war,
How calm and gentle I proceeded still
In all my writings. Go with me and see
What I can show in this.
_Exeunt._
SCENE II. Alexandria. A Room in the MonumentSida 91 / 100
SCENE II. Alexandria. A Room in the Monument
Enter Cleopatra, Charmian and Iras.
CLEOPATRAMy desolation does begin to make
A better life. 'Tis paltry to be Caesar;
Not being Fortune, he's but Fortune's knave,
A minister of her will. And it is great
To do that thing that ends all other deeds,
Which shackles accidents and bolts up change,
Which sleeps and never palates more the dung,
The beggar's nurse and Caesar's.
A better life. 'Tis paltry to be Caesar;
Not being Fortune, he's but Fortune's knave,
A minister of her will. And it is great
To do that thing that ends all other deeds,
Which shackles accidents and bolts up change,
Which sleeps and never palates more the dung,
The beggar's nurse and Caesar's.
Enter Proculeius.
PROCULEIUSCaesar sends greetings to the queen of Egypt,
And bids thee study on what fair demands
Thou mean'st to have him grant thee.
And bids thee study on what fair demands
Thou mean'st to have him grant thee.
CLEOPATRAWhat's thy name?
PROCULEIUSMy name is Proculeius.
CLEOPATRAAntony
Did tell me of you, bade me trust you, but
I do not greatly care to be deceived
That have no use for trusting. If your master
Would have a queen his beggar, you must tell him
That majesty, to keep decorum, must
No less beg than a kingdom. If he please
To give me conquered Egypt for my son,
He gives me so much of mine own as I
Will kneel to him with thanks.
Did tell me of you, bade me trust you, but
I do not greatly care to be deceived
That have no use for trusting. If your master
Would have a queen his beggar, you must tell him
That majesty, to keep decorum, must
No less beg than a kingdom. If he please
To give me conquered Egypt for my son,
He gives me so much of mine own as I
Will kneel to him with thanks.
PROCULEIUSBe of good cheer.
You are fallen into a princely hand; fear nothing.
Make your full reference freely to my lord,
Who is so full of grace that it flows over
On all that need. Let me report to him
Your sweet dependency, and you shall find
A conqueror that will pray in aid for kindness
Where he for grace is kneeled to.
You are fallen into a princely hand; fear nothing.
Make your full reference freely to my lord,
Who is so full of grace that it flows over
On all that need. Let me report to him
Your sweet dependency, and you shall find
A conqueror that will pray in aid for kindness
Where he for grace is kneeled to.
CLEOPATRAPray you tell him
I am his fortune's vassal and I send him
The greatness he has got. I hourly learn
A doctrine of obedience, and would gladly
Look him i' th' face.
I am his fortune's vassal and I send him
The greatness he has got. I hourly learn
A doctrine of obedience, and would gladly
Look him i' th' face.
PROCULEIUSThis I'll report, dear lady.
Have comfort, for I know your plight is pitied
Of him that caused it.
Have comfort, for I know your plight is pitied
Of him that caused it.
Enter Gallus and Roman Soldiers.
PROCULEIUSYou see how easily she may be surprised. Guard her till Caesar come.
IRASRoyal queen!
CHARMIANO Cleopatra, thou art taken, queen!
CLEOPATRAQuick, quick, good hands.
_Drawing a dagger._
_Drawing a dagger._
SCENE II. Alexandria. A Room in the MonumentSida 92 / 100
PROCULEIUSHold, worthy lady, hold!
_Seizes and disarms her._
Do not yourself such wrong, who are in this Relieved, but not betrayed.
_Seizes and disarms her._
Do not yourself such wrong, who are in this Relieved, but not betrayed.
CLEOPATRAWhat, of death too,
That rids our dogs of languish?
That rids our dogs of languish?
PROCULEIUSCleopatra,
Do not abuse my master's bounty by
Th' undoing of yourself. Let the world see
His nobleness well acted, which your death
Will never let come forth.
Do not abuse my master's bounty by
Th' undoing of yourself. Let the world see
His nobleness well acted, which your death
Will never let come forth.
CLEOPATRAWhere art thou, Death?
Come hither, come! Come, come, and take a queen
Worth many babes and beggars!
Come hither, come! Come, come, and take a queen
Worth many babes and beggars!
PROCULEIUSO, temperance, lady!
CLEOPATRASir, I will eat no meat; I'll not drink, sir;
If idle talk will once be necessary,
I'll not sleep neither. This mortal house I'll ruin,
Do Caesar what he can. Know, sir, that I
Will not wait pinioned at your master's court,
Nor once be chastised with the sober eye
Of dull Octavia. Shall they hoist me up
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave unto me! Rather on Nilus' mud
Lay me stark-naked, and let the water-flies
Blow me into abhorring! Rather make
My country's high pyramides my gibbet
And hang me up in chains!
If idle talk will once be necessary,
I'll not sleep neither. This mortal house I'll ruin,
Do Caesar what he can. Know, sir, that I
Will not wait pinioned at your master's court,
Nor once be chastised with the sober eye
Of dull Octavia. Shall they hoist me up
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave unto me! Rather on Nilus' mud
Lay me stark-naked, and let the water-flies
Blow me into abhorring! Rather make
My country's high pyramides my gibbet
And hang me up in chains!
PROCULEIUSYou do extend
These thoughts of horror further than you shall
Find cause in Caesar.
These thoughts of horror further than you shall
Find cause in Caesar.
Enter Dolabella.
DOLABELLAProculeius,
What thou hast done thy master Caesar knows,
And he hath sent for thee. For the queen,
I'll take her to my guard.
What thou hast done thy master Caesar knows,
And he hath sent for thee. For the queen,
I'll take her to my guard.
PROCULEIUSSo, Dolabella,
It shall content me best. Be gentle to her.
[_To Cleopatra._] To Caesar I will speak what you shall please,
If you'll employ me to him.
It shall content me best. Be gentle to her.
[_To Cleopatra._] To Caesar I will speak what you shall please,
If you'll employ me to him.
CLEOPATRASay I would die.
_Exeunt Proculeius and Soldiers._
_Exeunt Proculeius and Soldiers._
DOLABELLAMost noble empress, you have heard of me?
CLEOPATRAI cannot tell.
DOLABELLAAssuredly you know me.
CLEOPATRANo matter, sir, what I have heard or known.
You laugh when boys or women tell their dreams;
Is't not your trick?
You laugh when boys or women tell their dreams;
Is't not your trick?
SCENE II. Alexandria. A Room in the MonumentSida 93 / 100
DOLABELLAI understand not, madam.
CLEOPATRAI dreamt there was an Emperor Antony.
O, such another sleep, that I might see
But such another man!
O, such another sleep, that I might see
But such another man!
DOLABELLAIf it might please you—
CLEOPATRAHis face was as the heavens, and therein stuck
A sun and moon, which kept their course, and lighted
The little O, the earth.
A sun and moon, which kept their course, and lighted
The little O, the earth.
DOLABELLAMost sovereign creature—
CLEOPATRAHis legs bestrid the ocean; his reared arm
Crested the world; his voice was propertied
As all the tuned spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in't; an autumn 'twas
That grew the more by reaping. His delights
Were dolphin-like; they showed his back above
The element they lived in. In his livery
Walked crowns and crownets; realms and islands were
As plates dropped from his pocket.
Crested the world; his voice was propertied
As all the tuned spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in't; an autumn 'twas
That grew the more by reaping. His delights
Were dolphin-like; they showed his back above
The element they lived in. In his livery
Walked crowns and crownets; realms and islands were
As plates dropped from his pocket.
DOLABELLACleopatra—
CLEOPATRAThink you there was or might be such a man
As this I dreamt of?
As this I dreamt of?
DOLABELLAGentle madam, no.
CLEOPATRAYou lie up to the hearing of the gods!
But if there be nor ever were one such,
It's past the size of dreaming. Nature wants stuff
To vie strange forms with fancy; yet t' imagine
An Antony were nature's piece 'gainst fancy,
Condemning shadows quite.
But if there be nor ever were one such,
It's past the size of dreaming. Nature wants stuff
To vie strange forms with fancy; yet t' imagine
An Antony were nature's piece 'gainst fancy,
Condemning shadows quite.
DOLABELLAHear me, good madam.
Your loss is, as yourself, great; and you bear it
As answering to the weight. Would I might never
O'ertake pursued success, but I do feel,
By the rebound of yours, a grief that smites
My very heart at root.
Your loss is, as yourself, great; and you bear it
As answering to the weight. Would I might never
O'ertake pursued success, but I do feel,
By the rebound of yours, a grief that smites
My very heart at root.
CLEOPATRAI thank you, sir.
Know you what Caesar means to do with me?
Know you what Caesar means to do with me?
DOLABELLAI am loath to tell you what I would you knew.
CLEOPATRANay, pray you, sir.
DOLABELLAThough he be honourable—
CLEOPATRAHe'll lead me, then, in triumph.
SCENE II. Alexandria. A Room in the MonumentSida 94 / 100
DOLABELLAMadam, he will. I know it.
Flourish. Enter Caesar, Proculeius, Gallus, Maecenas and others of his train.
Flourish. Enter Caesar, Proculeius, Gallus, Maecenas and others of his train.
ALLMake way there! Caesar!
CAESARWhich is the Queen of Egypt?
DOLABELLAIt is the Emperor, madam.
_Cleopatra kneels._
_Cleopatra kneels._
CAESARArise, you shall not kneel.
I pray you, rise. Rise, Egypt.
I pray you, rise. Rise, Egypt.
CLEOPATRASir, the gods
Will have it thus. My master and my lord
I must obey.
Will have it thus. My master and my lord
I must obey.
CAESARTake to you no hard thoughts.
The record of what injuries you did us,
Though written in our flesh, we shall remember
As things but done by chance.
The record of what injuries you did us,
Though written in our flesh, we shall remember
As things but done by chance.
CLEOPATRASole sir o' th' world,
I cannot project mine own cause so well
To make it clear, but do confess I have
Been laden with like frailties which before
Have often shamed our sex.
I cannot project mine own cause so well
To make it clear, but do confess I have
Been laden with like frailties which before
Have often shamed our sex.
CAESARCleopatra, know
We will extenuate rather than enforce.
If you apply yourself to our intents,
Which towards you are most gentle, you shall find
A benefit in this change; but if you seek
To lay on me a cruelty by taking
Antony's course, you shall bereave yourself
Of my good purposes, and put your children
To that destruction which I'll guard them from
If thereon you rely. I'll take my leave.
We will extenuate rather than enforce.
If you apply yourself to our intents,
Which towards you are most gentle, you shall find
A benefit in this change; but if you seek
To lay on me a cruelty by taking
Antony's course, you shall bereave yourself
Of my good purposes, and put your children
To that destruction which I'll guard them from
If thereon you rely. I'll take my leave.
CLEOPATRAAnd may, through all the world. 'Tis yours, and we, Your scutcheons and your signs of conquest, shall Hang in what place you please. Here, my good lord.
CAESARYou shall advise me in all for Cleopatra.
CLEOPATRAThis is the brief of money, plate, and jewels
I am possessed of. 'Tis exactly valued,
Not petty things admitted. Where's Seleucus?
I am possessed of. 'Tis exactly valued,
Not petty things admitted. Where's Seleucus?
Enter Seleucus.
SELEUCUSHere, madam.
CLEOPATRAThis is my treasurer. Let him speak, my lord,
On his peril, that I have reserved
To myself nothing. Speak the truth, Seleucus.
On his peril, that I have reserved
To myself nothing. Speak the truth, Seleucus.
SELEUCUSMadam, I had rather seal my lips
Than to my peril speak that which is not.
Than to my peril speak that which is not.
CLEOPATRAWhat have I kept back?
SCENE II. Alexandria. A Room in the MonumentSida 95 / 100
SELEUCUSEnough to purchase what you have made known.
CAESARNay, blush not, Cleopatra. I approve
Your wisdom in the deed.
Your wisdom in the deed.
CLEOPATRASee, Caesar! O, behold, How pomp is followed! Mine will now be yours And should we shift estates, yours would be mine. The ingratitude of this Seleucus does Even make me wild. O slave, of no more trust Than love that's hired! What, goest thou back? Thou shalt Go back, I warrant thee! But I'll catch thine eyes Though they had wings. Slave, soulless villain, dog! O rarely base!
CAESARGood queen, let us entreat you.
CLEOPATRAO Caesar, what a wounding shame is this,
That thou vouchsafing here to visit me,
Doing the honour of thy lordliness
To one so meek, that mine own servant should
Parcel the sum of my disgraces by
Addition of his envy! Say, good Caesar,
That I some lady trifles have reserved,
Immoment toys, things of such dignity
As we greet modern friends withal; and say
Some nobler token I have kept apart
For Livia and Octavia, to induce
Their mediation, must I be unfolded
With one that I have bred? The gods! It smites me
Beneath the fall I have.
[_To Seleucus_.] Prithee go hence,
Or I shall show the cinders of my spirits
Through th' ashes of my chance. Wert thou a man,
Thou wouldst have mercy on me.
That thou vouchsafing here to visit me,
Doing the honour of thy lordliness
To one so meek, that mine own servant should
Parcel the sum of my disgraces by
Addition of his envy! Say, good Caesar,
That I some lady trifles have reserved,
Immoment toys, things of such dignity
As we greet modern friends withal; and say
Some nobler token I have kept apart
For Livia and Octavia, to induce
Their mediation, must I be unfolded
With one that I have bred? The gods! It smites me
Beneath the fall I have.
[_To Seleucus_.] Prithee go hence,
Or I shall show the cinders of my spirits
Through th' ashes of my chance. Wert thou a man,
Thou wouldst have mercy on me.
CAESARForbear, Seleucus.
_Exit Seleucus._
_Exit Seleucus._
CLEOPATRABe it known that we, the greatest, are misthought
For things that others do; and when we fall,
We answer others' merits in our name,
Are therefore to be pitied.
For things that others do; and when we fall,
We answer others' merits in our name,
Are therefore to be pitied.
CAESARCleopatra,
Not what you have reserved nor what acknowledged
Put we i' th' roll of conquest. Still be't yours;
Bestow it at your pleasure, and believe
Caesar's no merchant to make prize with you
Of things that merchants sold. Therefore be cheered;
Make not your thoughts your prisons. No, dear queen;
For we intend so to dispose you as
Yourself shall give us counsel. Feed and sleep.
Our care and pity is so much on you
That we remain your friend; and so, adieu.
Not what you have reserved nor what acknowledged
Put we i' th' roll of conquest. Still be't yours;
Bestow it at your pleasure, and believe
Caesar's no merchant to make prize with you
Of things that merchants sold. Therefore be cheered;
Make not your thoughts your prisons. No, dear queen;
For we intend so to dispose you as
Yourself shall give us counsel. Feed and sleep.
Our care and pity is so much on you
That we remain your friend; and so, adieu.
CLEOPATRAMy master and my lord!
SCENE II. Alexandria. A Room in the MonumentSida 96 / 100
CAESARNot so. Adieu.
_Flourish. Exeunt Caesar and his train._
_Flourish. Exeunt Caesar and his train._
CLEOPATRAHe words me, girls, he words me, that I should not Be noble to myself. But hark thee, Charmian!
_Whispers to Charmian._
_Whispers to Charmian._
IRASFinish, good lady. The bright day is done,
And we are for the dark.
And we are for the dark.
CLEOPATRAHie thee again.
I have spoke already, and it is provided.
Go put it to the haste.
I have spoke already, and it is provided.
Go put it to the haste.
CHARMIANMadam, I will.
Enter Dolabella.
DOLABELLAWhere's the Queen?
CHARMIANBehold, sir.
_Exit._
_Exit._
CLEOPATRADolabella!
DOLABELLAMadam, as thereto sworn by your command,
Which my love makes religion to obey,
I tell you this: Caesar through Syria
Intends his journey, and within three days
You with your children will he send before.
Make your best use of this. I have performed
Your pleasure and my promise.
Which my love makes religion to obey,
I tell you this: Caesar through Syria
Intends his journey, and within three days
You with your children will he send before.
Make your best use of this. I have performed
Your pleasure and my promise.
CLEOPATRADolabella,
I shall remain your debtor.
I shall remain your debtor.
DOLABELLAI your servant.
Adieu, good queen. I must attend on Caesar.
Adieu, good queen. I must attend on Caesar.
CLEOPATRAFarewell, and thanks.
_Exit Dolabella._
Now, Iras, what think'st thou?
Thou an Egyptian puppet shall be shown
In Rome as well as I. Mechanic slaves
With greasy aprons, rules, and hammers shall
Uplift us to the view. In their thick breaths,
Rank of gross diet, shall we be enclouded,
And forced to drink their vapour.
_Exit Dolabella._
Now, Iras, what think'st thou?
Thou an Egyptian puppet shall be shown
In Rome as well as I. Mechanic slaves
With greasy aprons, rules, and hammers shall
Uplift us to the view. In their thick breaths,
Rank of gross diet, shall we be enclouded,
And forced to drink their vapour.
IRASThe gods forbid!
CLEOPATRANay, 'tis most certain, Iras. Saucy lictors
Will catch at us like strumpets, and scald rhymers
Ballad us out o' tune. The quick comedians
Extemporally will stage us and present
Our Alexandrian revels; Antony
Shall be brought drunken forth, and I shall see
Some squeaking Cleopatra boy my greatness
I' th' posture of a whore.
Will catch at us like strumpets, and scald rhymers
Ballad us out o' tune. The quick comedians
Extemporally will stage us and present
Our Alexandrian revels; Antony
Shall be brought drunken forth, and I shall see
Some squeaking Cleopatra boy my greatness
I' th' posture of a whore.
IRASO the good gods!
CLEOPATRANay, that's certain.
IRASI'll never see't, for I am sure mine nails
Are stronger than mine eyes.
Are stronger than mine eyes.
SCENE II. Alexandria. A Room in the MonumentSida 97 / 100
CLEOPATRAWhy, that's the way
To fool their preparation and to conquer
Their most absurd intents.
To fool their preparation and to conquer
Their most absurd intents.
Enter Charmian.
CLEOPATRANow, Charmian!
Show me, my women, like a queen. Go fetch
My best attires. I am again for Cydnus
To meet Mark Antony. Sirrah, Iras, go.
Now, noble Charmian, we'll dispatch indeed,
And when thou hast done this chare, I'll give thee leave
To play till doomsday. Bring our crown and all.
_Exit Iras. A noise within._
Wherefore's this noise?
Show me, my women, like a queen. Go fetch
My best attires. I am again for Cydnus
To meet Mark Antony. Sirrah, Iras, go.
Now, noble Charmian, we'll dispatch indeed,
And when thou hast done this chare, I'll give thee leave
To play till doomsday. Bring our crown and all.
_Exit Iras. A noise within._
Wherefore's this noise?
Enter a Guardsman.
GUARDSMANHere is a rural fellow
That will not be denied your highness' presence.
He brings you figs.
That will not be denied your highness' presence.
He brings you figs.
CLEOPATRALet him come in.
_Exit Guardsman._
What poor an instrument
May do a noble deed! He brings me liberty.
My resolution's placed, and I have nothing
Of woman in me. Now from head to foot
I am marble-constant. Now the fleeting moon
No planet is of mine.
_Exit Guardsman._
What poor an instrument
May do a noble deed! He brings me liberty.
My resolution's placed, and I have nothing
Of woman in me. Now from head to foot
I am marble-constant. Now the fleeting moon
No planet is of mine.
Enter Guardsman and Clown with a basket.
GUARDSMANThis is the man.
CLEOPATRAAvoid, and leave him.
_Exit Guardsman._
Hast thou the pretty worm of Nilus there That kills and pains not?
_Exit Guardsman._
Hast thou the pretty worm of Nilus there That kills and pains not?
CLOWNTruly, I have him, but I would not be the party that should desire you to touch him, for his biting is immortal. Those that do die of it do seldom or never recover.
CLEOPATRARemember'st thou any that have died on't?
CLOWNVery many, men and women too. I heard of one of them no longer than yesterday—a very honest woman, but something given to lie; as a woman should not do but in the way of honesty—how she died of the biting of it, what pain she felt. Truly she makes a very good report o' th' worm; but he that will believe all that they say shall never be saved by half that they do. But this is most falliable, the worm's an odd worm.
CLEOPATRAGet thee hence. Farewell.
CLOWNI wish you all joy of the worm.
_Sets down the basket._
_Sets down the basket._
CLEOPATRAFarewell.
SCENE II. Alexandria. A Room in the MonumentSida 98 / 100
CLOWNYou must think this, look you, that the worm will do his kind.
CLEOPATRAAy, ay, farewell.
CLOWNLook you, the worm is not to be trusted but in the keeping of wise people; for indeed there is no goodness in the worm.
CLEOPATRATake thou no care; it shall be heeded.
CLOWNVery good. Give it nothing, I pray you, for it is not worth the feeding.
CLEOPATRAWill it eat me?
CLOWNYou must not think I am so simple but I know the devil himself will not eat a woman. I know that a woman is a dish for the gods if the devil dress her not. But truly, these same whoreson devils do the gods great harm in their women, for in every ten that they make, the devils mar five.
CLEOPATRAWell, get thee gone. Farewell.
CLOWNYes, forsooth. I wish you joy o' th' worm.
_Exit._
_Exit._
Enter Iras with a robe, crown, &c.
CLEOPATRAGive me my robe. Put on my crown. I have
Immortal longings in me. Now no more
The juice of Egypt's grape shall moist this lip.
Yare, yare, good Iras; quick. Methinks I hear
Antony call. I see him rouse himself
To praise my noble act. I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath. Husband, I come!
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life.—So, have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian. Iras, long farewell.
_Kisses them. Iras falls and dies._
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.
Immortal longings in me. Now no more
The juice of Egypt's grape shall moist this lip.
Yare, yare, good Iras; quick. Methinks I hear
Antony call. I see him rouse himself
To praise my noble act. I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath. Husband, I come!
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life.—So, have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian. Iras, long farewell.
_Kisses them. Iras falls and dies._
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.
CHARMIANDissolve, thick cloud, and rain, that I may say
The gods themselves do weep!
The gods themselves do weep!
SCENE II. Alexandria. A Room in the MonumentSida 99 / 100
CLEOPATRAThis proves me base.
If she first meet the curled Antony,
He'll make demand of her, and spend that kiss
Which is my heaven to have.—Come, thou mortal wretch,
_To an asp, which she applies to her breast._
With thy sharp teeth this knot intrinsicate
Of life at once untie. Poor venomous fool,
Be angry and dispatch. O couldst thou speak,
That I might hear thee call great Caesar ass
Unpolicied!
If she first meet the curled Antony,
He'll make demand of her, and spend that kiss
Which is my heaven to have.—Come, thou mortal wretch,
_To an asp, which she applies to her breast._
With thy sharp teeth this knot intrinsicate
Of life at once untie. Poor venomous fool,
Be angry and dispatch. O couldst thou speak,
That I might hear thee call great Caesar ass
Unpolicied!
CHARMIANO eastern star!
CLEOPATRAPeace, peace!
Dost thou not see my baby at my breast
That sucks the nurse asleep?
Dost thou not see my baby at my breast
That sucks the nurse asleep?
CHARMIANO, break! O, break!
CLEOPATRAAs sweet as balm, as soft as air, as gentle—
O Antony!—Nay, I will take thee too.
_Applying another asp to her arm._
What should I stay—
_Dies._
O Antony!—Nay, I will take thee too.
_Applying another asp to her arm._
What should I stay—
_Dies._
CHARMIANIn this vile world? So, fare thee well.
Now boast thee, Death, in thy possession lies
A lass unparalleled. Downy windows, close,
And golden Phœbus never be beheld
Of eyes again so royal! Your crown's awry;
I'll mend it and then play.
Now boast thee, Death, in thy possession lies
A lass unparalleled. Downy windows, close,
And golden Phœbus never be beheld
Of eyes again so royal! Your crown's awry;
I'll mend it and then play.
Enter the Guard rustling in.
FIRST GUARDWhere's the queen?
CHARMIANSpeak softly. Wake her not.
FIRST GUARDCaesar hath sent—
CHARMIANToo slow a messenger.
_Applies an asp._
O, come apace, dispatch! I partly feel thee.
_Applies an asp._
O, come apace, dispatch! I partly feel thee.
FIRST GUARDApproach, ho! All's not well. Caesar's beguiled.
SECOND GUARDThere's Dolabella sent from Caesar. Call him.
FIRST GUARDWhat work is here, Charmian? Is this well done?
CHARMIANIt is well done, and fitting for a princess
Descended of so many royal kings.
Ah, soldier!
_Charmian dies._
Descended of so many royal kings.
Ah, soldier!
_Charmian dies._
Enter Dolabella.
DOLABELLAHow goes it here?
SECOND GUARDAll dead.
DOLABELLACaesar, thy thoughts
Touch their effects in this. Thyself art coming
To see performed the dreaded act which thou
So sought'st to hinder.
Touch their effects in this. Thyself art coming
To see performed the dreaded act which thou
So sought'st to hinder.
Enter Caesar and all his train, marching.
SCENE II. Alexandria. A Room in the MonumentSida 100 / 100
ALLA way there, a way for Caesar!
DOLABELLAO sir, you are too sure an augurer:
That you did fear is done.
That you did fear is done.
CAESARBravest at the last,
She levelled at our purposes and, being royal,
Took her own way. The manner of their deaths?
I do not see them bleed.
She levelled at our purposes and, being royal,
Took her own way. The manner of their deaths?
I do not see them bleed.
DOLABELLAWho was last with them?
FIRST GUARDA simple countryman that brought her figs.
This was his basket.
This was his basket.
CAESARPoisoned then.
FIRST GUARDO Caesar,
This Charmian lived but now; she stood and spake.
I found her trimming up the diadem
On her dead mistress; tremblingly she stood,
And on the sudden dropped.
This Charmian lived but now; she stood and spake.
I found her trimming up the diadem
On her dead mistress; tremblingly she stood,
And on the sudden dropped.
CAESARO noble weakness!
If they had swallowed poison 'twould appear
By external swelling; but she looks like sleep,
As she would catch another Antony
In her strong toil of grace.
If they had swallowed poison 'twould appear
By external swelling; but she looks like sleep,
As she would catch another Antony
In her strong toil of grace.
DOLABELLAHere on her breast
There is a vent of blood, and something blown.
The like is on her arm.
There is a vent of blood, and something blown.
The like is on her arm.
FIRST GUARDThis is an aspic's trail, and these fig leaves
Have slime on them, such as th' aspic leaves
On the caves of Nile.
Have slime on them, such as th' aspic leaves
On the caves of Nile.
CAESARMost probable
That so she died, for her physician tells me
She hath pursued conclusions infinite
Of easy ways to die. Take up her bed,
And bear her women from the monument.
She shall be buried by her Antony.
No grave on the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral,
And then to Rome. Come, Dolabella, see
High order in this great solemnity.
_Exeunt omnes._
That so she died, for her physician tells me
She hath pursued conclusions infinite
Of easy ways to die. Take up her bed,
And bear her women from the monument.
She shall be buried by her Antony.
No grave on the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral,
And then to Rome. Come, Dolabella, see
High order in this great solemnity.
_Exeunt omnes._
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