Wydanie do czytania BokRobot
Książki
Za darmoHedda Gabler
Henrik Ibsen
29 413 słów
Wybierz wersję
Angielski
NorweskiRozdziały
ACT FIRSTRun: 2026-07-14 23:14Strona 1 / 88
ACT FIRST
A spacious, handsome, and tastefully furnished drawing room, decorated in dark colours. In the back, a wide doorway with curtains drawn back, leading into a smaller room decorated in the same style as the drawing-room. In the right-hand wall of the front room, a folding door leading out to the hall. In the opposite wall, on the left, a glass door, also with curtains drawn back. Through the panes can be seen ## part of a verandah outside, and trees covered with autumn foliage. An oval table, with a cover on it, and surrounded by chairs, stands well forward. In front, by the wall on the right, a wide stove of dark porcelain, a high-backed arm-chair, a cushioned foot-rest, and two footstools. A settee, with a small round table in front of it, fills the upper right-hand corner. In front, on the left, a little way from the wall, a sofa. Further back than the glass door, a piano.
-- Against the back wall of the inner room a sofa, with a table, and one or two chairs. Over the sofa hangs the portrait of a handsome elderly man in a General's uniform. --A number of bouquets are arranged about the drawing-room, in vases and glasses. Others lie upon the tables. --Morning light. The sun shines in through the glass door. MISS JULIANA TESMAN, with her bonnet on a carrying a parasol, comes in from the hall, followed by BERTA, who carries a bouquet wrapped in paper. MISS TESMAN is a comely and pleasant- looking lady of about sixty-five. She is nicely but simply dressed in a grey walking-costume. BERTA is a middle-aged woman of plain and rather countrified appearance.
MISS TESMAN[Stops close to the door, listens, and says softly:] Upon my word, I
don't believe they are stirring yet!
don't believe they are stirring yet!
BERTA[Also softly.] I told you so, Miss. Remember how late the steamboat got
in last night. And then, when they got home!--good Lord, what a lot the
young mistress had to unpack before she could get to bed.
in last night. And then, when they got home!--good Lord, what a lot the
young mistress had to unpack before she could get to bed.
MISS TESMANWell well--let them have their sleep out. But let us see that they get a
good breath of the fresh morning air when they do appear.
[She goes to the glass door and throws it open.
good breath of the fresh morning air when they do appear.
[She goes to the glass door and throws it open.
**BERTA:**
ACT FIRSTStrona 2 / 88
Beside the table, at a loss what to do with the bouquet in her hand.
I declare there isn't a bit of room left. I think I'll put it down here, Miss. [She places it on the piano.
MISS TESMANSo you've got a new mistress now, my dear Berta. Heaven knows it was a
wrench to me to part with you.
wrench to me to part with you.
BERTA[On the point of weeping.] And do you think it wasn't hard for me, too,
Miss? After all the blessed years I've been with you and Miss Rina.(1)
Miss? After all the blessed years I've been with you and Miss Rina.(1)
MISS TESMANWe must make the best of it, Berta. There was nothing else to be done.
George can't do without you, you see-he absolutely can't. He has had you
to look after him ever since he was a little boy.
George can't do without you, you see-he absolutely can't. He has had you
to look after him ever since he was a little boy.
BERTAAh but, Miss Julia, I can't help thinking of Miss Rina lying helpless
at home there, poor thing. And with only that new girl too! She'll never
learn to take proper care of an invalid.
at home there, poor thing. And with only that new girl too! She'll never
learn to take proper care of an invalid.
MISS TESMANOh, I shall manage to train her. And of course, you know, I shall take
most of it upon myself. You needn't be uneasy about my poor sister, my
dear Berta.
most of it upon myself. You needn't be uneasy about my poor sister, my
dear Berta.
BERTAWell, but there's another thing, Miss. I'm so mortally afraid I shan't
be able to suit the young mistress.
be able to suit the young mistress.
MISS TESMANOh well--just at first there may be one or two things--
BERTAMost like she'll be terrible grand in her ways.
MISS TESMANWell, you can't wonder at that--General Gabler's daughter! Think of
the sort of life she was accustomed to in her father's time. Don't you
remember how we used to see her riding down the road along with the
General? In that long black habit--and with feathers in her hat?
the sort of life she was accustomed to in her father's time. Don't you
remember how we used to see her riding down the road along with the
General? In that long black habit--and with feathers in her hat?
BERTAYes, indeed--I remember well enough!--But, good Lord, I should never
have dreamt in those days that she and Master George would make a match
of it.
have dreamt in those days that she and Master George would make a match
of it.
MISS TESMANNor I.--But by-the-bye, Berta--while I think of it: in future you
mustn't say Master George. You must say Dr. Tesman.
mustn't say Master George. You must say Dr. Tesman.
ACT FIRSTStrona 3 / 88
BERTAYes, the young mistress spoke of that too--last night--the moment they
set foot in the house. Is it true then, Miss?
set foot in the house. Is it true then, Miss?
MISS TESMANYes, indeed it is. Only think, Berta--some foreign university has made
him a doctor--while he has been abroad, you understand. I hadn't heard a
word about it, until he told me himself upon the pier.
him a doctor--while he has been abroad, you understand. I hadn't heard a
word about it, until he told me himself upon the pier.
BERTAWell well, he's clever enough for anything, he is. But I didn't think
he'd have gone in for doctoring people.
he'd have gone in for doctoring people.
MISS TESMANNo no, it's not that sort of doctor he is. [Nods significantly.] But
let me tell you, we may have to call him something still grander before
long.
let me tell you, we may have to call him something still grander before
long.
BERTAYou don't say so! What can that be, Miss?
MISS TESMAN[Smiling.] H'm--wouldn't you like to know! [With emotion.] Ah, dear
dear--if my poor brother could only look up from his grave now, and
see what his little boy has grown into! [Looks around.] But bless me,
Berta--why have you done this? Taken the chintz covers off all the
furniture.
dear--if my poor brother could only look up from his grave now, and
see what his little boy has grown into! [Looks around.] But bless me,
Berta--why have you done this? Taken the chintz covers off all the
furniture.
BERTAThe mistress told me to. She can't abide covers on the chairs, she says.
MISS TESMANAre they going to make this their everyday sitting-room then?
BERTAYes, that's what I understood--from the mistress. Master George--the
doctor--he said nothing.
GEORGE TESMAN comes from the right into the inner room,
humming to himself, and carrying an unstrapped empty
portmanteau. He is a middle-sized, young-looking man of
thirty-three, rather stout, with a round, open, cheerful
face, fair hair and beard. He wears spectacles, and is
somewhat carelessly dressed in comfortable indoor clothes.
doctor--he said nothing.
GEORGE TESMAN comes from the right into the inner room,
humming to himself, and carrying an unstrapped empty
portmanteau. He is a middle-sized, young-looking man of
thirty-three, rather stout, with a round, open, cheerful
face, fair hair and beard. He wears spectacles, and is
somewhat carelessly dressed in comfortable indoor clothes.
MISS TESMANGood morning, good morning, George.
TESMAN[In the doorway between the rooms.] Aunt Julia! Dear Aunt Julia! [Goes
up to her and shakes hands warmly.] Come all this way--so early! Eh?
up to her and shakes hands warmly.] Come all this way--so early! Eh?
MISS TESMANWhy, of course I had to come and see how you were getting on.
TESMANIn spite of your having had no proper night's rest?
ACT FIRSTStrona 4 / 88
MISS TESMANOh, that makes no difference to me.
TESMANWell, I suppose you got home all right from the pier? Eh?
MISS TESMANYes, quite safely, thank goodness. Judge Brack was good enough to see me
right to my door.
right to my door.
TESMANWe were so sorry we couldn't give you a seat in the carriage. But you
saw what a pile of boxes Hedda had to bring with her.
saw what a pile of boxes Hedda had to bring with her.
MISS TESMANYes, she had certainly plenty of boxes.
BERTA[To TESMAN.] Shall I go in and see if there's anything I can do for the
mistress?
mistress?
TESMANNo thank you, Berta--you needn't. She said she would ring if she wanted
anything.
anything.
BERTA[Going towards the right.] Very well.
TESMANBut look here--take this portmanteau with you.
BERTA[Taking it.] I'll put it in the attic.
[She goes out by the hall door.
[She goes out by the hall door.
TESMANFancy, Auntie--I had the whole of that portmanteau chock full of copies
of the documents. You wouldn't believe how much I have picked up from
all the archives I have been examining--curious old details that no one
has had any idea of--
of the documents. You wouldn't believe how much I have picked up from
all the archives I have been examining--curious old details that no one
has had any idea of--
MISS TESMANYes, you don't seem to have wasted your time on your wedding trip,
George.
George.
TESMANNo, that I haven't. But do take off your bonnet, Auntie. Look here! Let
me untie the strings--eh?
me untie the strings--eh?
MISS TESMAN[While he does so.] Well well--this is just as if you were still at home
with us.
with us.
TESMAN[With the bonnet in his hand, looks at it from all sides.] Why, what a
gorgeous bonnet you've been investing in!
gorgeous bonnet you've been investing in!
MISS TESMANI bought it on Hedda's account.
TESMANOn Hedda's account? Eh?
MISS TESMANYes, so that Hedda needn't be ashamed of me if we happened to go out
together.
together.
ACT FIRSTStrona 5 / 88
TESMAN[Patting her cheek.] You always think of everything, Aunt Julia. [Lays
the bonnet on a chair beside the table.] And now, look here--suppose we
sit comfortably on the sofa and have a little chat, till Hedda comes.
[They seat themselves. She places her parasol in the corner
of the sofa.
the bonnet on a chair beside the table.] And now, look here--suppose we
sit comfortably on the sofa and have a little chat, till Hedda comes.
[They seat themselves. She places her parasol in the corner
of the sofa.
MISS TESMAN[Takes both his hands and looks at him.] What a delight it is to have
you again, as large as life, before my very eyes, George! My George--my
poor brother's own boy!
you again, as large as life, before my very eyes, George! My George--my
poor brother's own boy!
TESMANAnd it's a delight for me, too, to see you again, Aunt Julia! You, who
have been father and mother in one to me.
have been father and mother in one to me.
MISS TESMANOh yes, I know you will always keep a place in your heart for your old
aunts.
aunts.
TESMANAnd what about Aunt Rina? No improvement--eh?
MISS TESMANOh, no--we can scarcely look for any improvement in her case, poor
thing. There she lies, helpless, as she has lain for all these years.
But heaven grant I may not lose her yet awhile! For if I did, I don't
know what I should make of my life, George--especially now that I
haven't you to look after any more.
thing. There she lies, helpless, as she has lain for all these years.
But heaven grant I may not lose her yet awhile! For if I did, I don't
know what I should make of my life, George--especially now that I
haven't you to look after any more.
TESMAN[Patting her back.] There there there--!
MISS TESMAN[Suddenly changing her tone.] And to think that here are you a married
man, George!--And that you should be the one to carry off Hedda Gabler
--the beautiful Hedda Gabler! Only think of it--she, that was so beset
with admirers!
man, George!--And that you should be the one to carry off Hedda Gabler
--the beautiful Hedda Gabler! Only think of it--she, that was so beset
with admirers!
TESMAN[Hums a little and smiles complacently.] Yes, I fancy I have several
good friends about town who would like to stand in my shoes--eh?
good friends about town who would like to stand in my shoes--eh?
MISS TESMANAnd then this fine long wedding-tour you have had! More than five--
nearly six months--
nearly six months--
TESMANWell, for me it has been a sort of tour of research as well. I have had
to do so much grubbing among old records--and to read no end of books
too, Auntie.
to do so much grubbing among old records--and to read no end of books
too, Auntie.
ACT FIRSTStrona 6 / 88
MISS TESMANOh yes, I suppose so. [More confidentially, and lowering her voice a
little.] But listen now, George,--have you nothing--nothing special to
tell me?
little.] But listen now, George,--have you nothing--nothing special to
tell me?
TESMANAs to our journey?
MISS TESMANYes.
TESMANNo, I don't know of anything except what I have told you in my letters.
I had a doctor's degree conferred on me--but that I told you yesterday.
I had a doctor's degree conferred on me--but that I told you yesterday.
MISS TESMANYes, yes, you did. But what I mean is--haven't you any--any--
expectations--?
expectations--?
TESMANExpectations?
MISS TESMANWhy you know, George--I'm your old auntie!
TESMANWhy, of course I have expectations.
MISS TESMANAh!
TESMANI have every expectation of being a professor one of these days.
MISS TESMANOh yes, a professor--
TESMANIndeed, I may say I am certain of it. But my dear Auntie--you know all
about that already!
about that already!
MISS TESMAN[Laughing to herself.] Yes, of course I do. You are quite right there.
[Changing the subject.] But we were talking about your journey. It must
have cost a great deal of money, George?
[Changing the subject.] But we were talking about your journey. It must
have cost a great deal of money, George?
TESMANWell, you see--my handsome travelling-scholarship went a good way.
MISS TESMANBut I can't understand how you can have made it go far enough for two.
TESMANNo, that's not easy to understand--eh?
MISS TESMANAnd especially travelling with a lady--they tell me that makes it ever
so much more expensive.
so much more expensive.
TESMANYes, of course--it makes it a little more expensive. But Hedda had to
have this trip, Auntie! She really had to. Nothing else would have done.
have this trip, Auntie! She really had to. Nothing else would have done.
MISS TESMANNo no, I suppose not. A wedding-tour seems to be quite indispensable
nowadays.--But tell me now--have you gone thoroughly over the house yet?
nowadays.--But tell me now--have you gone thoroughly over the house yet?
TESMANYes, you may be sure I have. I have been afoot ever since daylight.
ACT FIRSTStrona 7 / 88
MISS TESMANAnd what do you think of it all?
TESMANI'm delighted! Quite delighted! Only I can't think what we are to do
with the two empty rooms between this inner parlour and Hedda's bedroom.
with the two empty rooms between this inner parlour and Hedda's bedroom.
MISS TESMAN[Laughing.] Oh my dear George, I daresay you may find some use for
them--in the course of time.
them--in the course of time.
TESMANWhy of course you are quite right, Aunt Julia! You mean as my library
increases--eh?
increases--eh?
MISS TESMANYes, quite so, my dear boy. It was your library I was thinking of.
TESMANI am specially pleased on Hedda's account. Often and often, before we
were engaged, she said that she would never care to live anywhere but in
Secretary Falk's villa.(2)
were engaged, she said that she would never care to live anywhere but in
Secretary Falk's villa.(2)
MISS TESMANYes, it was lucky that this very house should come into the market, just
after you had started.
after you had started.
TESMANYes, Aunt Julia, the luck was on our side, wasn't it--eh?
MISS TESMANBut the expense, my dear George! You will find it very expensive, all
this.
this.
TESMAN[Looks at her, a little cast down.] Yes, I suppose I shall, Aunt!
MISS TESMANOh, frightfully!
TESMANHow much do you think? In round numbers?--Eh?
MISS TESMANOh, I can't even guess until all the accounts come in.
TESMANWell, fortunately, Judge Brack has secured the most favourable terms for
me, so he said in a letter to Hedda.
me, so he said in a letter to Hedda.
MISS TESMANYes, don't be uneasy, my dear boy.--Besides, I have given security for
the furniture and all the carpets.
the furniture and all the carpets.
TESMANSecurity? You? My dear Aunt Julia--what sort of security could you give?
MISS TESMANI have given a mortgage on our annuity.
TESMAN[Jumps up.] What! On your--and Aunt Rina's annuity!
MISS TESMANYes, I knew of no other plan, you see.
ACT FIRSTStrona 8 / 88
TESMAN[Placing himself before her.] Have you gone out of your senses, Auntie?
Your annuity--it's all that you and Aunt Rina have to live upon.
Your annuity--it's all that you and Aunt Rina have to live upon.
MISS TESMANWell well--don't get so excited about it. It's only a matter of form you
know--Judge Brack assured me of that. It was he that was kind enough to
arrange the whole affair for me. A mere matter of form, he said.
know--Judge Brack assured me of that. It was he that was kind enough to
arrange the whole affair for me. A mere matter of form, he said.
TESMANYes, that may be all very well. But nevertheless--
MISS TESMANYou will have your own salary to depend upon now. And, good heavens,
even if we did have to pay up a little--! To eke things out a bit at
the start--! Why, it would be nothing but a pleasure to us.
even if we did have to pay up a little--! To eke things out a bit at
the start--! Why, it would be nothing but a pleasure to us.
TESMANOh Auntie--will you never be tired of making sacrifices for me!
MISS TESMAN[Rises and lays her hand on his shoulders.] Have I any other happiness
in this world except to smooth your way for you, my dear boy. You, who
have had neither father nor mother to depend on. And now we have reached
the goal, George! Things have looked black enough for us, sometimes;
but, thank heaven, now you have nothing to fear.
in this world except to smooth your way for you, my dear boy. You, who
have had neither father nor mother to depend on. And now we have reached
the goal, George! Things have looked black enough for us, sometimes;
but, thank heaven, now you have nothing to fear.
TESMANYes, it is really marvellous how every thing has turned out for the
best.
best.
MISS TESMANAnd the people who opposed you--who wanted to bar the way for you--
now you have them at your feet. They have fallen, George. Your most
dangerous rival--his fall was the worst.--And now he has to lie on the
bed he has made for himself--poor misguided creature.
now you have them at your feet. They have fallen, George. Your most
dangerous rival--his fall was the worst.--And now he has to lie on the
bed he has made for himself--poor misguided creature.
TESMANHave you heard anything of Eilert? Since I went away, I mean.
MISS TESMANOnly that he is said to have published a new book.
TESMANWhat! Eilert Lovborg! Recently--eh?
MISS TESMANYes, so they say. Heaven knows whether it can be worth anything! Ah,
when your new book appears--that will be another story, George! What is
it to be about?
when your new book appears--that will be another story, George! What is
it to be about?
TESMANIt will deal with the domestic industries of Brabant during the Middle
Ages.
Ages.
ACT FIRSTStrona 9 / 88
MISS TESMANFancy--to be able to write on such a subject as that!
TESMANHowever, it may be some time before the book is ready. I have all these
collections to arrange first, you see.
collections to arrange first, you see.
MISS TESMANYes, collecting and arranging--no one can beat you at that. There you
are my poor brother's own son.
are my poor brother's own son.
TESMANI am looking forward eagerly to setting to work at it; especially now
that I have my own delightful home to work in.
that I have my own delightful home to work in.
MISS TESMANAnd, most of all, now that you have got the wife of your heart, my dear
George.
George.
TESMAN[Embracing her.] Oh yes, yes, Aunt Julia! Hedda--she is the best part of
it all! I believe I hear her coming--eh?
it all! I believe I hear her coming--eh?
HEDDA enters from the left through the inner room. Her face and figure show refinement and distinction. Her complexion is pale and opaque. Her steel-grey eyes express a cold, unruffled repose. Her hair is of an agreeable brown, but not particularly abundant. She is dressed in a tasteful, somewhat loose-fitting morning gown.
MISS TESMAN[Going to meet HEDDA.] Good morning, my dear Hedda! Good morning, and a
hearty welcome!
hearty welcome!
HEDDA[Holds out her hand.] Good morning, dear Miss Tesman! So early a call!
That is kind of you.
That is kind of you.
MISS TESMAN[With some embarrassment.] Well--has the bride slept well in her new
home?
home?
HEDDAOh yes, thanks. Passably.
TESMAN[Laughing.] Passably! Come, that's good, Hedda! You were sleeping like a
stone when I got up.
stone when I got up.
HEDDAFortunately. Of course one has always to accustom one's self to new
surroundings, Miss Tesman--little by little. [Looking towards the left.]
Oh, there the servant has gone and opened the veranda door, and let in a
whole flood of sunshine.
surroundings, Miss Tesman--little by little. [Looking towards the left.]
Oh, there the servant has gone and opened the veranda door, and let in a
whole flood of sunshine.
MISS TESMAN[Going towards the door.] Well, then we will shut it.
HEDDANo no, not that! Tesman, please draw the curtains. That will give a
softer light.
softer light.
ACT FIRSTStrona 10 / 88
TESMAN[At the door.] All right--all right.--There now, Hedda, now you have
both shade and fresh air.
both shade and fresh air.
HEDDAYes, fresh air we certainly must have, with all these stacks of
flowers--. But--won't you sit down, Miss Tesman?
flowers--. But--won't you sit down, Miss Tesman?
MISS TESMANNo, thank you. Now that I have seen that everything is all right
here--thank heaven!--I must be getting home again. My sister is lying
longing for me, poor thing.
here--thank heaven!--I must be getting home again. My sister is lying
longing for me, poor thing.
TESMANGive her my very best love, Auntie; and say I shall look in and see her
later in the day.
later in the day.
MISS TESMANYes, yes, I'll be sure to tell her. But by-the-bye, George--[Feeling
in her dress pocket]--I had almost forgotten--I have something for you
here.
in her dress pocket]--I had almost forgotten--I have something for you
here.
TESMANWhat is it, Auntie? Eh?
MISS TESMAN[Produces a flat parcel wrapped in newspaper and hands it to him.] Look
here, my dear boy.
here, my dear boy.
TESMAN[Opening the parcel.] Well, I declare!--Have you really saved
them for me, Aunt Julia! Hedda! isn't this touching--eh?
them for me, Aunt Julia! Hedda! isn't this touching--eh?
HEDDA[Beside the whatnot on the right.] Well, what is it?
TESMANMy old morning-shoes! My slippers.
HEDDAIndeed. I remember you often spoke of them while we were abroad.
TESMANYes, I missed them terribly. [Goes up to her.] Now you shall see them,
Hedda!
Hedda!
HEDDA[Going towards the stove.] Thanks, I really don't care about it.
TESMAN[Following her.] Only think--ill as she was, Aunt Rina embroidered these
for me. Oh you can't think how many associations cling to them.
for me. Oh you can't think how many associations cling to them.
HEDDA[At the table.] Scarcely for me.
MISS TESMANOf course not for Hedda, George.
TESMANWell, but now that she belongs to the family, I thought--
HEDDA[Interrupting.] We shall never get on with this servant, Tesman.
MISS TESMANNot get on with Berta?
TESMANWhy, dear, what puts that in your head? Eh?
ACT FIRSTStrona 11 / 88
HEDDA[Pointing.] Look there! She has left her old bonnet lying about on a
chair.
chair.
TESMAN[In consternation, drops the slippers on the floor.] Why, Hedda--
HEDDAJust fancy, if any one should come in and see it!
TESMANBut Hedda--that's Aunt Julia's bonnet.
HEDDAIs it!
MISS TESMAN[Taking up the bonnet.] Yes, indeed it's mine. And, what's more, it's
not old, Madam Hedda.
not old, Madam Hedda.
HEDDAI really did not look closely at it, Miss Tesman.
MISS TESMAN[Trying on the bonnet.] Let me tell you it's the first time I have worn
it--the very first time.
it--the very first time.
TESMANAnd a very nice bonnet it is too--quite a beauty!
MISS TESMANOh, it's no such great things, George. [Looks around her.] My
parasol--? Ah, here. [Takes it.] For this is mine too-- [mutters] --not
Berta's.
parasol--? Ah, here. [Takes it.] For this is mine too-- [mutters] --not
Berta's.
TESMANA new bonnet and a new parasol! Only think, Hedda.
HEDDAVery handsome indeed.
TESMANYes, isn't it? Eh? But Auntie, take a good look at Hedda before you go!
See how handsome she is!
See how handsome she is!
MISS TESMANOh, my dear boy, there's nothing new in that. Hedda was always lovely.
[She nods and goes toward the right.
[She nods and goes toward the right.
TESMAN[Following.] Yes, but have you noticed what splendid condition she is
in? How she has filled out on the journey?
in? How she has filled out on the journey?
HEDDA[Crossing the room.] Oh, do be quiet--!
MISS TESMAN[Who has stopped and turned.] Filled out?
TESMANOf course you don't notice it so much now that she has that dress on.
But I, who can see--
But I, who can see--
HEDDA[At the glass door, impatiently.] Oh, you can't see anything.
TESMANIt must be the mountain air in the Tyrol--
HEDDA[Curtly, interrupting.] I am exactly as I was when I started.
ACT FIRSTStrona 12 / 88
TESMANSo you insist; but I'm quite certain you are not. Don't you agree with
me, Auntie?
me, Auntie?
MISS TESMAN[Who has been gazing at her with folded hands.] Hedda is lovely--
lovely--lovely. [Goes up to her, takes her head between both hands,
draws it downwards, and kisses her hair.] God bless and preserve Hedda
Tesman--for George's sake.
lovely--lovely. [Goes up to her, takes her head between both hands,
draws it downwards, and kisses her hair.] God bless and preserve Hedda
Tesman--for George's sake.
HEDDA[Gently freeing herself.] Oh--! Let me go.
MISS TESMAN[In quiet emotion.] I shall not let a day pass without coming to see
you.
you.
TESMANNo you won't, will you, Auntie? Eh?
MISS TESMANGood-bye--good-bye!
[She goes out by the hall door. TESMAN accompanies her. The
door remains half open. TESMAN can be heard repeating his
message to Aunt Rina and his thanks for the slippers.
[In the meantime, HEDDA walks about the room, raising her arms
and clenching her hands as if in desperation. Then she flings
back the curtains from the glass door, and stands there looking
out.
[Presently, TESMAN returns and closes the door behind him.
[She goes out by the hall door. TESMAN accompanies her. The
door remains half open. TESMAN can be heard repeating his
message to Aunt Rina and his thanks for the slippers.
[In the meantime, HEDDA walks about the room, raising her arms
and clenching her hands as if in desperation. Then she flings
back the curtains from the glass door, and stands there looking
out.
[Presently, TESMAN returns and closes the door behind him.
TESMAN[Picks up the slippers from the floor.] What are you looking at, Hedda?
HEDDA[Once more calm and mistress of herself.] I am only looking at the
leaves. They are so yellow--so withered.
leaves. They are so yellow--so withered.
TESMAN[Wraps up the slippers and lays them on the table.] Well, you see, we
are well into September now.
are well into September now.
HEDDA[Again restless.] Yes, to think of it!--already in--in September.
TESMANDon't you think Aunt Julia's manner was strange, dear? Almost solemn?
Can you imagine what was the matter with her? Eh?
Can you imagine what was the matter with her? Eh?
HEDDAI scarcely know her, you see. Is she not often like that?
TESMANNo, not as she was to-day.
HEDDA[Leaving the glass door.] Do you think she was annoyed about the bonnet?
TESMANOh, scarcely at all. Perhaps a little, just at the moment--
ACT FIRSTStrona 13 / 88
HEDDABut what an idea, to pitch her bonnet about in the drawing-room! No one
does that sort of thing.
does that sort of thing.
TESMANWell you may be sure Aunt Julia won't do it again.
HEDDAIn any case, I shall manage to make my peace with her.
TESMANYes, my dear, good Hedda, if you only would.
HEDDAWhen you call this afternoon, you might invite her to spend the evening
here.
here.
TESMANYes, that I will. And there's one thing more you could do that would
delight her heart.
delight her heart.
HEDDAWhat is it?
TESMANIf you could only prevail on yourself to say _du_(3) to her. For my
sake, Hedda? Eh?
sake, Hedda? Eh?
HEDDANo, no, Tesman--you really mustn't ask that of me. I have told you so
already. I shall try to call her "Aunt"; and you must be satisfied with
that.
already. I shall try to call her "Aunt"; and you must be satisfied with
that.
TESMANWell well. Only I think now that you belong to the family, you--
HEDDAH'm--I can't in the least see why--
[She goes up towards the middle doorway.
[She goes up towards the middle doorway.
TESMAN[After a pause.] Is there anything the matter with you, Hedda? Eh?
HEDDAI'm only looking at my old piano. It doesn't go at all well with all the
other things.
other things.
TESMANThe first time I draw my salary, we'll see about exchanging it.
HEDDANo, no--no exchanging. I don't want to part with it. Suppose we put it
there in the inner room, and then get another here in its place. When
it's convenient, I mean.
there in the inner room, and then get another here in its place. When
it's convenient, I mean.
TESMAN[A little taken aback.] Yes--of course we could do that.
HEDDA[Takes up the bouquet from the piano.] These flowers were not here last
night when we arrived.
night when we arrived.
TESMANAunt Julia must have brought them for you.
HEDDA[Examining the bouquet.] A visiting-card. [Takes it out and reads:]
"Shall return later in the day." Can you guess whose card it is?
"Shall return later in the day." Can you guess whose card it is?
TESMANNo. Whose? Eh?
ACT FIRSTStrona 14 / 88
HEDDAThe name is "Mrs. Elvsted."
TESMANIs it really? Sheriff Elvsted's wife? Miss Rysing that was.
HEDDAExactly. The girl with the irritating hair, that she was always showing
off. An old flame of yours I've been told.
off. An old flame of yours I've been told.
TESMAN[Laughing.] Oh, that didn't last long; and it was before I met you,
Hedda. But fancy her being in town!
Hedda. But fancy her being in town!
HEDDAIt's odd that she should call upon us. I have scarcely seen her since we
left school.
left school.
TESMANI haven't see her either for--heaven knows how long. I wonder how she
can endure to live in such an out-of-the way hole--eh?
can endure to live in such an out-of-the way hole--eh?
HEDDA[After a moment's thought, says suddenly.] Tell me, Tesman--isn't it
somewhere near there that he--that--Eilert Lovborg is living?
somewhere near there that he--that--Eilert Lovborg is living?
TESMANYes, he is somewhere in that part of the country.
BERTA enters by the hall door.
BERTAThat lady, ma'am, that brought some flowers a little while ago, is here
again. [Pointing.] The flowers you have in your hand, ma'am.
again. [Pointing.] The flowers you have in your hand, ma'am.
HEDDAAh, is she? Well, please show her in.
BERTA opens the door for MRS. ELVSTED, and goes out herself.
--MRS. ELVSTED is a woman of fragile figure, with pretty,
soft features. Her eyes are light blue, large, round, and
somewhat prominent, with a startled, inquiring expression.
Her hair is remarkably light, almost flaxen, and unusually
abundant and wavy. She is a couple of years younger than
BERTA opens the door for MRS. ELVSTED, and goes out herself.
--MRS. ELVSTED is a woman of fragile figure, with pretty,
soft features. Her eyes are light blue, large, round, and
somewhat prominent, with a startled, inquiring expression.
Her hair is remarkably light, almost flaxen, and unusually
abundant and wavy. She is a couple of years younger than
HEDDAShe wears a dark visiting dress, tasteful, but not
quite in the latest fashion.
quite in the latest fashion.
HEDDA[Receives her warmly.] How do you do, my dear Mrs. Elvsted? It's
delightful to see you again.
delightful to see you again.
MRS. ELVSTED[Nervously, struggling for self-control.] Yes, it's a very long time
since we met.
since we met.
TESMAN[Gives her his hand.] And we too--eh?
HEDDAThanks for your lovely flowers--
MRS. ELVSTEDOh, not at all--. I would have come straight here yesterday afternoon;
but I heard that you were away--
but I heard that you were away--
ACT FIRSTStrona 15 / 88
TESMANHave you just come to town? Eh?
MRS. ELVSTEDI arrived yesterday, about midday. Oh, I was quite in despair when I
heard that you were not at home.
heard that you were not at home.
HEDDAIn despair! How so?
TESMANWhy, my dear Mrs. Rysing--I mean Mrs. Elvsted--
HEDDAI hope that you are not in any trouble?
MRS. ELVSTEDYes, I am. And I don't know another living creature here that I can turn
to.
to.
HEDDA[Laying the bouquet on the table.] Come--let us sit here on the sofa--
MRS. ELVSTEDOh, I am too restless to sit down.
HEDDAOh no, you're not. Come here.
[She draws MRS. ELVSTED down upon the sofa and sits at her side.
[She draws MRS. ELVSTED down upon the sofa and sits at her side.
TESMANWell? What is it, Mrs. Elvsted--?
HEDDAHas anything particular happened to you at home?
MRS. ELVSTEDYes--and no. Oh--I am so anxious you should not misunderstand me--
HEDDAThen your best plan is to tell us the whole story, Mrs. Elvsted.
TESMANI suppose that's what you have come for--eh?
MRS. ELVSTEDYes, yes--of course it is. Well then, I must tell you--if you don't
already know--that Eilert Lovborg is in town, too.
already know--that Eilert Lovborg is in town, too.
HEDDALovborg--!
TESMANWhat! Has Eilert Lovborg come back? Fancy that, Hedda!
HEDDAWell well--I hear it.
MRS. ELVSTEDHe has been here a week already. Just fancy--a whole week! In this
terrible town, alone! With so many temptations on all sides.
terrible town, alone! With so many temptations on all sides.
HEDDABut, my dear Mrs. Elvsted--how does he concern you so much?
MRS. ELVSTED[Looks at her with a startled air, and says rapidly.] He was the
children's tutor.
children's tutor.
HEDDAYour children's?
MRS. ELVSTEDMy husband's. I have none.
HEDDAYour step-children's, then?
MRS. ELVSTEDYes.
ACT FIRSTStrona 16 / 88
TESMAN[Somewhat hesitatingly.] Then was he--I don't know how to express
it--was he--regular enough in his habits to be fit for the post? Eh?
it--was he--regular enough in his habits to be fit for the post? Eh?
MRS. ELVSTEDFor the last two years his conduct has been irreproachable.
TESMANHas it indeed? Fancy that, Hedda!
HEDDAI hear it.
MRS. ELVSTEDPerfectly irreproachable, I assure you! In every respect. But all the
same--now that I know he is here--in this great town--and with a large
sum of money in his hands--I can't help being in mortal fear for him.
same--now that I know he is here--in this great town--and with a large
sum of money in his hands--I can't help being in mortal fear for him.
TESMANWhy did he not remain where he was? With you and your husband? Eh?
MRS. ELVSTEDAfter his book was published he was too restless and unsettled to remain
with us.
with us.
TESMANYes, by-the-bye, Aunt Julia told me he had published a new book.
MRS. ELVSTEDYes, a big book, dealing with the march of civilisation--in broad
outline, as it were. It came out about a fortnight ago. And since it has
sold so well, and been so much read--and made such a sensation--
outline, as it were. It came out about a fortnight ago. And since it has
sold so well, and been so much read--and made such a sensation--
TESMANHas it indeed? It must be something he has had lying by since his better
days.
days.
MRS. ELVSTEDLong ago, you mean?
TESMANYes.
MRS. ELVSTEDNo, he has written it all since he has been with us--within the last
year.
year.
TESMANIsn't that good news, Hedda? Think of that.
MRS. ELVSTEDAh yes, if only it would last!
HEDDAHave you seen him here in town?
MRS. ELVSTEDNo, not yet. I have had the greatest difficulty in finding out his
address. But this morning I discovered it at last.
address. But this morning I discovered it at last.
HEDDA[Looks searchingly at her.] Do you know, it seems to me a little odd of
your husband--h'm--
your husband--h'm--
MRS. ELVSTED[Starting nervously.] Of my husband! What?
ACT FIRSTStrona 17 / 88
HEDDAThat he should send you to town on such an errand--that he does not come
himself and look after his friend.
himself and look after his friend.
MRS. ELVSTEDOh no, no--my husband has no time. And besides, I--I had some shopping
to do.
to do.
HEDDA[With a slight smile.] Ah, that is a different matter.
MRS. ELVSTED[Rising quickly and uneasily.] And now I beg and implore you, Mr.
Tesman--receive Eilert Lovborg kindly if he comes to you! And that he
is sure to do. You see you were such great friends in the old days.
And then you are interested in the same studies--the same branch of
science--so far as I can understand.
Tesman--receive Eilert Lovborg kindly if he comes to you! And that he
is sure to do. You see you were such great friends in the old days.
And then you are interested in the same studies--the same branch of
science--so far as I can understand.
TESMANWe used to be at any rate.
MRS. ELVSTEDThat is why I beg so earnestly that you--you too--will keep a sharp eye
upon him. Oh, you will promise me that, Mr. Tesman--won't you?
upon him. Oh, you will promise me that, Mr. Tesman--won't you?
TESMANWith the greatest of pleasure, Mrs. Rysing--
HEDDAElvsted.
TESMANI assure you I shall do all I possibly can for Eilert. You may rely upon
me.
me.
MRS. ELVSTEDOh, how very, very kind of you! [Presses his hands.] Thanks, thanks,
thanks! [Frightened.] You see, my husband is so very fond of him!
thanks! [Frightened.] You see, my husband is so very fond of him!
HEDDA[Rising.] You ought to write to him, Tesman. Perhaps he may not care to
come to you of his own accord.
come to you of his own accord.
TESMANWell, perhaps it would be the right thing to do, Hedda? Eh?
HEDDAAnd the sooner the better. Why not at once?
MRS. ELVSTED[Imploringly.] Oh, if you only would!
TESMANI'll write this moment. Have you his address, Mrs.--Mrs. Elvsted.
MRS. ELVSTEDYes. [Takes a slip of paper from her pocket, and hands it to him.] Here
it is.
it is.
TESMANGood, good. Then I'll go in-- [Looks about him.] By-the-bye,--my
slippers? Oh, here. [Takes the packet and is about to go.
slippers? Oh, here. [Takes the packet and is about to go.
HEDDABe sure you write him a cordial, friendly letter. And a good long one
too.
too.
ACT FIRSTStrona 18 / 88
TESMANYes, I will.
MRS. ELVSTEDBut please, please don't say a word to show that I have suggested it.
TESMANNo, how could you think I would? Eh?
[He goes out to the right, through the inner room.
[He goes out to the right, through the inner room.
HEDDA[Goes up to MRS. ELVSTED, smiles, and says in a low voice.] There! We
have killed two birds with one stone.
have killed two birds with one stone.
MRS. ELVSTEDWhat do you mean?
HEDDACould you not see that I wanted him to go?
MRS. ELVSTEDYes, to write the letter--
HEDDAAnd that I might speak to you alone.
MRS. ELVSTED[Confused.] About the same thing?
HEDDAPrecisely.
MRS. ELVSTED[Apprehensively.] But there is nothing more, Mrs. Tesman! Absolutely
nothing!
nothing!
HEDDAOh yes, but there is. There is a great deal more--I can see that. Sit
here--and we'll have a cosy, confidential chat.
[She forces MRS. ELVSTED to sit in the easy-chair beside the
stove, and seats herself on one of the footstools.
here--and we'll have a cosy, confidential chat.
[She forces MRS. ELVSTED to sit in the easy-chair beside the
stove, and seats herself on one of the footstools.
MRS. ELVSTED[Anxiously, looking at her watch.] But, my dear Mrs. Tesman--I was
really on the point of going.
really on the point of going.
HEDDAOh, you can't be in such a hurry.--Well? Now tell me something about
your life at home.
your life at home.
MRS. ELVSTEDOh, that is just what I care least to speak about.
HEDDABut to me, dear--? Why, weren't we schoolfellows?
MRS. ELVSTEDYes, but you were in the class above me. Oh, how dreadfully afraid of
you I was then!
you I was then!
HEDDAAfraid of me?
MRS. ELVSTEDYes, dreadfully. For when we met on the stairs you used always to pull
my hair.
my hair.
HEDDADid I, really?
MRS. ELVSTEDYes, and once you said you would burn it off my head.
HEDDAOh that was all nonsense, of course.
ACT FIRSTStrona 19 / 88
MRS. ELVSTEDYes, but I was so silly in those days.--And since then, too--we have
drifted so far--far apart from each other. Our circles have been so
entirely different.
drifted so far--far apart from each other. Our circles have been so
entirely different.
HEDDAWell then, we must try to drift together again. Now listen. At school
we said _du_(4) to each other; and we called each other by our Christian
names--
we said _du_(4) to each other; and we called each other by our Christian
names--
MRS. ELVSTEDNo, I am sure you must be mistaken.
HEDDANo, not at all! I can remember quite distinctly. So now we are going to
renew our old friendship. [Draws the footstool closer to MRS. ELVSTED.]
There now! [Kisses her cheek.] You must say _du_ to me and call me
Hedda.
renew our old friendship. [Draws the footstool closer to MRS. ELVSTED.]
There now! [Kisses her cheek.] You must say _du_ to me and call me
Hedda.
MRS. ELVSTED[Presses and pats her hands.] Oh, how good and kind you are! I am not
used to such kindness.
used to such kindness.
HEDDAThere, there, there! And I shall say _du_ to you, as in the old days,
and call you my dear Thora.
and call you my dear Thora.
MRS. ELVSTEDMy name is Thea.(5)
HEDDAWhy, of course! I meant Thea. [Looks at her compassionately.] So you are
not accustomed to goodness and kindness, Thea? Not in your own home?
not accustomed to goodness and kindness, Thea? Not in your own home?
MRS. ELVSTEDOh, if I only had a home! But I haven't any; I have never had a home.
HEDDA[Looks at her for a moment.] I almost suspected as much.
MRS. ELVSTED[Gazing helplessly before her.] Yes--yes--yes.
HEDDAI don't quite remember--was it not as housekeeper that you first went to
Mr. Elvsted's?
Mr. Elvsted's?
MRS. ELVSTEDI really went as governess. But his wife--his late wife--was an
invalid,--and rarely left her room. So I had to look after the
housekeeping as well.
invalid,--and rarely left her room. So I had to look after the
housekeeping as well.
HEDDAAnd then--at last--you became mistress of the house.
MRS. ELVSTED[Sadly.] Yes, I did.
HEDDALet me see--about how long ago was that?
MRS. ELVSTEDMy marriage?
HEDDAYes.
MRS. ELVSTEDFive years ago.
HEDDATo be sure; it must be that.
ACT FIRSTStrona 20 / 88
MRS. ELVSTEDOh those five years--! Or at all events the last two or three of them!
Oh, if you(6) could only imagine--
Oh, if you(6) could only imagine--
HEDDA[Giving her a little slap on the hand.] De? Fie, Thea!
MRS. ELVSTEDYes, yes, I will try--. Well, if--you could only imagine and
understand--
understand--
HEDDA[Lightly.] Eilert Lovborg has been in your neighbourhood about three
years, hasn't he?
years, hasn't he?
MRS. ELVSTED[Looks at her doubtfully.] Eilert Lovborg? Yes--he has.
HEDDAHad you known him before, in town here?
MRS. ELVSTEDScarcely at all. I mean--I knew him by name of course.
HEDDABut you saw a good deal of him in the country?
MRS. ELVSTEDYes, he came to us every day. You see, he gave the children lessons; for
in the long run I couldn't manage it all myself.
in the long run I couldn't manage it all myself.
HEDDANo, that's clear.--And your husband--? I suppose he is often away from
home?
home?
MRS. ELVSTEDYes. Being sheriff, you know, he has to travel about a good deal in his
district.
district.
HEDDA[Leaning against the arm of the chair.] Thea--my poor, sweet Thea--now
you must tell me everything--exactly as it stands.
you must tell me everything--exactly as it stands.
MRS. ELVSTEDWell, then you must question me.
HEDDAWhat sort of a man is your husband, Thea? I mean--you know--in everyday
life. Is he kind to you?
life. Is he kind to you?
MRS. ELVSTED[Evasively.] I am sure he means well in everything.
HEDDAI should think he must be altogether too old for you. There is at least
twenty years' difference between you, is there not?
twenty years' difference between you, is there not?
MRS. ELVSTED[Irritably.] Yes, that is true, too. Everything about him is repellent
to me! We have not a thought in common. We have no single point of
sympathy--he and I.
to me! We have not a thought in common. We have no single point of
sympathy--he and I.
HEDDABut is he not fond of you all the same? In his own way?
ACT FIRSTStrona 21 / 88
MRS. ELVSTEDOh I really don't know. I think he regards me simply as a useful
property. And then it doesn't cost much to keep me. I am not expensive.
property. And then it doesn't cost much to keep me. I am not expensive.
HEDDAThat is stupid of you.
MRS. ELVSTED[Shakes her head.] It cannot be otherwise--not with him. I don't think
he really cares for any one but himself--and perhaps a little for the
children.
he really cares for any one but himself--and perhaps a little for the
children.
HEDDAAnd for Eilert Lovborg, Thea?
MRS. ELVSTED[Looking at her.] For Eilert Lovborg? What puts that into your head?
HEDDAWell, my dear--I should say, when he sends you after him all the way
to town-- [Smiling almost imperceptibly.] And besides, you said so
yourself, to Tesman.
to town-- [Smiling almost imperceptibly.] And besides, you said so
yourself, to Tesman.
MRS. ELVSTED[With a little nervous twitch.] Did I? Yes, I suppose I did.
[Vehemently, but not loudly.] No--I may just as well make a clean breast
of it at once! For it must all come out in any case.
[Vehemently, but not loudly.] No--I may just as well make a clean breast
of it at once! For it must all come out in any case.
HEDDAWhy, my dear Thea--?
MRS. ELVSTEDWell, to make a long story short: My husband did not know that I was
coming.
coming.
HEDDAWhat! Your husband didn't know it!
MRS. ELVSTEDNo, of course not. For that matter, he was away from home himself--
he was travelling. Oh, I could bear it no longer, Hedda! I couldn't
indeed--so utterly alone as I should have been in future.
he was travelling. Oh, I could bear it no longer, Hedda! I couldn't
indeed--so utterly alone as I should have been in future.
HEDDAWell? And then?
MRS. ELVSTEDSo I put together some of my things--what I needed most--as quietly as
possible. And then I left the house.
possible. And then I left the house.
HEDDAWithout a word?
MRS. ELVSTEDYes--and took the train to town.
HEDDAWhy, my dear, good Thea--to think of you daring to do it!
MRS. ELVSTED[Rises and moves about the room.] What else could I possibly do?
HEDDABut what do you think your husband will say when you go home again?
MRS. ELVSTED[At the table, looks at her.] Back to him?
HEDDAOf course.
ACT FIRSTStrona 22 / 88
MRS. ELVSTEDI shall never go back to him again.
HEDDA[Rising and going towards her.] Then you have left your home--for good
and all?
and all?
MRS. ELVSTEDYes. There was nothing else to be done.
HEDDABut then--to take flight so openly.
MRS. ELVSTEDOh, it's impossible to keep things of that sort secret.
HEDDABut what do you think people will say of you, Thea?
MRS. ELVSTEDThey may say what they like, for aught _I_ care. [Seats herself wearily
and sadly on the sofa.] I have done nothing but what I had to do.
and sadly on the sofa.] I have done nothing but what I had to do.
HEDDA[After a short silence.] And what are your plans now? What do you think
of doing.
of doing.
MRS. ELVSTEDI don't know yet. I only know this, that I must live here, where Eilert
Lovborg is--if I am to live at all.
Lovborg is--if I am to live at all.
HEDDA[Takes a chair from the table, seats herself beside her, and strokes
her hands.] My dear Thea--how did this--this friendship--between you and
Eilert Lovborg come about?
her hands.] My dear Thea--how did this--this friendship--between you and
Eilert Lovborg come about?
MRS. ELVSTEDOh it grew up gradually. I gained a sort of influence over him.
HEDDAIndeed?
MRS. ELVSTEDHe gave up his old habits. Not because I asked him to, for I never dared
do that. But of course he saw how repulsive they were to me; and so he
dropped them.
do that. But of course he saw how repulsive they were to me; and so he
dropped them.
HEDDA[Concealing an involuntary smile of scorn.] Then you have reclaimed
him--as the saying goes--my little Thea.
him--as the saying goes--my little Thea.
MRS. ELVSTEDSo he says himself, at any rate. And he, on his side, has made a real
human being of me--taught me to think, and to understand so many things.
human being of me--taught me to think, and to understand so many things.
HEDDADid he give you lessons too, then?
MRS. ELVSTEDNo, not exactly lessons. But he talked to me--talked about such an
infinity of things. And then came the lovely, happy time when I began to
share in his work--when he allowed me to help him!
infinity of things. And then came the lovely, happy time when I began to
share in his work--when he allowed me to help him!
HEDDAOh he did, did he?
ACT FIRSTStrona 23 / 88
MRS. ELVSTEDYes! He never wrote anything without my assistance.
HEDDAYou were two good comrades, in fact?
MRS. ELVSTED[Eagerly.] Comrades! Yes, fancy, Hedda--that is the very word he
used!--Oh, I ought to feel perfectly happy; and yet I cannot; for I
don't know how long it will last.
used!--Oh, I ought to feel perfectly happy; and yet I cannot; for I
don't know how long it will last.
HEDDAAre you no surer of him than that?
MRS. ELVSTED[Gloomily.] A woman's shadow stands between Eilert Lovborg and me.
HEDDA[Looks at her anxiously.] Who can that be?
MRS. ELVSTEDI don't know. Some one he knew in his--in his past. Some one he has
never been able wholly to forget.
never been able wholly to forget.
HEDDAWhat has he told you--about this?
MRS. ELVSTEDHe has only once--quite vaguely--alluded to it.
HEDDAWell! And what did he say?
MRS. ELVSTEDHe said that when they parted, she threatened to shoot him with a
pistol.
pistol.
HEDDA[With cold composure.] Oh nonsense! No one does that sort of thing here.
MRS. ELVSTEDNo. And that is why I think it must have been that red-haired
singing-woman whom he once--
singing-woman whom he once--
HEDDAYes, very likely.
MRS. ELVSTEDFor I remember they used to say of her that she carried loaded firearms.
HEDDAOh--then of course it must have been she.
MRS. ELVSTED[Wringing her hands.] And now just fancy, Hedda--I hear that this
singing-woman--that she is in town again! Oh, I don't know what to do--
singing-woman--that she is in town again! Oh, I don't know what to do--
HEDDA[Glancing towards the inner room.] Hush! Here comes Tesman. [Rises and
whispers.] Thea--all this must remain between you and me.
whispers.] Thea--all this must remain between you and me.
MRS. ELVSTED[Springing up.] Oh yes--yes! For heaven's sake--!
GEORGE TESMAN, with a letter in his hand, comes from the right
through the inner room.
GEORGE TESMAN, with a letter in his hand, comes from the right
through the inner room.
TESMANThere now--the epistle is finished.
ACT FIRSTStrona 24 / 88
HEDDAThat's right. And now Mrs. Elvsted is just going. Wait a moment--I'll
go with you to the garden gate.
go with you to the garden gate.
TESMANDo you think Berta could post the letter, Hedda dear?
HEDDA[Takes it.] I will tell her to.
BERTA enters from the hall.
BERTAJudge Brack wishes to know if Mrs. Tesman will receive him.
HEDDAYes, ask Judge Brack to come in. And look here--put this letter in the
post.
post.
BERTA[Taking the letter.] Yes, ma'am.
[She opens the door for JUDGE BRACK and goes out herself. Brack
is a man of forty-five; thick set, but well-built and elastic
in his movements. His face is roundish with an aristocratic
profile. His hair is short, still almost black, and carefully
dressed. His eyebrows thick. His moustaches are also thick,
with short-cut ends. He wears a well-cut walking-suit, a
little too youthful for his age. He uses an eye-glass, which
he now and then lets drop.
[She opens the door for JUDGE BRACK and goes out herself. Brack
is a man of forty-five; thick set, but well-built and elastic
in his movements. His face is roundish with an aristocratic
profile. His hair is short, still almost black, and carefully
dressed. His eyebrows thick. His moustaches are also thick,
with short-cut ends. He wears a well-cut walking-suit, a
little too youthful for his age. He uses an eye-glass, which
he now and then lets drop.
JUDGE BRACK[With his hat in his hand, bowing.] May one venture to call so early in
the day?
the day?
HEDDAOf course one may.
TESMAN[Presses his hand.] You are welcome at any time. [Introducing him.]
Judge Brack--Miss Rysing--
Judge Brack--Miss Rysing--
HEDDAOh--!
BRACK[Bowing.] Ah--delighted--
HEDDA[Looks at him and laughs.] It's nice to have a look at you by daylight,
Judge!
Judge!
BRACKSo you find me--altered?
HEDDAA little younger, I think.
BRACKThank you so much.
TESMANBut what do you think of Hedda--eh? Doesn't she look flourishing? She
has actually--
has actually--
HEDDAOh, do leave me alone. You haven't thanked Judge Brack for all the
trouble he has taken--
trouble he has taken--
BRACKOh, nonsense--it was a pleasure to me--
ACT FIRSTStrona 25 / 88
HEDDAYes, you are a friend indeed. But here stands Thea all impatience to be
off--so _au revoir_ Judge. I shall be back again presently.
[Mutual salutations. MRS. ELVSTED and HEDDA go out by the hall
door.
off--so _au revoir_ Judge. I shall be back again presently.
[Mutual salutations. MRS. ELVSTED and HEDDA go out by the hall
door.
BRACKWell,--is your wife tolerably satisfied--
TESMANYes, we can't thank you sufficiently. Of course she talks of a little
re-arrangement here and there; and one or two things are still wanting.
We shall have to buy some additional trifles.
re-arrangement here and there; and one or two things are still wanting.
We shall have to buy some additional trifles.
BRACKIndeed!
TESMANBut we won't trouble you about these things. Hedda says she herself will
look after what is wanting.--Shan't we sit down? Eh?
look after what is wanting.--Shan't we sit down? Eh?
BRACKThanks, for a moment. [Seats himself beside the table.] There is
something I wanted to speak to you about, my dear Tesman.
something I wanted to speak to you about, my dear Tesman.
TESMANIndeed? Ah, I understand! [Seating himself.] I suppose it's the serious
## part of the frolic that is coming now. Eh?
## part of the frolic that is coming now. Eh?
BRACKOh, the money question is not so very pressing; though, for that matter,
I wish we had gone a little more economically to work.
I wish we had gone a little more economically to work.
TESMANBut that would never have done, you know! Think of Hedda, my dear
fellow! You, who know her so well--! I couldn't possibly ask her to put
up with a shabby style of living!
fellow! You, who know her so well--! I couldn't possibly ask her to put
up with a shabby style of living!
BRACKNo, no--that is just the difficulty.
TESMANAnd then--fortunately--it can't be long before I receive my appointment.
BRACKWell, you see--such things are often apt to hang fire for a long time.
TESMANHave you heard anything definite? Eh?
BRACKNothing exactly definite--. [Interrupting himself.] But by-the-bye--I
have one piece of news for you.
have one piece of news for you.
TESMANWell?
BRACKYour old friend, Eilert Lovborg, has returned to town.
TESMANI know that already.
BRACKIndeed! How did you learn it?
TESMANFrom that lady who went out with Hedda.
ACT FIRSTStrona 26 / 88
BRACKReally? What was her name? I didn't quite catch it.
TESMANMrs. Elvsted.
BRACKAha--Sheriff Elvsted's wife? Of course--he has been living up in their
regions.
regions.
TESMANAnd fancy--I'm delighted to hear that he is quite a reformed character.
BRACKSo they say.
TESMANAnd then he has published a new book--eh?
BRACKYes, indeed he has.
TESMANAnd I hear it has made some sensation!
BRACKQuite an unusual sensation.
TESMANFancy--isn't that good news! A man of such extraordinary talents--. I
felt so grieved to think that he had gone irretrievably to ruin.
felt so grieved to think that he had gone irretrievably to ruin.
BRACKThat was what everybody thought.
TESMANBut I cannot imagine what he will take to now! How in the world will he
be able to make his living? Eh?
[During the last words, HEDDA has entered by the hall door.
be able to make his living? Eh?
[During the last words, HEDDA has entered by the hall door.
HEDDA[To BRACK, laughing with a touch of scorn.] Tesman is for ever worrying
about how people are to make their living.
about how people are to make their living.
TESMANWell you see, dear--we were talking about poor Eilert Lovborg.
HEDDA[Glancing at him rapidly.] Oh, indeed? [Sets herself in the arm-chair
beside the stove and asks indifferently:] What is the matter with him?
beside the stove and asks indifferently:] What is the matter with him?
TESMANWell--no doubt he has run through all his property long ago; and he can
scarcely write a new book every year--eh? So I really can't see what is
to become of him.
scarcely write a new book every year--eh? So I really can't see what is
to become of him.
BRACKPerhaps I can give you some information on that point.
TESMANIndeed!
BRACKYou must remember that his relations have a good deal of influence.
TESMANOh, his relations, unfortunately, have entirely washed their hands of
him.
him.
BRACKAt one time they called him the hope of the family.
TESMANAt one time, yes! But he has put an end to all that.
ACT FIRSTStrona 27 / 88
HEDDAWho knows? [With a slight smile.] I hear they have reclaimed him up at
Sheriff Elvsted's--
Sheriff Elvsted's--
BRACKAnd then this book that he has published--
TESMANWell well, I hope to goodness they may find something for him to do. I
have just written to him. I asked him to come and see us this evening,
Hedda dear.
have just written to him. I asked him to come and see us this evening,
Hedda dear.
BRACKBut my dear fellow, you are booked for my bachelor's party this evening.
You promised on the pier last night.
You promised on the pier last night.
HEDDAHad you forgotten, Tesman?
TESMANYes, I had utterly forgotten.
BRACKBut it doesn't matter, for you may be sure he won't come.
TESMANWhat makes you think that? Eh?
BRACK[With a little hesitation, rising and resting his hands on the back of
his chair.] My dear Tesman--and you too, Mrs. Tesman--I think I ought
not to keep you in the dark about something that--that--
his chair.] My dear Tesman--and you too, Mrs. Tesman--I think I ought
not to keep you in the dark about something that--that--
TESMANThat concerns Eilert--?
BRACKBoth you and him.
TESMANWell, my dear Judge, out with it.
BRACKYou must be prepared to find your appointment deferred longer than you
desired or expected.
desired or expected.
TESMAN[Jumping up uneasily.] Is there some hitch about it? Eh?
BRACKThe nomination may perhaps be made conditional on the result of a
competition--
competition--
TESMANCompetition! Think of that, Hedda!
HEDDA[Leans further back in the chair.] Aha--aha!
TESMANBut who can my competitor be? Surely not--?
BRACKYes, precisely--Eilert Lovborg.
TESMAN[Clasping his hands.] No, no--it's quite impossible! Eh?
BRACKH'm--that is what it may come to, all the same.
ACT FIRSTStrona 28 / 88
TESMANWell but, Judge Brack--it would show the most incredible lack of
consideration for me. [Gesticulates with his arms.] For--just think--I'm
a married man! We have married on the strength of these prospects, Hedda
and I; and run deep into debt; and borrowed money from Aunt Julia too.
Good heavens, they had as good as promised me the appointment. Eh?
consideration for me. [Gesticulates with his arms.] For--just think--I'm
a married man! We have married on the strength of these prospects, Hedda
and I; and run deep into debt; and borrowed money from Aunt Julia too.
Good heavens, they had as good as promised me the appointment. Eh?
BRACKWell, well, well--no doubt you will get it in the end; only after a
contest.
contest.
HEDDA[Immovable in her arm-chair.] Fancy, Tesman, there will be a sort of
sporting interest in that.
sporting interest in that.
TESMANWhy, my dearest Hedda, how can you be so indifferent about it?
HEDDA[As before.] I am not at all indifferent. I am most eager to see who
wins.
wins.
BRACKIn any case, Mrs. Tesman, it is best that you should know how matters
stand. I mean--before you set about the little purchases I hear you are
threatening.
stand. I mean--before you set about the little purchases I hear you are
threatening.
HEDDAThis can make no difference.
BRACKIndeed! Then I have no more to say. Good-bye! [To TESMAN.] I shall look
in on my way back from my afternoon walk, and take you home with me.
in on my way back from my afternoon walk, and take you home with me.
TESMANOh yes, yes--your news has quite upset me.
HEDDA[Reclining, holds out her hand.] Good-bye, Judge; and be sure you call
in the afternoon.
in the afternoon.
BRACKMany thanks. Good-bye, good-bye!
TESMAN[Accompanying him to the door.] Good-bye my dear Judge! You must really
excuse me-- [JUDGE BRACK goes out by the hall door.
excuse me-- [JUDGE BRACK goes out by the hall door.
TESMAN[Crosses the room.] Oh Hedda--one should never rush into adventures. Eh?
HEDDA[Looks at him, smiling.] Do you do that?
TESMANYes, dear--there is no denying--it was adventurous to go and marry and
set up house upon mere expectations.
set up house upon mere expectations.
HEDDAPerhaps you are right there.
ACT FIRSTStrona 29 / 88
TESMANWell--at all events, we have our delightful home, Hedda! Fancy, the home
we both dreamed of--the home we were in love with, I may almost say. Eh?
we both dreamed of--the home we were in love with, I may almost say. Eh?
HEDDA[Rising slowly and wearily.] It was part of our compact that we were to
go into society--to keep open house.
go into society--to keep open house.
TESMANYes, if you only knew how I had been looking forward to it! Fancy--to
see you as hostess--in a select circle! Eh? Well, well, well--for the
present we shall have to get on without society, Hedda--only to invite
Aunt Julia now and then.--Oh, I intended you to lead such an utterly
different life, dear--!
see you as hostess--in a select circle! Eh? Well, well, well--for the
present we shall have to get on without society, Hedda--only to invite
Aunt Julia now and then.--Oh, I intended you to lead such an utterly
different life, dear--!
HEDDAOf course I cannot have my man in livery just yet.
TESMANOh, no, unfortunately. It would be out of the question for us to keep a
footman, you know.
footman, you know.
HEDDAAnd the saddle-horse I was to have had--
TESMAN[Aghast.] The saddle-horse!
HEDDA--I suppose I must not think of that now.
TESMANGood heavens, no!--that's as clear as daylight!
HEDDA[Goes up the room.] Well, I shall have one thing at least to kill time
with in the meanwhile.
with in the meanwhile.
TESMAN[Beaming.] Oh thank heaven for that! What is it, Hedda. Eh?
HEDDA[In the middle doorway, looks at him with covert scorn.] My pistols,
George.
George.
TESMAN[In alarm.] Your pistols!
HEDDA[With cold eyes.] General Gabler's pistols.
[She goes out through the inner room, to the left.
[She goes out through the inner room, to the left.
TESMAN[Rushes up to the middle doorway and calls after her:] No, for heaven's
sake, Hedda darling--don't touch those dangerous things! For my sake
Hedda! Eh?
sake, Hedda darling--don't touch those dangerous things! For my sake
Hedda! Eh?
ACT SECONDStrona 30 / 88
ACT SECOND
The room at the TESMANS' as in the first Act, except that the piano has been removed, and an elegant little writing-table with the book-shelves put in its place. A smaller table stands near the sofa on the left. Most of the bouquets have been taken away. MRS. ELVSTED'S bouquet is upon the large table in front.--It is afternoon. HEDDA, dressed to receive callers, is alone in the room. She stands by the open glass door, loading a revolver. The fellow to it lies in an open pistol-case on the writing- table.
HEDDA[Looks down the garden, and calls:] So you are here again, Judge!
BRACK[Is heard calling from a distance.] As you see, Mrs. Tesman!
HEDDA[Raises the pistol and points.] Now I'll shoot you, Judge Brack!
BRACK[Calling unseen.] No, no, no! Don't stand aiming at me!
HEDDAThis is what comes of sneaking in by the back way.(7) [She fires.
BRACK[Nearer.] Are you out of your senses--!
HEDDADear me--did I happen to hit you?
BRACK[Still outside.] I wish you would let these pranks alone!
HEDDACome in then, Judge.
JUDGE BRACK, dressed as though for a men's party, enters by
the glass door. He carries a light overcoat over his arm.
JUDGE BRACK, dressed as though for a men's party, enters by
the glass door. He carries a light overcoat over his arm.
BRACKWhat the deuce--haven't you tired of that sport, yet? What are you
shooting at?
shooting at?
HEDDAOh, I am only firing in the air.
BRACK[Gently takes the pistol out of her hand.] Allow me, madam! [Looks at
it.] Ah--I know this pistol well! [Looks around.] Where is the case? Ah,
here it is. [Lays the pistol in it, and shuts it.] Now we won't play at
that game any more to-day.
it.] Ah--I know this pistol well! [Looks around.] Where is the case? Ah,
here it is. [Lays the pistol in it, and shuts it.] Now we won't play at
that game any more to-day.
HEDDAThen what in heaven's name would you have me do with myself?
BRACKHave you had no visitors?
HEDDA[Closing the glass door.] Not one. I suppose all our set are still out
of town.
of town.
BRACKAnd is Tesman not at home either?
ACT SECONDStrona 31 / 88
HEDDA[At the writing-table, putting the pistol-case in a drawer which she
shuts.] No. He rushed off to his aunt's directly after lunch; he didn't
expect you so early.
shuts.] No. He rushed off to his aunt's directly after lunch; he didn't
expect you so early.
BRACKH'm--how stupid of me not to have thought of that!
HEDDA[Turning her head to look at him.] Why stupid?
BRACKBecause if I had thought of it I should have come a little--earlier.
HEDDA[Crossing the room.] Then you would have found no one to receive you;
for I have been in my room changing my dress ever since lunch.
for I have been in my room changing my dress ever since lunch.
BRACKAnd is there no sort of little chink that we could hold a parley
through?
through?
HEDDAYou have forgotten to arrange one.
BRACKThat was another piece of stupidity.
HEDDAWell, we must just settle down here--and wait. Tesman is not likely to
be back for some time yet.
be back for some time yet.
BRACKNever mind; I shall not be impatient.
HEDDA seats herself in the corner of the sofa. BRACK lays his
overcoat over the back of the nearest chair, and sits down, but
keeps his hat in his hand. A short silence. They look at each
other.
HEDDA seats herself in the corner of the sofa. BRACK lays his
overcoat over the back of the nearest chair, and sits down, but
keeps his hat in his hand. A short silence. They look at each
other.
HEDDAWell?
BRACK[In the same tone.] Well?
HEDDAI spoke first.
BRACK[Bending a little forward.] Come, let us have a cosy little chat, Mrs.
Hedda.(8)
Hedda.(8)
HEDDA[Leaning further back in the sofa.] Does it not seem like a whole
eternity since our last talk? Of course I don't count those few words
yesterday evening and this morning.
eternity since our last talk? Of course I don't count those few words
yesterday evening and this morning.
BRACKYou mean since our last confidential talk? Our last _tete-a-tete_?
HEDDAWell yes--since you put it so.
BRACKNot a day passed but I have wished that you were home again.
HEDDAAnd I have done nothing but wish the same thing.
BRACKYou? Really, Mrs. Hedda? And I thought you had been enjoying your tour
so much!
so much!
ACT SECONDStrona 32 / 88
HEDDAOh yes, you may be sure of that!
BRACKBut Tesman's letters spoke of nothing but happiness.
HEDDAOh, Tesman! You see, he thinks nothing is so delightful as grubbing
in libraries and making copies of old parchments, or whatever you call
them.
in libraries and making copies of old parchments, or whatever you call
them.
BRACK[With a smile of malice.] Well, that is his vocation in life--or part of
it at any rate.
it at any rate.
HEDDAYes, of course; and no doubt when it's your vocation--. But _I_! Oh, my
dear Mr. Brack, how mortally bored I have been.
dear Mr. Brack, how mortally bored I have been.
BRACK[Sympathetically.] Do you really say so? In downright earnest?
HEDDAYes, you can surely understand it--! To go for six whole months without
meeting a soul that knew anything of our circle, or could talk about
things we were interested in.
meeting a soul that knew anything of our circle, or could talk about
things we were interested in.
BRACKYes, yes--I too should feel that a deprivation.
HEDDAAnd then, what I found most intolerable of all--
BRACKWell?
HEDDA--was being everlastingly in the company of--one and the same person--
BRACK[With a nod of assent.] Morning, noon, and night, yes--at all possible
times and seasons.
times and seasons.
HEDDAI said "everlastingly."
BRACKJust so. But I should have thought, with our excellent Tesman, one
could--
could--
HEDDATesman is--a specialist, my dear Judge.
BRACKUndeniable.
HEDDAAnd specialists are not at all amusing to travel with. Not in the long
run at any rate.
run at any rate.
BRACKNot even--the specialist one happens to love?
HEDDAFaugh--don't use that sickening word!
BRACK[Taken aback.] What do you say, Mrs. Hedda?
HEDDA[Half laughing, half irritated.] You should just try it! To hear of
nothing but the history of civilisation, morning, noon, and night--
nothing but the history of civilisation, morning, noon, and night--
BRACKEverlastingly.
ACT SECONDStrona 33 / 88
HEDDAYes yes yes! And then all this about the domestic industry of the middle
ages--! That's the most disgusting part of it!
ages--! That's the most disgusting part of it!
BRACK[Looks searchingly at her.] But tell me--in that case, how am I to
understand your--? H'm--
understand your--? H'm--
HEDDAMy accepting George Tesman, you mean?
BRACKWell, let us put it so.
HEDDAGood heavens, do you see anything so wonderful in that?
BRACKYes and no--Mrs. Hedda.
HEDDAI had positively danced myself tired, my dear Judge. My day was
done-- [With a slight shudder.] Oh no--I won't say that; nor think
it either!
done-- [With a slight shudder.] Oh no--I won't say that; nor think
it either!
BRACKYou have assuredly no reason to.
HEDDAOh, reasons-- [Watching him closely.] And George Tesman--after all, you
must admit that he is correctness itself.
must admit that he is correctness itself.
BRACKHis correctness and respectability are beyond all question.
HEDDAAnd I don't see anything absolutely ridiculous about him.--Do you?
BRACKRidiculous? N--no--I shouldn't exactly say so--
HEDDAWell--and his powers of research, at all events, are untiring.--I see no
reason why he should not one day come to the front, after all.
reason why he should not one day come to the front, after all.
BRACK[Looks at her hesitatingly.] I thought that you, like every one else,
expected him to attain the highest distinction.
expected him to attain the highest distinction.
HEDDA[With an expression of fatigue.] Yes, so I did.--And then, since he was
bent, at all hazards, on being allowed to provide for me--I really don't
know why I should not have accepted his offer?
bent, at all hazards, on being allowed to provide for me--I really don't
know why I should not have accepted his offer?
BRACKNo--if you look at it in that light--
HEDDAIt was more than my other adorers were prepared to do for me, my dear
Judge.
Judge.
BRACK[Laughing.] Well, I can't answer for all the rest; but as for myself,
you know quite well that I have always entertained a--a certain respect
for the marriage tie--for marriage as an institution, Mrs. Hedda.
you know quite well that I have always entertained a--a certain respect
for the marriage tie--for marriage as an institution, Mrs. Hedda.
ACT SECONDStrona 34 / 88
HEDDA[Jestingly.] Oh, I assure you I have never cherished any hopes with
respect to you.
respect to you.
BRACKAll I require is a pleasant and intimate interior, where I can make
myself useful in every way, and am free to come and go as--as a trusted
friend--
myself useful in every way, and am free to come and go as--as a trusted
friend--
HEDDAOf the master of the house, do you mean?
BRACK[Bowing.] Frankly--of the mistress first of all; but of course of the
master too, in the second place. Such a triangular friendship--if I may
call it so--is really a great convenience for all the parties, let me
tell you.
master too, in the second place. Such a triangular friendship--if I may
call it so--is really a great convenience for all the parties, let me
tell you.
HEDDAYes, I have many a time longed for some one to make a third on our
travels. Oh--those railway-carriage _tete-a-tetes_--!
travels. Oh--those railway-carriage _tete-a-tetes_--!
BRACKFortunately your wedding journey is over now.
HEDDA[Shaking her head.] Not by a long--long way. I have only arrived at a
station on the line.
station on the line.
BRACKWell, then the passengers jump out and move about a little, Mrs. Hedda.
HEDDAI never jump out.
BRACKReally?
HEDDANo--because there is always some one standing by to--
BRACK[Laughing.] To look at your ankles, do you mean?
HEDDAPrecisely.
BRACKWell but, dear me--
HEDDA[With a gesture of repulsion.] I won't have it. I would rather keep my
seat where I happen to be--and continue the _tete-a-tete_.
seat where I happen to be--and continue the _tete-a-tete_.
BRACKBut suppose a third person were to jump in and join the couple.
HEDDAAh--that is quite another matter!
BRACKA trusted, sympathetic friend--
HEDDA--with a fund of conversation on all sorts of lively topics--
BRACK--and not the least bit of a specialist!
HEDDA[With an audible sigh.] Yes, that would be a relief indeed.
BRACK[Hears the front door open, and glances in that direction.] The triangle
is completed.
is completed.
ACT SECONDStrona 35 / 88
HEDDA[Half aloud.] And on goes the train.
GEORGE TESMAN, in a grey walking-suit, with a soft felt hat,
enters from the hall. He has a number of unbound books under
his arm and in his pockets.
GEORGE TESMAN, in a grey walking-suit, with a soft felt hat,
enters from the hall. He has a number of unbound books under
his arm and in his pockets.
TESMAN[Goes up to the table beside the corner settee.] Ouf--what a load for
a warm day--all these books. [Lays them on the table.] I'm positively
perspiring, Hedda. Hallo--are you there already, my dear Judge? Eh?
Berta didn't tell me.
a warm day--all these books. [Lays them on the table.] I'm positively
perspiring, Hedda. Hallo--are you there already, my dear Judge? Eh?
Berta didn't tell me.
BRACK[Rising.] I came in through the garden.
HEDDAWhat books have you got there?
TESMAN[Stands looking them through.] Some new books on my special subjects
--quite indispensable to me.
--quite indispensable to me.
HEDDAYour special subjects?
BRACKYes, books on his special subjects, Mrs. Tesman.
[BRACK and HEDDA exchange a confidential smile.
[BRACK and HEDDA exchange a confidential smile.
HEDDADo you need still more books on your special subjects?
TESMANYes, my dear Hedda, one can never have too many of them. Of course one
must keep up with all that is written and published.
must keep up with all that is written and published.
HEDDAYes, I suppose one must.
TESMAN[Searching among his books.] And look here--I have got hold of Eilert
Lovborg's new book too. [Offering it to her.] Perhaps you would like to
glance through it, Hedda? Eh?
Lovborg's new book too. [Offering it to her.] Perhaps you would like to
glance through it, Hedda? Eh?
HEDDANo, thank you. Or rather--afterwards perhaps.
TESMANI looked into it a little on the way home.
BRACKWell, what do you think of it--as a specialist?
TESMANI think it shows quite remarkable soundness of judgment. He never wrote
like that before. [Putting the books together.] Now I shall take all
these into my study. I'm longing to cut the leaves--! And then I must
change my clothes. [To BRACK.] I suppose we needn't start just yet? Eh?
like that before. [Putting the books together.] Now I shall take all
these into my study. I'm longing to cut the leaves--! And then I must
change my clothes. [To BRACK.] I suppose we needn't start just yet? Eh?
BRACKOh, dear no--there is not the slightest hurry.
ACT SECONDStrona 36 / 88
TESMANWell then, I will take my time. [Is going with his books, but stops in
the doorway and turns.] By-the-bye, Hedda--Aunt Julia is not coming this
evening.
the doorway and turns.] By-the-bye, Hedda--Aunt Julia is not coming this
evening.
HEDDANot coming? Is it that affair of the bonnet that keeps her away?
TESMANOh, not at all. How could you think such a thing of Aunt Julia? Just
fancy--! The fact is, Aunt Rina is very ill.
fancy--! The fact is, Aunt Rina is very ill.
HEDDAShe always is.
TESMANYes, but to-day she is much worse than usual, poor dear.
HEDDAOh, then it's only natural that her sister should remain with her. I
must bear my disappointment.
must bear my disappointment.
TESMANAnd you can't imagine, dear, how delighted Aunt Julia seemed to be--
because you had come home looking so flourishing!
because you had come home looking so flourishing!
HEDDA[Half aloud, rising.] Oh, those everlasting Aunts!
TESMANWhat?
HEDDA[Going to the glass door.] Nothing.
TESMANOh, all right. [He goes through the inner room, out to the right.
BRACKWhat bonnet were you talking about?
HEDDAOh, it was a little episode with Miss Tesman this morning. She had laid
down her bonnet on the chair there--[Looks at him and smiles.]--and I
pretended to think it was the servant's.
down her bonnet on the chair there--[Looks at him and smiles.]--and I
pretended to think it was the servant's.
BRACK[Shaking his head.] Now my dear Mrs. Hedda, how could you do such a
thing? To the excellent old lady, too!
thing? To the excellent old lady, too!
HEDDA[Nervously crossing the room.] Well, you see--these impulses come over
me all of a sudden; and I cannot resist them. [Throws herself down in
the easy-chair by the stove.] Oh, I don't know how to explain it.
me all of a sudden; and I cannot resist them. [Throws herself down in
the easy-chair by the stove.] Oh, I don't know how to explain it.
BRACK[Behind the easy-chair.] You are not really happy--that is at the bottom
of it.
of it.
HEDDA[Looking straight before her.] I know of no reason why I should be--
happy. Perhaps you can give me one?
happy. Perhaps you can give me one?
BRACKWell-amongst other things, because you have got exactly the home you had
set your heart on.
set your heart on.
ACT SECONDStrona 37 / 88
HEDDA[Looks up at him and laughs.] Do you too believe in that legend?
BRACKIs there nothing in it, then?
HEDDAOh yes, there is something in it.
BRACKWell?
HEDDAThere is this in it, that I made use of Tesman to see me home from
evening parties last summer--
evening parties last summer--
BRACKI, unfortunately, had to go quite a different way.
HEDDAThat's true. I know you were going a different way last summer.
BRACK[Laughing.] Oh fie, Mrs. Hedda! Well, then--you and Tesman--?
HEDDAWell, we happened to pass here one evening; Tesman, poor fellow, was
writhing in the agony of having to find conversation; so I took pity on
the learned man--
writhing in the agony of having to find conversation; so I took pity on
the learned man--
BRACK[Smiles doubtfully.] You took pity? H'm--
HEDDAYes, I really did. And so--to help him out of his torment--I happened to
say, in pure thoughtlessness, that I should like to live in this villa.
say, in pure thoughtlessness, that I should like to live in this villa.
BRACKNo more than that?
HEDDANot that evening.
BRACKBut afterwards?
HEDDAYes, my thoughtlessness had consequences, my dear Judge.
BRACKUnfortunately that too often happens, Mrs. Hedda.
HEDDAThanks! So you see it was this enthusiasm for Secretary Falk's villa
that first constituted a bond of sympathy between George Tesman and me.
From that came our engagement and our marriage, and our wedding journey,
and all the rest of it. Well, well, my dear Judge--as you make your bed
so you must lie, I could almost say.
that first constituted a bond of sympathy between George Tesman and me.
From that came our engagement and our marriage, and our wedding journey,
and all the rest of it. Well, well, my dear Judge--as you make your bed
so you must lie, I could almost say.
BRACKThis is exquisite! And you really cared not a rap about it all the time?
HEDDANo, heaven knows I didn't.
BRACKBut now? Now that we have made it so homelike for you?
HEDDAUh--the rooms all seem to smell of lavender and dried rose-leaves.--But
perhaps it's Aunt Julia that has brought that scent with her.
perhaps it's Aunt Julia that has brought that scent with her.
ACT SECONDStrona 38 / 88
BRACK[Laughing.] No, I think it must be a legacy from the late Mrs. Secretary
Falk.
Falk.
HEDDAYes, there is an odour of mortality about it. It reminds me of a
bouquet--the day after the ball. [Clasps her hands behind her head,
leans back in her chair and looks at him.] Oh, my dear Judge--you cannot
imagine how horribly I shall bore myself here.
bouquet--the day after the ball. [Clasps her hands behind her head,
leans back in her chair and looks at him.] Oh, my dear Judge--you cannot
imagine how horribly I shall bore myself here.
BRACKWhy should not you, too, find some sort of vocation in life, Mrs. Hedda?
HEDDAA vocation--that should attract me?
BRACKIf possible, of course.
HEDDAHeaven knows what sort of a vocation that could be. I often wonder
whether-- [Breaking off.] But that would never do either.
whether-- [Breaking off.] But that would never do either.
BRACKWho can tell? Let me hear what it is.
HEDDAWhether I might not get Tesman to go into politics, I mean.
BRACK[Laughing.] Tesman? No really now, political life is not the thing for
him--not at all in his line.
him--not at all in his line.
HEDDANo, I daresay not.--But if I could get him into it all the same?
BRACKWhy--what satisfaction could you find in that? If he is not fitted for
that sort of thing, why should you want to drive him into it?
that sort of thing, why should you want to drive him into it?
HEDDABecause I am bored, I tell you! [After a pause.] So you think it quite
out of the question that Tesman should ever get into the ministry?
out of the question that Tesman should ever get into the ministry?
BRACKH'm--you see, my dear Mrs. Hedda--to get into the ministry, he would
have to be a tolerably rich man.
have to be a tolerably rich man.
HEDDA[Rising impatiently.] Yes, there we have it! It is this genteel poverty
I have managed to drop into--! [Crosses the room.] That is what makes
life so pitiable! So utterly ludicrous!--For that's what it is.
I have managed to drop into--! [Crosses the room.] That is what makes
life so pitiable! So utterly ludicrous!--For that's what it is.
BRACKNow _I_ should say the fault lay elsewhere.
HEDDAWhere, then?
BRACKYou have never gone through any really stimulating experience.
HEDDAAnything serious, you mean?
ACT SECONDStrona 39 / 88
BRACKYes, you may call it so. But now you may perhaps have one in store.
HEDDA[Tossing her head.] Oh, you're thinking of the annoyances about this
wretched professorship! But that must be Tesman's own affair. I assure
you I shall not waste a thought upon it.
wretched professorship! But that must be Tesman's own affair. I assure
you I shall not waste a thought upon it.
BRACKNo, no, I daresay not. But suppose now that what people call--in elegant
language--a solemn responsibility were to come upon you? [Smiling.] A
new responsibility, Mrs. Hedda?
language--a solemn responsibility were to come upon you? [Smiling.] A
new responsibility, Mrs. Hedda?
HEDDA[Angrily.] Be quiet! Nothing of that sort will ever happen!
BRACK[Warily.] We will speak of this again a year hence--at the very outside.
HEDDA[Curtly.] I have no turn for anything of the sort, Judge Brack. No
responsibilities for me!
responsibilities for me!
BRACKAre you so unlike the generality of women as to have no turn for duties
which--?
which--?
HEDDA[Beside the glass door.] Oh, be quiet, I tell you!--I often think there
is only one thing in the world I have any turn for.
is only one thing in the world I have any turn for.
BRACK[Drawing near to her.] And what is that, if I may ask?
HEDDA[Stands looking out.] Boring myself to death. Now you know it. [Turns,
looks towards the inner room, and laughs.] Yes, as I thought! Here comes
the Professor.
looks towards the inner room, and laughs.] Yes, as I thought! Here comes
the Professor.
BRACK[Softly, in a tone of warning.] Come, come, come, Mrs. Hedda!
GEORGE TESMAN, dressed for the party, with his gloves and hat
in his hand, enters from the right through the inner room.
GEORGE TESMAN, dressed for the party, with his gloves and hat
in his hand, enters from the right through the inner room.
TESMANHedda, has no message come from Eilert Lovborg? Eh?
HEDDANo.
TESMANThen you'll see he'll be here presently.
BRACKDo you really think he will come?
TESMANYes, I am almost sure of it. For what you were telling us this morning
must have been a mere floating rumour.
must have been a mere floating rumour.
BRACKYou think so?
TESMANAt any rate, Aunt Julia said she did not believe for a moment that he
would ever stand in my way again. Fancy that!
would ever stand in my way again. Fancy that!
ACT SECONDStrona 40 / 88
BRACKWell then, that's all right.
TESMAN[Placing his hat and gloves on a chair on the right.] Yes, but you must
really let me wait for him as long as possible.
really let me wait for him as long as possible.
BRACKWe have plenty of time yet. None of my guests will arrive before seven
or half-past.
or half-past.
TESMANThen meanwhile we can keep Hedda company, and see what happens. Eh?
HEDDA[Placing BRACK'S hat and overcoat upon the corner settee.] And at the
worst Mr. Lovborg can remain here with me.
worst Mr. Lovborg can remain here with me.
BRACK[Offering to take his things.] Oh, allow me, Mrs. Tesman!--What do you
mean by "At the worst"?
mean by "At the worst"?
HEDDAIf he won't go with you and Tesman.
TESMAN[Looks dubiously at her.] But, Hedda dear--do you think it would quite
do for him to remain here with you? Eh? Remember, Aunt Julia can't come.
do for him to remain here with you? Eh? Remember, Aunt Julia can't come.
HEDDANo, but Mrs. Elvsted is coming. We three can have a cup of tea together.
TESMANOh yes, that will be all right.
BRACK[Smiling.] And that would perhaps be the safest plan for him.
HEDDAWhy so?
BRACKWell, you know, Mrs. Tesman, how you used to gird at my little bachelor
parties. You declared they were adapted only for men of the strictest
principles.
parties. You declared they were adapted only for men of the strictest
principles.
HEDDABut no doubt Mr. Lovborg's principles are strict enough now. A converted
sinner-- [BERTA appears at the hall door.
sinner-- [BERTA appears at the hall door.
BERTAThere's a gentleman asking if you are at home, ma'am--
HEDDAWell, show him in.
TESMAN[Softly.] I'm sure it is he! Fancy that!
EILERT LOVBORG enters from the hall. He is slim and lean;
of the same age as TESMAN, but looks older and somewhat
worn-out. His hair and beard are of a blackish brown, his
face long and pale, but with patches of colour on the cheeks.
He is dressed in a well-cut black visiting suit, quite new.
He has dark gloves and a silk hat. He stops near the door,
and makes a rapid bow, seeming somewhat embarrassed.
EILERT LOVBORG enters from the hall. He is slim and lean;
of the same age as TESMAN, but looks older and somewhat
worn-out. His hair and beard are of a blackish brown, his
face long and pale, but with patches of colour on the cheeks.
He is dressed in a well-cut black visiting suit, quite new.
He has dark gloves and a silk hat. He stops near the door,
and makes a rapid bow, seeming somewhat embarrassed.
ACT SECONDStrona 41 / 88
TESMAN[Goes up to him and shakes him warmly by the hand.] Well, my dear
Eilert--so at last we meet again!
Eilert--so at last we meet again!
EILERT LOVBORG[Speaks in a subdued voice.] Thanks for your letter, Tesman.
[Approaching HEDDA.] Will you too shake hands with me, Mrs. Tesman?
[Approaching HEDDA.] Will you too shake hands with me, Mrs. Tesman?
HEDDA[Taking his hand.] I am glad to see you, Mr. Lovborg. [With a motion of
her hand.] I don't know whether you two gentlemen--?
her hand.] I don't know whether you two gentlemen--?
LOVBORG[Bowing slightly.] Judge Brack, I think.
BRACK[Doing likewise.] Oh yes,--in the old days--
TESMAN[To LOVBORG, with his hands on his shoulders.] And now you must make
yourself entirely at home, Eilert! Mustn't he, Hedda?--For I hear you
are going to settle in town again? Eh?
yourself entirely at home, Eilert! Mustn't he, Hedda?--For I hear you
are going to settle in town again? Eh?
LOVBORGYes, I am.
TESMANQuite right, quite right. Let me tell you, I have got hold of your new
## book; but I haven't had time to read it yet.
## book; but I haven't had time to read it yet.
LOVBORGYou may spare yourself the trouble.
TESMANWhy so?
LOVBORGBecause there is very little in it.
TESMANJust fancy--how can you say so?
BRACKBut it has been very much praised, I hear.
LOVBORGThat was what I wanted; so I put nothing into the book but what every
one would agree with.
one would agree with.
BRACKVery wise of you.
TESMANWell but, my dear Eilert--!
LOVBORGFor now I mean to win myself a position again--to make a fresh start.
TESMAN[A little embarrassed.] Ah, that is what you wish to do? Eh?
LOVBORG[Smiling, lays down his hat, and draws a packet wrapped in paper, from
his coat pocket.] But when this one appears, George Tesman, you will
have to read it. For this is the real book--the book I have put my true
self into.
his coat pocket.] But when this one appears, George Tesman, you will
have to read it. For this is the real book--the book I have put my true
self into.
TESMANIndeed? And what is it?
LOVBORGIt is the continuation.
TESMANThe continuation? Of what?
ACT SECONDStrona 42 / 88
LOVBORGOf the book.
TESMANOf the new book?
LOVBORGOf course.
TESMANWhy, my dear Eilert--does it not come down to our own days?
LOVBORGYes, it does; and this one deals with the future.
TESMANWith the future! But, good heavens, we know nothing of the future!
LOVBORGNo; but there is a thing or two to be said about it all the same. [Opens
the packet.] Look here--
the packet.] Look here--
TESMANWhy, that's not your handwriting.
LOVBORGI dictated it. [Turning over the pages.] It falls into two sections. The
first deals with the civilising forces of the future. And here is the
second--[running through the pages towards the end]--forecasting the
probable line of development.
first deals with the civilising forces of the future. And here is the
second--[running through the pages towards the end]--forecasting the
probable line of development.
TESMANHow odd now! I should never have thought of writing anything of that
sort.
sort.
HEDDA[At the glass door, drumming on the pane.] H'm--. I daresay not.
LOVBORG[Replacing the manuscript in its paper and laying the packet on the
table.] I brought it, thinking I might read you a little of it this
evening.
table.] I brought it, thinking I might read you a little of it this
evening.
TESMANThat was very good of you, Eilert. But this evening--? [Looking back at
BRACK.] I don't see how we can manage it--
BRACK.] I don't see how we can manage it--
LOVBORGWell then, some other time. There is no hurry.
BRACKI must tell you, Mr. Lovborg--there is a little gathering at my house
this evening--mainly in honour of Tesman, you know--
this evening--mainly in honour of Tesman, you know--
LOVBORG[Looking for his hat.] Oh--then I won't detain you--
BRACKNo, but listen--will you not do me the favour of joining us?
LOVBORG[Curtly and decidedly.] No, I can't--thank you very much.
BRACKOh, nonsense--do! We shall be quite a select little circle. And I assure
you we shall have a "lively time," as Mrs. Hed--as Mrs. Tesman says.
you we shall have a "lively time," as Mrs. Hed--as Mrs. Tesman says.
LOVBORGI have no doubt of it. But nevertheless--
ACT SECONDStrona 43 / 88
BRACKAnd then you might bring your manuscript with you, and read it to Tesman
at my house. I could give you a room to yourselves.
at my house. I could give you a room to yourselves.
TESMANYes, think of that, Eilert,--why shouldn't you? Eh?
HEDDA[Interposing.] But, Tesman, if Mr. Lovborg would really rather not! I
am sure Mr. Lovborg is much more inclined to remain here and have supper
with me.
am sure Mr. Lovborg is much more inclined to remain here and have supper
with me.
LOVBORG[Looking at her.] With you, Mrs. Tesman?
HEDDAAnd with Mrs. Elvsted.
LOVBORGAh-- [Lightly.] I saw her for a moment this morning.
HEDDADid you? Well, she is coming this evening. So you see you are almost
bound to remain, Mr. Lovborg, or she will have no one to see her home.
bound to remain, Mr. Lovborg, or she will have no one to see her home.
LOVBORGThat's true. Many thanks, Mrs. Tesman--in that case I will remain.
HEDDAThen I have one or two orders to give the servant--
[She goes to the hall door and rings. BERTA enters. HEDDA talks
to her in a whisper, and points towards the inner room. BERTA
nods and goes out again.
[She goes to the hall door and rings. BERTA enters. HEDDA talks
to her in a whisper, and points towards the inner room. BERTA
nods and goes out again.
TESMAN[At the same time, to LOVBORG.] Tell me, Eilert--is it this new
subject--the future--that you are going to lecture about?
subject--the future--that you are going to lecture about?
LOVBORGYes.
TESMANThey told me at the bookseller's that you are going to deliver a course
of lectures this autumn.
of lectures this autumn.
LOVBORGThat is my intention. I hope you won't take it ill, Tesman.
TESMANOh no, not in the least! But--?
LOVBORGI can quite understand that it must be very disagreeable to you.
TESMAN[Cast down.] Oh, I can't expect you, out of consideration for me, to--
LOVBORGBut I shall wait till you have received your appointment.
TESMANWill you wait? Yes but--yes but--are you not going to compete with me?
Eh?
Eh?
LOVBORGNo; it is only the moral victory I care for.
ACT SECONDStrona 44 / 88
TESMANWhy, bless me--then Aunt Julia was right after all! Oh yes--I knew it!
Hedda! Just fancy--Eilert Lovborg is not going to stand in our way!
Hedda! Just fancy--Eilert Lovborg is not going to stand in our way!
HEDDA[Curtly.] Our way? Pray leave me out of the question.
[She goes up towards the inner room, where BERTA is placing a
tray with decanters and glasses on the table. HEDDA nods
approval, and comes forward again. BERTA goes out.
[She goes up towards the inner room, where BERTA is placing a
tray with decanters and glasses on the table. HEDDA nods
approval, and comes forward again. BERTA goes out.
TESMAN[At the same time.] And you, Judge Brack--what do you say to this? Eh?
BRACKWell, I say that a moral victory--h'm--may be all very fine--
TESMANYes, certainly. But all the same--
HEDDA[Looking at TESMAN with a cold smile.] You stand there looking as if you
were thunderstruck--
were thunderstruck--
TESMANYes--so I am--I almost think--
BRACKDon't you see, Mrs. Tesman, a thunderstorm has just passed over?
HEDDA[Pointing towards the room.] Will you not take a glass of cold punch,
gentlemen?
gentlemen?
BRACK[Looking at his watch.] A stirrup-cup? Yes, it wouldn't come amiss.
TESMANA capital idea, Hedda! Just the thing! Now that the weight has been
taken off my mind--
taken off my mind--
HEDDAWill you not join them, Mr. Lovborg?
LOVBORG[With a gesture of refusal.] No, thank you. Nothing for me.
BRACKWhy bless me--cold punch is surely not poison.
LOVBORGPerhaps not for everyone.
HEDDAI will keep Mr. Lovborg company in the meantime.
TESMANYes, yes, Hedda dear, do.
[He and BRACK go into the inner room, seat themselves, drink
punch, smoke cigarettes, and carry on a lively conversation
during what follows. EILERT LOVBORG remains standing beside
the stove. HEDDA goes to the writing-table.
[He and BRACK go into the inner room, seat themselves, drink
punch, smoke cigarettes, and carry on a lively conversation
during what follows. EILERT LOVBORG remains standing beside
the stove. HEDDA goes to the writing-table.
ACT SECONDStrona 45 / 88
HEDDA[Raising her voice a little.] Do you care to look at some photographs,
Mr. Lovborg? You know Tesman and I made a tour in the Tyrol on our way
home?
[She takes up an album, and places it on the table beside the
sofa, in the further corner of which she seats herself. EILERT
LOVBORG approaches, stops, and looks at her. Then he takes a
chair and seats himself to her left.
Mr. Lovborg? You know Tesman and I made a tour in the Tyrol on our way
home?
[She takes up an album, and places it on the table beside the
sofa, in the further corner of which she seats herself. EILERT
LOVBORG approaches, stops, and looks at her. Then he takes a
chair and seats himself to her left.
HEDDA[Opening the album.] Do you see this range of mountains, Mr. Lovborg?
It's the Ortler group. Tesman has written the name underneath. Here it
is: "The Ortler group near Meran."
It's the Ortler group. Tesman has written the name underneath. Here it
is: "The Ortler group near Meran."
**LOVBORG:**
Who has never taken his eyes off her, says softly and slowly:
Hedda--Gabler!
HEDDA[Glancing hastily at him.] Ah! Hush!
LOVBORG[Repeats softly.] Hedda Gabler!
HEDDA[Looking at the album.] That was my name in the old days--when we two
knew each other.
knew each other.
LOVBORGAnd I must teach myself never to say Hedda Gabler again--never, as long
as I live.
as I live.
HEDDA[Still turning over the pages.] Yes, you must. And I think you ought to
practise in time. The sooner the better, I should say.
practise in time. The sooner the better, I should say.
LOVBORG[In a tone of indignation.] Hedda Gabler married? And married to--
George Tesman!
George Tesman!
HEDDAYes--so the world goes.
LOVBORGOh, Hedda, Hedda--how could you(9) throw yourself away!
HEDDA[Looks sharply at him.] What? I can't allow this!
LOVBORGWhat do you mean?
[TESMAN comes into the room and goes towards the sofa.
[TESMAN comes into the room and goes towards the sofa.
HEDDA[Hears him coming and says in an indifferent tone.] And this is a view
from the Val d'Ampezzo, Mr. Lovborg. Just look at these peaks! [Looks
affectionately up at TESMAN.] What's the name of these curious peaks,
dear?
from the Val d'Ampezzo, Mr. Lovborg. Just look at these peaks! [Looks
affectionately up at TESMAN.] What's the name of these curious peaks,
dear?
TESMANLet me see. Oh, those are the Dolomites.
HEDDAYes, that's it!--Those are the Dolomites, Mr. Lovborg.
ACT SECONDStrona 46 / 88
TESMANHedda, dear,--I only wanted to ask whether I shouldn't bring you a
little punch after all? For yourself at any rate--eh?
little punch after all? For yourself at any rate--eh?
HEDDAYes, do, please; and perhaps a few biscuits.
TESMANNo cigarettes?
HEDDANo.
TESMANVery well.
[He goes into the inner room and out to the right. BRACK sits
in the inner room, and keeps an eye from time to time on HEDDA
and LOVBORG.
[He goes into the inner room and out to the right. BRACK sits
in the inner room, and keeps an eye from time to time on HEDDA
and LOVBORG.
LOVBORG[Softly, as before.] Answer me, Hedda--how could you go and do this?
HEDDA[Apparently absorbed in the album.] If you continue to say _du_ to me I
won't talk to you.
won't talk to you.
LOVBORGMay I not say _du_ even when we are alone?
HEDDANo. You may think it; but you mustn't say it.
LOVBORGAh, I understand. It is an offence against George Tesman, whom
you(10)--love.
you(10)--love.
HEDDA[Glances at him and smiles.] Love? What an idea!
LOVBORGYou don't love him then!
HEDDABut I won't hear of any sort of unfaithfulness! Remember that.
LOVBORGHedda--answer me one thing--
HEDDAHush! [TESMAN enters with a small tray from the inner room.
TESMANHere you are! Isn't this tempting? [He puts the tray on the table.
HEDDAWhy do you bring it yourself?
TESMAN[Filling the glasses.] Because I think it's such fun to wait upon you,
Hedda.
Hedda.
HEDDABut you have poured out two glasses. Mr. Lovborg said he wouldn't have
any--
any--
TESMANNo, but Mrs. Elvsted will soon be here, won't she?
HEDDAYes, by-the-bye--Mrs. Elvsted--
TESMANHad you forgotten her? Eh?
HEDDAWe were so absorbed in these photographs. [Shows him a picture.] Do you
remember this little village?
remember this little village?
TESMANOh, it's that one just below the Brenner Pass. It was there we passed
the night--
the night--
ACT SECONDStrona 47 / 88
HEDDA--and met that lively party of tourists.
TESMANYes, that was the place. Fancy--if we could only have had you with us,
Eilert! Eh?
[He returns to the inner room and sits beside BRACK.
Eilert! Eh?
[He returns to the inner room and sits beside BRACK.
LOVBORGAnswer me one thing, Hedda--
HEDDAWell?
LOVBORGWas there no love in your friendship for me either? Not a spark--not a
tinge of love in it?
tinge of love in it?
HEDDAI wonder if there was? To me it seems as though we were two good
comrades--two thoroughly intimate friends. [Smilingly.] You especially
were frankness itself.
comrades--two thoroughly intimate friends. [Smilingly.] You especially
were frankness itself.
LOVBORGIt was you that made me so.
HEDDAAs I look back upon it all, I think there was really something
beautiful, something fascinating--something daring--in--in that secret
intimacy--that comradeship which no living creature so much as dreamed
of.
beautiful, something fascinating--something daring--in--in that secret
intimacy--that comradeship which no living creature so much as dreamed
of.
LOVBORGYes, yes, Hedda! Was there not?--When I used to come to your father's
in the afternoon--and the General sat over at the window reading his
papers--with his back towards us--
in the afternoon--and the General sat over at the window reading his
papers--with his back towards us--
HEDDAAnd we two on the corner sofa--
LOVBORGAlways with the same illustrated paper before us--
HEDDAFor want of an album, yes.
LOVBORGYes, Hedda, and when I made my confessions to you--told you about
myself, things that at that time no one else knew! There I would sit
and tell you of my escapades--my days and nights of devilment. Oh,
Hedda--what was the power in you that forced me to confess these things?
myself, things that at that time no one else knew! There I would sit
and tell you of my escapades--my days and nights of devilment. Oh,
Hedda--what was the power in you that forced me to confess these things?
HEDDADo you think it was any power in me?
LOVBORGHow else can I explain it? And all those--those roundabout questions you
used to put to me--
used to put to me--
HEDDAWhich you understood so particularly well--
LOVBORGHow could you sit and question me like that? Question me quite
frankly--
frankly--
HEDDAIn roundabout terms, please observe.
ACT SECONDStrona 48 / 88
LOVBORGYes, but frankly nevertheless. Cross-question me about--all that sort of
thing?
thing?
HEDDAAnd how could you answer, Mr. Lovborg?
LOVBORGYes, that is just what I can't understand--in looking back upon it. But
tell me now, Hedda--was there not love at the bottom of our friendship?
On your side, did you not feel as though you might purge my stains
away--if I made you my confessor? Was it not so?
tell me now, Hedda--was there not love at the bottom of our friendship?
On your side, did you not feel as though you might purge my stains
away--if I made you my confessor? Was it not so?
HEDDANo, not quite.
LOVBORGWhat was you motive, then?
HEDDADo think it quite incomprehensible that a young girl--when it can be
done--without any one knowing--
done--without any one knowing--
LOVBORGWell?
HEDDA--should be glad to have a peep, now and then, into a world which--?
LOVBORGWhich--?
HEDDA--which she is forbidden to know anything about?
LOVBORGSo that was it?
HEDDAPartly. Partly--I almost think.
LOVBORGComradeship in the thirst for life. But why should not that, at any
rate, have continued?
rate, have continued?
HEDDAThe fault was yours.
LOVBORGIt was you that broke with me.
HEDDAYes, when our friendship threatened to develop into something more
serious. Shame upon you, Eilert Lovborg! How could you think of wronging
your--your frank comrade.
serious. Shame upon you, Eilert Lovborg! How could you think of wronging
your--your frank comrade.
LOVBORG[Clenches his hands.] Oh, why did you not carry out your threat? Why did
you not shoot me down?
you not shoot me down?
HEDDABecause I have such a dread of scandal.
LOVBORGYes, Hedda, you are a coward at heart.
HEDDAA terrible coward. [Changing her tone.] But it was a lucky thing for
you. And now you have found ample consolation at the Elvsteds'.
you. And now you have found ample consolation at the Elvsteds'.
LOVBORGI know what Thea has confided to you.
HEDDAAnd perhaps you have confided to her something about us?
ACT SECONDStrona 49 / 88
LOVBORGNot a word. She is too stupid to understand anything of that sort.
HEDDAStupid?
LOVBORGShe is stupid about matters of that sort.
HEDDAAnd I am cowardly. [Bends over towards him, without looking him in the
face, and says more softly:] But now I will confide something to you.
face, and says more softly:] But now I will confide something to you.
LOVBORG[Eagerly.] Well?
HEDDAThe fact that I dared not shoot you down--
LOVBORGYes!
HEDDA--that was not my arrant cowardice--that evening.
LOVBORG[Looks at her a moment, understands, and whispers passionately.] Oh,
Hedda! Hedda Gabler! Now I begin to see a hidden reason beneath our
comradeship! You(11) and I--! After all, then, it was your craving for
life--
Hedda! Hedda Gabler! Now I begin to see a hidden reason beneath our
comradeship! You(11) and I--! After all, then, it was your craving for
life--
HEDDA[Softly, with a sharp glance.] Take care! Believe nothing of the sort!
[Twilight has begun to fall. The hall door is opened from
without by BERTA.
[Twilight has begun to fall. The hall door is opened from
without by BERTA.
HEDDA[Closes the album with a bang and calls smilingly:] Ah, at last! My
darling Thea,--come along!
darling Thea,--come along!
MRSELVSTED enters from the hall. She is in evening dress.
The door is closed behind her.
The door is closed behind her.
HEDDA[On the sofa, stretches out her arms towards her.] My sweet Thea--you
can't think how I have been longing for you!
[MRS. ELVSTED, in passing, exchanges slight salutations with
the gentlemen in the inner room, then goes up to the table
and gives HEDDA her hand. EILERT LOVBORG has risen. He and
can't think how I have been longing for you!
[MRS. ELVSTED, in passing, exchanges slight salutations with
the gentlemen in the inner room, then goes up to the table
and gives HEDDA her hand. EILERT LOVBORG has risen. He and
MRSELVSTED greet each other with a silent nod.
MRS. ELVSTEDOught I to go in and talk to your husband for a moment?
HEDDAOh, not at all. Leave those two alone. They will soon be going.
MRS. ELVSTEDAre they going out?
HEDDAYes, to a supper-party.
MRS. ELVSTED[Quickly, to LOVBORG.] Not you?
LOVBORGNo.
HEDDAMr. Lovborg remains with us.
ACT SECONDStrona 50 / 88
MRS. ELVSTED[Takes a chair and is about to seat herself at his side.] Oh, how nice
it is here!
it is here!
HEDDANo, thank you, my little Thea! Not there! You'll be good enough to come
over here to me. I will sit between you.
over here to me. I will sit between you.
MRS. ELVSTEDYes, just as you please.
[She goes round the table and seats herself on the sofa on
HEDDA'S right. LOVBORG re-seats himself on his chair.
[She goes round the table and seats herself on the sofa on
HEDDA'S right. LOVBORG re-seats himself on his chair.
LOVBORG[After a short pause, to HEDDA.] Is not she lovely to look at?
HEDDA[Lightly stroking her hair.] Only to look at!
LOVBORGYes. For we two--she and I--we are two real comrades. We have absolute
faith in each other; so we can sit and talk with perfect frankness--
faith in each other; so we can sit and talk with perfect frankness--
HEDDANot round about, Mr. Lovborg?
LOVBORGWell--
MRS. ELVSTED[Softly clinging close to HEDDA.] Oh, how happy I am, Hedda! For only
think, he says I have inspired him too.
think, he says I have inspired him too.
HEDDA[Looks at her with a smile.] Ah! Does he say that, dear?
LOVBORGAnd then she is so brave, Mrs. Tesman!
MRS. ELVSTEDGood heavens--am I brave?
LOVBORGExceedingly--where your comrade is concerned.
HEDDAAh, yes--courage! If one only had that!
LOVBORGWhat then? What do you mean?
HEDDAThen life would perhaps be liveable, after all. [With a sudden change
of tone.] But now, my dearest Thea, you really must have a glass of cold
punch.
of tone.] But now, my dearest Thea, you really must have a glass of cold
punch.
MRS. ELVSTEDNo, thanks--I never take anything of that kind.
HEDDAWell then, you, Mr. Lovborg.
LOVBORGNor I, thank you.
MRS. ELVSTEDNo, he doesn't either.
HEDDA[Looks fixedly at him.] But if I say you shall?
LOVBORGIt would be of no use.
HEDDA[Laughing.] Then I, poor creature, have no sort of power over you?
LOVBORGNot in that respect.
ACT SECONDStrona 51 / 88
HEDDABut seriously, I think you ought to--for your own sake.
MRS. ELVSTEDWhy, Hedda--!
LOVBORGHow so?
HEDDAOr rather on account of other people.
LOVBORGIndeed?
HEDDAOtherwise people might be apt to suspect that--in your heart of
hearts--you did not feel quite secure--quite confident in yourself.
hearts--you did not feel quite secure--quite confident in yourself.
MRS. ELVSTED[Softly.] Oh please, Hedda--!
LOVBORGPeople may suspect what they like--for the present.
MRS. ELVSTED[Joyfully.] Yes, let them!
HEDDAI saw it plainly in Judge Brack's face a moment ago.
LOVBORGWhat did you see?
HEDDAHis contemptuous smile, when you dared not go with them into the inner
room.
room.
LOVBORGDared not? Of course I preferred to stop here and talk to you.
MRS. ELVSTEDWhat could be more natural, Hedda?
HEDDABut the Judge could not guess that. And I say, too, the way he smiled
and glanced at Tesman when you dared not accept his invitation to this
wretched little supper-party of his.
and glanced at Tesman when you dared not accept his invitation to this
wretched little supper-party of his.
LOVBORGDared not! Do you say I dared not?
HEDDA_I_ don't say so. But that was how Judge Brack understood it.
LOVBORGWell, let him.
HEDDAThen you are not going with them?
LOVBORGI will stay here with you and Thea.
MRS. ELVSTEDYes, Hedda--how can you doubt that?
HEDDA[Smiles and nods approvingly to LOVBORG.] Firm as a rock! Faithful to
your principles, now and for ever! Ah, that is how a man should be!
[Turns to MRS. ELVSTED and caresses her.] Well now, what did I tell you,
when you came to us this morning in such a state of distraction--
your principles, now and for ever! Ah, that is how a man should be!
[Turns to MRS. ELVSTED and caresses her.] Well now, what did I tell you,
when you came to us this morning in such a state of distraction--
LOVBORG[Surprised.] Distraction!
MRS. ELVSTED[Terrified.] Hedda--oh Hedda--!
ACT SECONDStrona 52 / 88
HEDDAYou can see for yourself! You haven't the slightest reason to be in such
mortal terror-- [Interrupting herself.] There! Now we can all three
enjoy ourselves!
mortal terror-- [Interrupting herself.] There! Now we can all three
enjoy ourselves!
LOVBORG[Who has given a start.] Ah--what is all this, Mrs. Tesman?
MRS. ELVSTEDOh my God, Hedda! What are you saying? What are you doing?
HEDDADon't get excited! That horrid Judge Brack is sitting watching you.
LOVBORGSo she was in mortal terror! On my account!
MRS. ELVSTED[Softly and piteously.] Oh, Hedda--now you have ruined everything!
LOVBORG[Looks fixedly at her for a moment. His face is distorted.] So that was
my comrade's frank confidence in me?
my comrade's frank confidence in me?
MRS. ELVSTED[Imploringly.] Oh, my dearest friend--only let me tell you--
LOVBORG[Takes one of the glasses of punch, raises it to his lips, and says in a
low, husky voice.] Your health, Thea!
[He empties the glass, puts it down, and takes the second.
low, husky voice.] Your health, Thea!
[He empties the glass, puts it down, and takes the second.
MRS. ELVSTED[Softly.] Oh, Hedda, Hedda--how could you do this?
HEDDA_I_ do it? _I_? Are you crazy?
LOVBORGHere's to your health too, Mrs. Tesman. Thanks for the truth. Hurrah for
the truth!
[He empties the glass and is about to re-fill it.
the truth!
[He empties the glass and is about to re-fill it.
HEDDA[Lays her hand on his arm.] Come, come--no more for the present.
Remember you are going out to supper.
Remember you are going out to supper.
MRS. ELVSTEDNo, no, no!
HEDDAHush! They are sitting watching you.
LOVBORG[Putting down the glass.] Now, Thea--tell me the truth--
MRS. ELVSTEDYes.
LOVBORGDid your husband know that you had come after me?
MRS. ELVSTED[Wringing her hands.] Oh, Hedda--do you hear what he is asking?
ACT SECONDStrona 53 / 88
LOVBORGWas it arranged between you and him that you were to come to town and
look after me? Perhaps it was the Sheriff himself that urged you to
come? Aha, my dear--no doubt he wanted my help in his office! Or was it
at the card-table that he missed me?
look after me? Perhaps it was the Sheriff himself that urged you to
come? Aha, my dear--no doubt he wanted my help in his office! Or was it
at the card-table that he missed me?
MRS. ELVSTED[Softly, in agony.] Oh, Lovborg, Lovborg--!
LOVBORG[Seizes a glass and is on the point of filling it.] Here's a glass for
the old Sheriff too!
the old Sheriff too!
HEDDA[Preventing him.] No more just now. Remember, you have to read your
manuscript to Tesman.
manuscript to Tesman.
LOVBORG[Calmly, putting down the glass.] It was stupid of me all this. Thea--to
take it in this way, I mean. Don't be angry with me, my dear, dear
comrade. You shall see--both you and the others--that if I was fallen
once--now I have risen again! Thanks to you, Thea.
take it in this way, I mean. Don't be angry with me, my dear, dear
comrade. You shall see--both you and the others--that if I was fallen
once--now I have risen again! Thanks to you, Thea.
MRS. ELVSTED[Radiant with joy.] Oh, heaven be praised--!
[BRACK has in the meantime looked at his watch. He and TESMAN
rise and come into the drawing-room.
[BRACK has in the meantime looked at his watch. He and TESMAN
rise and come into the drawing-room.
BRACK[Takes his hat and overcoat.] Well, Mrs. Tesman, our time has come.
HEDDAI suppose it has.
LOVBORG[Rising.] Mine too, Judge Brack.
MRS. ELVSTED[Softly and imploringly.] Oh, Lovborg, don't do it!
HEDDA[Pinching her arm.] They can hear you!
MRS. ELVSTED[With a suppressed shriek.] Ow!
LOVBORG[To BRACK.] You were good enough to invite me.
JUDGE BRACKWell, are you coming after all?
LOVBORGYes, many thanks.
BRACKI'm delighted--
LOVBORG[To TESMAN, putting the parcel of MS. in his pocket.] I should like to
show you one or two things before I send it to the printers.
show you one or two things before I send it to the printers.
TESMANFancy--that will be delightful. But, Hedda dear, how is Mrs. Elvsted to
get home? Eh?
get home? Eh?
HEDDAOh, that can be managed somehow.
ACT SECONDStrona 54 / 88
LOVBORG[Looking towards the ladies.] Mrs. Elvsted? Of course, I'll come again
and fetch her. [Approaching.] At ten or thereabouts, Mrs. Tesman? Will
that do?
and fetch her. [Approaching.] At ten or thereabouts, Mrs. Tesman? Will
that do?
HEDDACertainly. That will do capitally.
TESMANWell, then, that's all right. But you must not expect me so early,
Hedda.
Hedda.
HEDDAOh, you may stop as long--as long as ever you please.
MRS. ELVSTED[Trying to conceal her anxiety.] Well then, Mr. Lovborg--I shall remain
here until you come.
here until you come.
LOVBORG[With his hat in his hand.] Pray do, Mrs. Elvsted.
BRACKAnd now off goes the excursion train, gentlemen! I hope we shall have a
lively time, as a certain fair lady puts it.
lively time, as a certain fair lady puts it.
HEDDAAh, if only the fair lady could be present unseen--!
BRACKWhy unseen?
HEDDAIn order to hear a little of your liveliness at first hand, Judge Brack.
BRACK[Laughing.] I should not advise the fair lady to try it.
TESMAN[Also laughing.] Come, you're a nice one Hedda! Fancy that!
BRACKWell, good-bye, good-bye, ladies.
LOVBORG[Bowing.] About ten o'clock, then,
[BRACK, LOVBORG, and TESMAN go out by the hall door. At the
same time, BERTA enters from the inner room with a lighted
lamp, which she places on the drawing-room table; she goes
out by the way she came.
[BRACK, LOVBORG, and TESMAN go out by the hall door. At the
same time, BERTA enters from the inner room with a lighted
lamp, which she places on the drawing-room table; she goes
out by the way she came.
MRS. ELVSTED[Who has risen and is wandering restlessly about the room.] Hedda--
Hedda--what will come of all this?
Hedda--what will come of all this?
HEDDAAt ten o'clock--he will be here. I can see him already--with vine-leaves
in his hair--flushed and fearless--
in his hair--flushed and fearless--
MRS. ELVSTEDOh, I hope he may.
HEDDAAnd then, you see--then he will have regained control over himself. Then
he will be a free man for all his days.
he will be a free man for all his days.
MRS. ELVSTEDOh God!--if he would only come as you see him now!
ACT SECONDStrona 55 / 88
HEDDAHe will come as I see him--so, and not otherwise! [Rises and approaches
THEA.] You may doubt him as long as you please; _I_ believe in him. And
now we will try--
THEA.] You may doubt him as long as you please; _I_ believe in him. And
now we will try--
MRS. ELVSTEDYou have some hidden motive in this, Hedda!
HEDDAYes, I have. I want for once in my life to have power to mould a human
destiny.
destiny.
MRS. ELVSTEDHave you not the power?
HEDDAI have not--and have never had it.
MRS. ELVSTEDNot your husband's?
HEDDADo you think that is worth the trouble? Oh, if you could only understand
how poor I am. And fate has made you so rich! [Clasps her passionately
in her arms.] I think I must burn your hair off after all.
how poor I am. And fate has made you so rich! [Clasps her passionately
in her arms.] I think I must burn your hair off after all.
MRS. ELVSTEDLet me go! Let me go! I am afraid of you, Hedda!
BERTA[In the middle doorway.] Tea is laid in the dining-room, ma'am.
HEDDAVery well. We are coming
MRS. ELVSTEDNo, no, no! I would rather go home alone! At once!
HEDDANonsense! First you shall have a cup of tea, you little stupid. And
then--at ten o'clock--Eilert Lovborg will be here--with vine-leaves in
his hair.
[She drags MRS. ELVSTED almost by force to the middle doorway.
then--at ten o'clock--Eilert Lovborg will be here--with vine-leaves in
his hair.
[She drags MRS. ELVSTED almost by force to the middle doorway.
ACT THIRDStrona 56 / 88
ACT THIRD
The room at the TESMANS'. The curtains are drawn over the middle doorway, and also over the glass door. The lamp, half turned down, and with a shade over it, is burning on the table. In the stove, the door of which stands open, there has been a fire, which is now nearly burnt out.
MRSELVSTED, wrapped in a large shawl, and with her feet
upon a foot-rest, sits close to the stove, sunk back in
the arm-chair. HEDDA, fully dressed, lies sleeping upon
the sofa, with a sofa-blanket over her.
upon a foot-rest, sits close to the stove, sunk back in
the arm-chair. HEDDA, fully dressed, lies sleeping upon
the sofa, with a sofa-blanket over her.
MRS. ELVSTED[After a pause, suddenly sits up in her chair, and listens eagerly. Then
she sinks back again wearily, moaning to herself.] Not yet!--Oh God--oh
God--not yet!
BERTA slips cautiously in by the hall door. She has a letter in
her hand.
she sinks back again wearily, moaning to herself.] Not yet!--Oh God--oh
God--not yet!
BERTA slips cautiously in by the hall door. She has a letter in
her hand.
MRS. ELVSTED[Turns and whispers eagerly.] Well--has any one come?
BERTA[Softly.] Yes, a girl has just brought this letter.
MRS. ELVSTED[Quickly, holding out her hand.] A letter! Give it to me!
BERTANo, it's for Dr. Tesman, ma'am.
MRS. ELVSTEDOh, indeed.
BERTAIt was Miss Tesman's servant that brought it. I'll lay it here on the
table.
table.
MRS. ELVSTEDYes, do.
BERTA[Laying down the letter.] I think I had better put out the lamp. It's
smoking.
smoking.
MRS. ELVSTEDYes, put it out. It must soon be daylight now.
BERTA[Putting out the lamp.] It is daylight already, ma'am.
MRS. ELVSTEDYes, broad day! And no one come back yet--!
BERTALord bless you, ma'am--I guessed how it would be.
MRS. ELVSTEDYou guessed?
BERTAYes, when I saw that a certain person had come back to town--and that he
went off with them. For we've heard enough about that gentleman before
now.
went off with them. For we've heard enough about that gentleman before
now.
MRS. ELVSTEDDon't speak so loud. You will waken Mrs. Tesman.
ACT THIRDStrona 57 / 88
BERTA[Looks towards the sofa and sighs.] No, no--let her sleep, poor thing.
Shan't I put some wood on the fire?
Shan't I put some wood on the fire?
MRS. ELVSTEDThanks, not for me.
BERTAOh, very well. [She goes softly out by the hall door.
HEDDA[Is wakened by the shutting of the door, and looks up.] What's that--?
MRS. ELVSTEDIt was only the servant.
HEDDA[Looking about her.] Oh, we're here--! Yes, now I remember. [Sits erect
upon the sofa, stretches herself, and rubs her eyes.] What o'clock is
it, Thea?
upon the sofa, stretches herself, and rubs her eyes.] What o'clock is
it, Thea?
MRS. ELVSTED[Looks at her watch.] It's past seven.
HEDDAWhen did Tesman come home?
MRS. ELVSTEDHe has not come.
HEDDANot come home yet?
MRS. ELVSTED[Rising.] No one has come.
HEDDAThink of our watching and waiting here till four in the morning--
MRS. ELVSTED[Wringing her hands.] And how I watched and waited for him!
HEDDA[Yawns, and says with her hand before her mouth.] Well well--we might
have spared ourselves the trouble.
have spared ourselves the trouble.
MRS. ELVSTEDDid you get a little sleep?
HEDDAOh yes; I believe I have slept pretty well. Have you not?
MRS. ELVSTEDNot for a moment. I couldn't, Hedda!--not to save my life.
HEDDA[Rises and goes towards her.] There there there! There's nothing to be
so alarmed about. I understand quite well what has happened.
so alarmed about. I understand quite well what has happened.
MRS. ELVSTEDWell, what do you think? Won't you tell me?
HEDDAWhy, of course it has been a very late affair at Judge Brack's--
MRS. ELVSTEDYes, yes--that is clear enough. But all the same--
HEDDAAnd then, you see, Tesman hasn't cared to come home and ring us up in
the middle of the night. [Laughing.] Perhaps he wasn't inclined to show
himself either--immediately after a jollification.
the middle of the night. [Laughing.] Perhaps he wasn't inclined to show
himself either--immediately after a jollification.
ACT THIRDStrona 58 / 88
MRS. ELVSTEDBut in that case--where can he have gone?
HEDDAOf course he has gone to his Aunts' and slept there. They have his old
room ready for him.
room ready for him.
MRS. ELVSTEDNo, he can't be with them for a letter has just come for him from Miss
Tesman. There it lies.
Tesman. There it lies.
HEDDAIndeed? [Looks at the address.] Why yes, it's addressed in Aunt Julia's
hand. Well then, he has remained at Judge Brack's. And as for Eilert
Lovborg--he is sitting, with vine-leaves in his hair, reading his
manuscript.
hand. Well then, he has remained at Judge Brack's. And as for Eilert
Lovborg--he is sitting, with vine-leaves in his hair, reading his
manuscript.
MRS. ELVSTEDOh, Hedda, you are just saying things you don't believe a bit.
HEDDAYou really are a little blockhead, Thea.
MRS. ELVSTEDOh yes, I suppose I am.
HEDDAAnd how mortally tired you look.
MRS. ELVSTEDYes, I am mortally tired.
HEDDAWell then, you must do as I tell you. You must go into my room and lie
down for a little while.
down for a little while.
MRS. ELVSTEDOh no, no--I shouldn't be able to sleep.
HEDDAI am sure you would.
MRS. ELVSTEDWell, but you husband is certain to come soon now; and then I want to
know at once--
know at once--
HEDDAI shall take care to let you know when he comes.
MRS. ELVSTEDDo you promise me, Hedda?
HEDDAYes, rely upon me. Just you go in and have a sleep in the meantime.
MRS. ELVSTEDThanks; then I'll try. [She goes off to the inner room.
[HEDDA goes up to the glass door and draws back the curtains.
The broad daylight streams into the room. Then she takes a
little hand-glass from the writing-table, looks at herself
in it, and arranges her hair. Next she goes to the hall
door and presses the bell-button.
BERTA presently appears at the hall door.
[HEDDA goes up to the glass door and draws back the curtains.
The broad daylight streams into the room. Then she takes a
little hand-glass from the writing-table, looks at herself
in it, and arranges her hair. Next she goes to the hall
door and presses the bell-button.
BERTA presently appears at the hall door.
BERTADid you want anything, ma'am?
HEDDAYes; you must put some more wood in the stove. I am shivering.
ACT THIRDStrona 59 / 88
BERTABless me--I'll make up the fire at once. [She rakes the embers together
and lays a piece of wood upon them; then stops and listens.] That was a
ring at the front door, ma'am.
and lays a piece of wood upon them; then stops and listens.] That was a
ring at the front door, ma'am.
HEDDAThen go to the door. I will look after the fire.
BERTAIt'll soon burn up. [She goes out by the hall door.
[HEDDA kneels on the foot-rest and lays some more pieces of
wood in the stove.
After a short pause, GEORGE TESMAN enters from the hall. He
steals on tiptoe towards the middle doorway and is about to
slip through the curtains.
[HEDDA kneels on the foot-rest and lays some more pieces of
wood in the stove.
After a short pause, GEORGE TESMAN enters from the hall. He
steals on tiptoe towards the middle doorway and is about to
slip through the curtains.
HEDDA[At the stove, without looking up.] Good morning.
TESMAN[Turns.] Hedda! [Approaching her.] Good heavens--are you up so early?
Eh?
Eh?
HEDDAYes, I am up very early this morning.
TESMANAnd I never doubted you were still sound asleep! Fancy that, Hedda!
HEDDADon't speak so loud. Mrs. Elvsted is resting in my room.
TESMANHas Mrs. Elvsted been here all night?
HEDDAYes, since no one came to fetch her.
TESMANAh, to be sure.
HEDDA[Closes the door of the stove and rises.] Well, did you enjoy yourselves
at Judge Brack's?
at Judge Brack's?
TESMANHave you been anxious about me? Eh?
HEDDANo, I should never think of being anxious. But I asked if you had
enjoyed yourself.
enjoyed yourself.
TESMANOh yes,--for once in a way. Especially the beginning of the evening; for
then Eilert read me part of his book. We arrived more than an hour too
early--fancy that! And Brack had all sorts of arrangements to make--so
Eilert read to me.
then Eilert read me part of his book. We arrived more than an hour too
early--fancy that! And Brack had all sorts of arrangements to make--so
Eilert read to me.
HEDDA[Seating herself by the table on the right.] Well? Tell me then--
TESMAN[Sitting on a footstool near the stove.] Oh, Hedda, you can't conceive
what a book that is going to be! I believe it is one of the most
remarkable things that have ever been written. Fancy that!
what a book that is going to be! I believe it is one of the most
remarkable things that have ever been written. Fancy that!
HEDDAYes yes; I don't care about that--
ACT THIRDStrona 60 / 88
TESMANI must make a confession to you, Hedda. When he had finished reading--a
horrid feeling came over me.
horrid feeling came over me.
HEDDAA horrid feeling?
TESMANI felt jealous of Eilert for having had it in him to write such a book.
Only think, Hedda!
Only think, Hedda!
HEDDAYes, yes, I am thinking!
TESMANAnd then how pitiful to think that he--with all his gifts--should be
irreclaimable, after all.
irreclaimable, after all.
HEDDAI suppose you mean that he has more courage than the rest?
TESMANNo, not at all--I mean that he is incapable of taking his pleasure in
moderation.
moderation.
HEDDAAnd what came of it all--in the end?
TESMANWell, to tell the truth, I think it might best be described as an orgie,
Hedda.
Hedda.
HEDDAHad he vine-leaves in his hair?
TESMANVine-leaves? No, I saw nothing of the sort. But he made a long, rambling
speech in honour of the woman who had inspired him in his work--that was
the phrase he used.
speech in honour of the woman who had inspired him in his work--that was
the phrase he used.
HEDDADid he name her?
TESMANNo, he didn't; but I can't help thinking he meant Mrs. Elvsted. You may
be sure he did.
be sure he did.
HEDDAWell--where did you part from him?
TESMANOn the way to town. We broke up--the last of us at any rate--all
together; and Brack came with us to get a breath of fresh air. And then,
you see, we agreed to take Eilert home; for he had had far more than was
good for him.
together; and Brack came with us to get a breath of fresh air. And then,
you see, we agreed to take Eilert home; for he had had far more than was
good for him.
HEDDAI daresay.
TESMANBut now comes the strange part of it, Hedda; or, I should rather say,
the melancholy part of it. I declare I am almost ashamed--on Eilert's
account--to tell you--
the melancholy part of it. I declare I am almost ashamed--on Eilert's
account--to tell you--
HEDDAOh, go on--!
TESMANWell, as we were getting near town, you see, I happened to drop a little
behind the others. Only for a minute or two--fancy that!
behind the others. Only for a minute or two--fancy that!
HEDDAYes yes yes, but--?
ACT THIRDStrona 61 / 88
TESMANAnd then, as I hurried after them--what do you think I found by the
wayside? Eh?
wayside? Eh?
HEDDAOh, how should I know!
TESMANYou mustn't speak of it to a soul, Hedda! Do you hear! Promise me, for
Eilert's sake. [Draws a parcel, wrapped in paper, from his coat pocket.]
Fancy, dear--I found this.
Eilert's sake. [Draws a parcel, wrapped in paper, from his coat pocket.]
Fancy, dear--I found this.
HEDDAIs not that the parcel he had with him yesterday?
TESMANYes, it is the whole of his precious, irreplaceable manuscript! And he
had gone and lost it, and knew nothing about it. Only fancy, Hedda! So
deplorably--
had gone and lost it, and knew nothing about it. Only fancy, Hedda! So
deplorably--
HEDDABut why did you not give him back the parcel at once?
TESMANI didn't dare to--in the state he was then in--
HEDDADid you not tell any of the others that you had found it?
TESMANOh, far from it! You can surely understand that, for Eilert's sake, I
wouldn't do that.
wouldn't do that.
HEDDASo no one knows that Eilert Lovborg's manuscript is in your possession?
TESMANNo. And no one must know it.
HEDDAThen what did you say to him afterwards?
TESMANI didn't talk to him again at all; for when we got in among the streets,
he and two or three of the others gave us the slip and disappeared.
Fancy that!
he and two or three of the others gave us the slip and disappeared.
Fancy that!
HEDDAIndeed! They must have taken him home then.
TESMANYes, so it would appear. And Brack, too, left us.
HEDDAAnd what have you been doing with yourself since?
TESMANWell, I and some of the others went home with one of the party, a jolly
fellow, and took our morning coffee with him; or perhaps I should rather
call it our night coffee--eh? But now, when I have rested a little, and
given Eilert, poor fellow, time to have his sleep out, I must take this
back to him.
fellow, and took our morning coffee with him; or perhaps I should rather
call it our night coffee--eh? But now, when I have rested a little, and
given Eilert, poor fellow, time to have his sleep out, I must take this
back to him.
HEDDA[Holds out her hand for the packet.] No--don't give it to him! Not in
such a hurry, I mean. Let me read it first.
such a hurry, I mean. Let me read it first.
ACT THIRDStrona 62 / 88
TESMANNo, my dearest Hedda, I mustn't, I really mustn't.
HEDDAYou must not?
TESMANNo--for you can imagine what a state of despair he will be in when he
wakens and misses the manuscript. He has no copy of it, you must know!
He told me so.
wakens and misses the manuscript. He has no copy of it, you must know!
He told me so.
HEDDA[Looking searchingly at him.] Can such a thing not be reproduced?
Written over again?
Written over again?
TESMANNo, I don't think that would be possible. For the inspiration, you
see--
see--
HEDDAYes, yes--I suppose it depends on that--[Lightly.] But, by-the-bye
--here is a letter for you.
--here is a letter for you.
TESMANFancy--!
HEDDA[Handing it to him.] It came early this morning.
TESMANIt's from Aunt Julia! What can it be? [He lays the packet on the other
footstool, opens the letter, runs his eye through it, and jumps up.] Oh,
Hedda--she says that poor Aunt Rina is dying!
footstool, opens the letter, runs his eye through it, and jumps up.] Oh,
Hedda--she says that poor Aunt Rina is dying!
HEDDAWell, we were prepared for that.
TESMANAnd that if I want to see her again, I must make haste. I'll run in to
them at once.
them at once.
HEDDA[Suppressing a smile.] Will you run?
TESMANOh, my dearest Hedda--if you could only make up your mind to come with
me! Just think!
me! Just think!
HEDDA[Rises and says wearily, repelling the idea.] No, no don't ask me. I
will not look upon sickness and death. I loathe all sorts of ugliness.
will not look upon sickness and death. I loathe all sorts of ugliness.
TESMANWell, well, then--! [Bustling around.] My hat--? My overcoat--? Oh,
in the hall--. I do hope I mayn't come too late, Hedda! Eh?
in the hall--. I do hope I mayn't come too late, Hedda! Eh?
HEDDAOh, if you run-- [BERTA appears at the hall door.
BERTAJudge Brack is at the door, and wishes to know if he may come in.
TESMANAt this time! No, I can't possibly see him.
HEDDABut I can. [To BERTA.] Ask Judge Brack to come in. [BERTA goes out.
HEDDA[Quickly, whispering.] The parcel, Tesman!
[She snatches it up from the stool.
[She snatches it up from the stool.
ACT THIRDStrona 63 / 88
TESMANYes, give it to me!
HEDDANo, no, I will keep it till you come back.
[She goes to the writing-table and places it in the bookcase.
TESMAN stands in a flurry of haste, and cannot get his
gloves on.
[She goes to the writing-table and places it in the bookcase.
TESMAN stands in a flurry of haste, and cannot get his
gloves on.
JUDGE BRACK enters from the hall.
HEDDA[Nodding to him.] You are an early bird, I must say.
BRACKYes, don't you think so! [To TESMAN.] Are you on the move, too?
TESMANYes, I must rush of to my aunts'. Fancy--the invalid one is lying at
death's door, poor creature.
death's door, poor creature.
BRACKDear me, is she indeed? Then on no account let me detain you. At such a
critical moment--
critical moment--
TESMANYes, I must really rush-- Good-bye! Good-bye!
[He hastens out by the hall door.
[He hastens out by the hall door.
HEDDA[Approaching.] You seem to have made a particularly lively night of it
at your rooms, Judge Brack.
at your rooms, Judge Brack.
BRACKI assure you I have not had my clothes off, Mrs. Hedda.
HEDDANot you, either?
BRACKNo, as you may see. But what has Tesman been telling you of the night's
adventures?
adventures?
HEDDAOh, some tiresome story. Only that they went and had coffee somewhere or
other.
other.
BRACKI have heard about that coffee-party already. Eilert Lovborg was not
with them, I fancy?
with them, I fancy?
HEDDANo, they had taken him home before that.
BRACKTesman too?
HEDDANo, but some of the others, he said.
BRACK[Smiling.] George Tesman is really an ingenuous creature, Mrs. Hedda.
HEDDAYes, heaven knows he is. Then is there something behind all this?
BRACKYes, perhaps there may be.
HEDDAWell then, sit down, my dear Judge, and tell your story in comfort.
[She seats herself to the left of the table. BRACK sits near
her, at the long side of the table.
[She seats herself to the left of the table. BRACK sits near
her, at the long side of the table.
HEDDANow then?
ACT THIRDStrona 64 / 88
BRACKI had special reasons for keeping track of my guests--last night.
HEDDAOf Eilert Lovborg among the rest, perhaps?
BRACKFrankly, yes.
HEDDANow you make me really curious--
BRACKDo you know where he and one or two of the others finished the night,
Mrs. Hedda?
Mrs. Hedda?
HEDDAIf it is not quite unmentionable, tell me.
BRACKOh no, it's not at all unmentionable. Well, they put in an appearance at
a particularly animated soiree.
a particularly animated soiree.
HEDDAOf the lively kind?
BRACKOf the very liveliest--
HEDDATell me more of this, Judge Brack--
BRACKLovborg, as well as the others, had been invited in advance. I knew all
about it. But he had declined the invitation; for now, as you know, he
has become a new man.
about it. But he had declined the invitation; for now, as you know, he
has become a new man.
HEDDAUp at the Elvsteds', yes. But he went after all, then?
BRACKWell, you see, Mrs. Hedda--unhappily the spirit moved him at my rooms
last evening--
last evening--
HEDDAYes, I hear he found inspiration.
BRACKPretty violent inspiration. Well, I fancy that altered his purpose; for
we menfolk are unfortunately not always so firm in our principles as we
ought to be.
we menfolk are unfortunately not always so firm in our principles as we
ought to be.
HEDDAOh, I am sure you are an exception, Judge Brack. But as to Lovborg--?
BRACKTo make a long story short--he landed at last in Mademoiselle Diana's
rooms.
rooms.
HEDDAMademoiselle Diana's?
BRACKIt was Mademoiselle Diana that was giving the soiree, to a select circle
of her admirers and her lady friends.
of her admirers and her lady friends.
HEDDAIs she a red-haired woman?
BRACKPrecisely.
HEDDAA sort of a--singer?
ACT THIRDStrona 65 / 88
BRACKOh yes--in her leisure moments. And moreover a mighty huntress--of
men--Mrs. Hedda. You have no doubt heard of her. Eilert Lovborg was one
of her most enthusiastic protectors--in the days of his glory.
men--Mrs. Hedda. You have no doubt heard of her. Eilert Lovborg was one
of her most enthusiastic protectors--in the days of his glory.
HEDDAAnd how did all this end?
BRACKFar from amicably, it appears. After a most tender meeting, they seem to
have come to blows--
have come to blows--
HEDDALovborg and she?
BRACKYes. He accused her or her friends of having robbed him. He declared
that his pocket-book had disappeared--and other things as well. In
short, he seems to have made a furious disturbance.
that his pocket-book had disappeared--and other things as well. In
short, he seems to have made a furious disturbance.
HEDDAAnd what came of it all?
BRACKIt came to a general scrimmage, in which the ladies as well as the
gentlemen took part. Fortunately the police at last appeared on the
## scene.
gentlemen took part. Fortunately the police at last appeared on the
## scene.
HEDDAThe police too?
BRACKYes. I fancy it will prove a costly frolic for Eilert Lovborg, crazy
being that he is.
being that he is.
HEDDAHow so?
BRACKHe seems to have made a violent resistance--to have hit one of the
constables on the head and torn the coat off his back. So they had to
march him off to the police-station with the rest.
constables on the head and torn the coat off his back. So they had to
march him off to the police-station with the rest.
HEDDAHow have you learnt all this?
BRACKFrom the police themselves.
HEDDA[Gazing straight before her.] So that is what happened. Then he had no
vine-leaves in his hair.
vine-leaves in his hair.
BRACKVine-leaves, Mrs. Hedda?
HEDDA[Changing her tone.] But tell me now, Judge--what is your real reason
for tracking out Eilert Lovborg's movements so carefully?
for tracking out Eilert Lovborg's movements so carefully?
BRACKIn the first place, it could not be entirely indifferent to me if it
should appear in the police-court that he came straight from my house.
should appear in the police-court that he came straight from my house.
HEDDAWill the matter come into court then?
ACT THIRDStrona 66 / 88
BRACKOf course. However, I should scarcely have troubled so much about that.
But I thought that, as a friend of the family, it was my duty to supply
you and Tesman with a full account of his nocturnal exploits.
But I thought that, as a friend of the family, it was my duty to supply
you and Tesman with a full account of his nocturnal exploits.
HEDDAWhy so, Judge Brack?
BRACKWhy, because I have a shrewd suspicion that he intends to use you as a
sort of blind.
sort of blind.
HEDDAOh, how can you think such a thing!
BRACKGood heavens, Mrs. Hedda--we have eyes in our head. Mark my words! This
Mrs. Elvsted will be in no hurry to leave town again.
Mrs. Elvsted will be in no hurry to leave town again.
HEDDAWell, even if there should be anything between them, I suppose there are
plenty of other places where they could meet.
plenty of other places where they could meet.
BRACKNot a single home. Henceforth, as before, every respectable house will
be closed against Eilert Lovborg.
be closed against Eilert Lovborg.
HEDDAAnd so ought mine to be, you mean?
BRACKYes. I confess it would be more than painful to me if this personage
were to be made free of your house. How superfluous, how intrusive, he
would be, if he were to force his way into--
were to be made free of your house. How superfluous, how intrusive, he
would be, if he were to force his way into--
HEDDA--into the triangle?
BRACKPrecisely. It would simply mean that I should find myself homeless.
HEDDA[Looks at him with a smile.] So you want to be the one cock in the
basket(12)--that is your aim.
basket(12)--that is your aim.
BRACK[Nods slowly and lowers his voice.] Yes, that is my aim. And for that I
will fight--with every weapon I can command.
will fight--with every weapon I can command.
HEDDA[Her smile vanishing.] I see you are a dangerous person--when it comes
to the point.
to the point.
BRACKDo you think so?
HEDDAI am beginning to think so. And I am exceedingly glad to think--that you
have no sort of hold over me.
have no sort of hold over me.
BRACK[Laughing equivocally.] Well well, Mrs. Hedda--perhaps you are right
there. If I had, who knows what I might be capable of?
there. If I had, who knows what I might be capable of?
HEDDACome come now, Judge Brack! That sounds almost like a threat.
ACT THIRDStrona 67 / 88
BRACK[Rising.] Oh, not at all! The triangle, you know, ought, if possible, to
be spontaneously constructed.
be spontaneously constructed.
HEDDAThere I agree with you.
BRACKWell, now I have said all I had to say; and I had better be getting back
to town. Good-bye, Mrs. Hedda. [He goes towards the glass door.
to town. Good-bye, Mrs. Hedda. [He goes towards the glass door.
HEDDA[Rising.] Are you going through the garden?
BRACKYes, it's a short cut for me.
HEDDAAnd then it is a back way, too.
BRACKQuite so. I have no objection to back ways. They may be piquant enough
at times.
at times.
HEDDAWhen there is ball practice going on, you mean?
BRACK[In the doorway, laughing to her.] Oh, people don't shoot their tame
poultry, I fancy.
poultry, I fancy.
HEDDA[Also laughing.] Oh no, when there is only one cock in the basket--
[They exchange laughing nods of farewell. He goes. She closes
the door behind him.
[HEDDA, who has become quite serious, stands for a moment
looking out. Presently she goes and peeps through the
curtain over the middle doorway. Then she goes to the
writing-table, takes LOVBORG'S packet out of the bookcase,
and is on the point of looking through its contents. BERTA
is heard speaking loudly in the hall. HEDDA turns and
listens. Then she hastily locks up the packet in the drawer,
and lays the key on the inkstand.
EILERT LOVBORG, with his greatcoat on and his hat in his
hand, tears open the hall door. He looks somewhat confused
and irritated.
[They exchange laughing nods of farewell. He goes. She closes
the door behind him.
[HEDDA, who has become quite serious, stands for a moment
looking out. Presently she goes and peeps through the
curtain over the middle doorway. Then she goes to the
writing-table, takes LOVBORG'S packet out of the bookcase,
and is on the point of looking through its contents. BERTA
is heard speaking loudly in the hall. HEDDA turns and
listens. Then she hastily locks up the packet in the drawer,
and lays the key on the inkstand.
EILERT LOVBORG, with his greatcoat on and his hat in his
hand, tears open the hall door. He looks somewhat confused
and irritated.
LOVBORG[Looking towards the hall.] and I tell you I must and will come in!
There!
[He closes the door, turns, sees HEDDA, at once regains his self-
control, and bows.
There!
[He closes the door, turns, sees HEDDA, at once regains his self-
control, and bows.
HEDDA[At the writing-table.] Well, Mr Lovborg, this is rather a late hour to
call for Thea.
call for Thea.
LOVBORGYou mean rather an early hour to call on you. Pray pardon me.
HEDDAHow do you know that she is still here?
LOVBORGThey told me at her lodgings that she had been out all night.
ACT THIRDStrona 68 / 88
HEDDA[Going to the oval table.] Did you notice anything about the people of
the house when they said that?
the house when they said that?
LOVBORG[Looks inquiringly at her.] Notice anything about them?
HEDDAI mean, did they seem to think it odd?
LOVBORG[Suddenly understanding.] Oh yes, of course! I am dragging her down with
me! However, I didn't notice anything.--I suppose Tesman is not up yet.
me! However, I didn't notice anything.--I suppose Tesman is not up yet.
HEDDANo--I think not--
LOVBORGWhen did he come home?
HEDDAVery late.
LOVBORGDid he tell you anything?
HEDDAYes, I gathered that you had had an exceedingly jolly evening at Judge
Brack's.
Brack's.
LOVBORGNothing more?
HEDDAI don't think so. However, I was so dreadfully sleepy--
**MRS:** ELVSTED enters through the curtains of the middle doorway.
MRS. ELVSTED[Going towards him.] Ah, Lovborg! At last--!
LOVBORGYes, at last. And too late!
MRS. ELVSTED[Looks anxiously at him.] What is too late?
LOVBORGEverything is too late now. It is all over with me.
MRS. ELVSTEDOh no, no--don't say that!
LOVBORGYou will say the same when you hear--
MRS. ELVSTEDI won't hear anything!
HEDDAPerhaps you would prefer to talk to her alone? If so, I will leave you.
LOVBORGNo, stay--you too. I beg you to stay.
MRS. ELVSTEDYes, but I won't hear anything, I tell you.
LOVBORGIt is not last night's adventures that I want to talk about.
MRS. ELVSTEDWhat is it then--?
LOVBORGI want to say that now our ways must part.
MRS. ELVSTED## Part!
HEDDA[Involuntarily.] I knew it!
LOVBORGYou can be of no more service to me, Thea.
ACT THIRDStrona 69 / 88
MRS. ELVSTEDHow can you stand there and say that! No more service to you! Am I not
to help you now, as before? Are we not to go on working together?
to help you now, as before? Are we not to go on working together?
LOVBORGHenceforward I shall do no work.
MRS. ELVSTED[Despairingly.] Then what am I to do with my life?
LOVBORGYou must try to live your life as if you had never known me.
MRS. ELVSTEDBut you know I cannot do that!
LOVBORGTry if you cannot, Thea. You must go home again--
MRS. ELVSTED[In vehement protest.] Never in this world! Where you are, there will I
be also! I will not let myself be driven away like this! I will remain
here! I will be with you when the book appears.
be also! I will not let myself be driven away like this! I will remain
here! I will be with you when the book appears.
HEDDA[Half aloud, in suspense.] Ah yes--the book!
LOVBORG[Looks at her.] My book and Thea's; for that is what it is.
MRS. ELVSTEDYes, I feel that it is. And that is why I have a right to be with you
when it appears! I will see with my own eyes how respect and honour pour
in upon you afresh. And the happiness--the happiness--oh, I must share
it with you!
when it appears! I will see with my own eyes how respect and honour pour
in upon you afresh. And the happiness--the happiness--oh, I must share
it with you!
LOVBORGThea--our book will never appear.
HEDDAAh!
MRS. ELVSTEDNever appear!
LOVBORGCan never appear.
MRS. ELVSTED[In agonised foreboding.] Lovborg--what have you done with the
manuscript?
manuscript?
HEDDA[Looks anxiously at him.] Yes, the manuscript--?
MRS. ELVSTEDWhere is it?
LOVBORGThe manuscript--. Well then--I have torn the manuscript into a thousand
pieces.
pieces.
MRS. ELVSTED[Shrieks.] Oh no, no--!
HEDDA[Involuntarily.] But that's not--
LOVBORG[Looks at her.] Not true, you think?
HEDDA[Collecting herself.] Oh well, of course--since you say so. But it
sounded so improbable--
sounded so improbable--
LOVBORGIt is true, all the same.
ACT THIRDStrona 70 / 88
MRS. ELVSTED[Wringing her hands.] Oh God--oh God, Hedda--torn his own work to
pieces!
pieces!
LOVBORGI have torn my own life to pieces. So why should I not tear my
life-work too--?
life-work too--?
MRS. ELVSTEDAnd you did this last night?
LOVBORGYes, I tell you! Tore it into a thousand pieces--and scattered them on
the fiord--far out. There there is cool sea-water at any rate--let them
drift upon it--drift with the current and the wind. And then presently
they will sink--deeper and deeper--as I shall, Thea.
the fiord--far out. There there is cool sea-water at any rate--let them
drift upon it--drift with the current and the wind. And then presently
they will sink--deeper and deeper--as I shall, Thea.
MRS. ELVSTEDDo you know, Lovborg, that what you have done with the book--I shall
think of it to my dying day as though you had killed a little child.
think of it to my dying day as though you had killed a little child.
LOVBORGYes, you are right. It is a sort of child-murder.
MRS. ELVSTEDHow could you, then--! Did not the child belong to me too?
HEDDA[Almost inaudibly.] Ah, the child--
MRS. ELVSTED[Breathing heavily.] It is all over then. Well well, now I will go,
Hedda.
Hedda.
HEDDABut you are not going away from town?
MRS. ELVSTEDOh, I don't know what I shall do. I see nothing but darkness before me.
[She goes out by the hall door.
[She goes out by the hall door.
HEDDA[Stands waiting for a moment.] So you are not going to see her home, Mr.
Lovborg?
Lovborg?
LOVBORGI? Through the streets? Would you have people see her walking with me?
HEDDAOf course I don't know what else may have happened last night. But is it
so utterly irretrievable?
so utterly irretrievable?
LOVBORGIt will not end with last night--I know that perfectly well. And the
thing is that now I have no taste for that sort of life either. I won't
begin it anew. She has broken my courage and my power of braving life
out.
thing is that now I have no taste for that sort of life either. I won't
begin it anew. She has broken my courage and my power of braving life
out.
HEDDA[Looking straight before her.] So that pretty little fool has had her
fingers in a man's destiny. [Looks at him.] But all the same, how could
you treat her so heartlessly.
fingers in a man's destiny. [Looks at him.] But all the same, how could
you treat her so heartlessly.
ACT THIRDStrona 71 / 88
LOVBORGOh, don't say that I was heartless!
HEDDATo go and destroy what has filled her whole soul for months and years!
You do not call that heartless!
You do not call that heartless!
LOVBORGTo you I can tell the truth, Hedda.
HEDDAThe truth?
LOVBORGFirst promise me--give me your word--that what I now confide in you Thea
shall never know.
shall never know.
HEDDAI give you my word.
LOVBORGGood. Then let me tell you that what I said just now was untrue.
HEDDAAbout the manuscript?
LOVBORGYes. I have not torn it to pieces--nor thrown it into the fiord.
HEDDANo, no--. But--where is it then?
LOVBORGI have destroyed it none the less--utterly destroyed it, Hedda!
HEDDAI don't understand.
LOVBORGThea said that what I had done seemed to her like a child-murder.
HEDDAYes, so she said.
LOVBORGBut to kill his child--that is not the worst thing a father can do to
it.
it.
HEDDANot the worst?
LOVBORGSuppose now, Hedda, that a man--in the small hours of the morning--came
home to his child's mother after a night of riot and debauchery, and
said: "Listen--I have been here and there--in this place and in that.
And I have taken our child with--to this place and to that. And I have
lost the child--utterly lost it. The devil knows into what hands it may
have fallen--who may have had their clutches on it."
home to his child's mother after a night of riot and debauchery, and
said: "Listen--I have been here and there--in this place and in that.
And I have taken our child with--to this place and to that. And I have
lost the child--utterly lost it. The devil knows into what hands it may
have fallen--who may have had their clutches on it."
HEDDAWell--but when all is said and done, you know--this was only a book--
LOVBORGThea's pure soul was in that book.
HEDDAYes, so I understand.
LOVBORGAnd you can understand, too, that for her and me together no future is
possible.
possible.
HEDDAWhat path do you mean to take then?
LOVBORGNone. I will only try to make an end of it all--the sooner the better.
ACT THIRDStrona 72 / 88
HEDDA[A step nearer him.] Eilert Lovborg--listen to me.--Will you not try
to--to do it beautifully?
to--to do it beautifully?
LOVBORGBeautifully? [Smiling.] With vine-leaves in my hair, as you used to
dream in the old days--?
dream in the old days--?
HEDDANo, no. I have lost my faith in the vine-leaves. But beautifully
nevertheless! For once in a way!--Good-bye! You must go now--and do not
come here any more.
nevertheless! For once in a way!--Good-bye! You must go now--and do not
come here any more.
LOVBORGGood-bye, Mrs. Tesman. And give George Tesman my love.
[He is on the point of going.
[He is on the point of going.
HEDDANo, wait! I must give you a memento to take with you.
[She goes to the writing-table and opens the drawer and the
pistol-case; then returns to LOVBORG with one of the pistols.
[She goes to the writing-table and opens the drawer and the
pistol-case; then returns to LOVBORG with one of the pistols.
LOVBORG[Looks at her.] This? Is this the memento?
HEDDA[Nodding slowly.] Do you recognise it? It was aimed at you once.
LOVBORGYou should have used it then.
HEDDATake it--and do you use it now.
LOVBORG[Puts the pistol in his breast pocket.] Thanks!
HEDDAAnd beautifully, Eilert Lovborg. Promise me that!
LOVBORGGood-bye, Hedda Gabler. [He goes out by the hall door.
[HEDDA listens for a moment at the door. Then she goes up to
the writing-table, takes out the packet of manuscript, peeps
under the cover, draws a few of the sheets half out, and
looks at them. Next she goes over and seats herself in the
arm-chair beside the stove, with the packet in her lap.
Presently she opens the stove door, and then the packet.
[HEDDA listens for a moment at the door. Then she goes up to
the writing-table, takes out the packet of manuscript, peeps
under the cover, draws a few of the sheets half out, and
looks at them. Next she goes over and seats herself in the
arm-chair beside the stove, with the packet in her lap.
Presently she opens the stove door, and then the packet.
HEDDA[Throws one of the quires into the fire and whispers to herself.] Now I
am burning your child, Thea!--Burning it, curly-locks! [Throwing one
or two more quires into the stove.] Your child and Eilert Lovborg's.
[Throws the rest in.] I am burning--I am burning your child.
am burning your child, Thea!--Burning it, curly-locks! [Throwing one
or two more quires into the stove.] Your child and Eilert Lovborg's.
[Throws the rest in.] I am burning--I am burning your child.
ACT FOURTHStrona 73 / 88
ACT FOURTH
The same rooms at the TESMANS'. It is evening. The drawing- room is in darkness. The back room is lighted by the hanging lamp over the table. The curtains over the glass door are drawn close. HEDDA, dressed in black, walks to and fro in the dark room. Then she goes into the back room and disappears for a moment to the left. She is heard to strike a few chords on the piano. Presently she comes in sight again, and returns to the drawing-room. BERTA enters from the right, through the inner room, with a lighted lamp, which she places on the table in front of the corner settee in the drawing-room. Her eyes are red with weeping, and she has black ribbons in her cap. She goes quietly and circumspectly out to the right. HEDDA goes up to the glass door, lifts the curtain a little aside, and looks out into the darkness. Shortly afterwards, MISS TESMAN, in mourning, with a bonnet and veil on, comes in from the hall.
HEDDA goes towards her and holds out her hand.
MISS TESMANYes, Hedda, here I am, in mourning and forlorn; for now my poor sister
has at last found peace.
has at last found peace.
HEDDAI have heard the news already, as you see. Tesman sent me a card.
MISS TESMANYes, he promised me he would. But nevertheless I thought that to
Hedda--here in the house of life--I ought myself to bring the tidings of
death.
Hedda--here in the house of life--I ought myself to bring the tidings of
death.
HEDDAThat was very kind of you.
MISS TESMANAh, Rina ought not to have left us just now. This is not the time for
Hedda's house to be a house of mourning.
Hedda's house to be a house of mourning.
HEDDA[Changing the subject.] She died quite peacefully, did she not, Miss
Tesman?
Tesman?
MISS TESMANOh, her end was so calm, so beautiful. And then she had the unspeakable
happiness of seeing George once more--and bidding him good-bye.--Has he
not come home yet?
happiness of seeing George once more--and bidding him good-bye.--Has he
not come home yet?
HEDDANo. He wrote that he might be detained. But won't you sit down?
ACT FOURTHStrona 74 / 88
MISS TESMANNo thank you, my dear, dear Hedda. I should like to, but I have so much
to do. I must prepare my dear one for her rest as well as I can. She
shall go to her grave looking her best.
to do. I must prepare my dear one for her rest as well as I can. She
shall go to her grave looking her best.
HEDDACan I not help you in any way?
MISS TESMANOh, you must not think of it! Hedda Tesman must have no hand in such
mournful work. Nor let her thought dwell on it either--not at this time.
mournful work. Nor let her thought dwell on it either--not at this time.
HEDDAOne is not always mistress of one's thoughts--
MISS TESMAN[Continuing.] Ah yes, it is the way of the world. At home we shall be
sewing a shroud; and here there will soon be sewing too, I suppose--but
of another sort, thank God!
sewing a shroud; and here there will soon be sewing too, I suppose--but
of another sort, thank God!
GEORGE TESMAN enters by the hall door.
HEDDAAh, you have come at last!
TESMANYou here, Aunt Julia? With Hedda? Fancy that!
MISS TESMANI was just going, my dear boy. Well, have you done all you promised?
TESMANNo; I'm really afraid I have forgotten half of it. I must come to you
again to-morrow. To-day my brain is all in a whirl. I can't keep my
thoughts together.
again to-morrow. To-day my brain is all in a whirl. I can't keep my
thoughts together.
MISS TESMANWhy, my dear George, you mustn't take it in this way.
TESMANMustn't--? How do you mean?
MISS TESMANEven in your sorrow you must rejoice, as I do--rejoice that she is at
rest.
rest.
TESMANOh yes, yes--you are thinking of Aunt Rina.
HEDDAYou will feel lonely now, Miss Tesman.
MISS TESMANJust at first, yes. But that will not last very long, I hope. I daresay
I shall soon find an occupant for Rina's little room.
I shall soon find an occupant for Rina's little room.
TESMANIndeed? Who do you think will take it? Eh?
MISS TESMANOh, there's always some poor invalid or other in want of nursing,
unfortunately.
unfortunately.
HEDDAWould you really take such a burden upon you again?
MISS TESMANA burden! Heaven forgive you, child--it has been no burden to me.
ACT FOURTHStrona 75 / 88
HEDDABut suppose you had a total stranger on your hands--
MISS TESMANOh, one soon makes friends with sick folk; and it's such an absolute
necessity for me to have some one to live for. Well, heaven be praised,
there may soon be something in this house, too, to keep an old aunt
busy.
necessity for me to have some one to live for. Well, heaven be praised,
there may soon be something in this house, too, to keep an old aunt
busy.
HEDDAOh, don't trouble about anything here.
TESMANYes, just fancy what a nice time we three might have together, if--?
HEDDAIf--?
TESMAN[Uneasily.] Oh nothing. It will all come right. Let us hope so--eh?
MISS TESMANWell well, I daresay you two want to talk to each other. [Smiling.] And
perhaps Hedda may have something to tell you too, George. Good-bye! I
must go home to Rina. [Turning at the door.] How strange it is to think
that now Rina is with me and with my poor brother as well!
perhaps Hedda may have something to tell you too, George. Good-bye! I
must go home to Rina. [Turning at the door.] How strange it is to think
that now Rina is with me and with my poor brother as well!
TESMANYes, fancy that, Aunt Julia! Eh?
[MISS TESMAN goes out by the hall door.
[MISS TESMAN goes out by the hall door.
HEDDA[Follows TESMAN coldly and searchingly with her eyes.] I almost believe
your Aunt Rina's death affects you more than it does your Aunt Julia.
your Aunt Rina's death affects you more than it does your Aunt Julia.
TESMANOh, it's not that alone. It's Eilert I am so terribly uneasy about.
HEDDA[Quickly.] Is there anything new about him?
TESMANI looked in at his rooms this afternoon, intending to tell him the
manuscript was in safe keeping.
manuscript was in safe keeping.
HEDDAWell, did you find him?
TESMANNo. He wasn't at home. But afterwards I met Mrs. Elvsted, and she told
me that he had been here early this morning.
me that he had been here early this morning.
HEDDAYes, directly after you had gone.
TESMANAnd he said that he had torn his manuscript to pieces--eh?
HEDDAYes, so he declared.
TESMANWhy, good heavens, he must have been completely out of his mind! And I
suppose you thought it best not to give it back to him, Hedda?
suppose you thought it best not to give it back to him, Hedda?
HEDDANo, he did not get it.
ACT FOURTHStrona 76 / 88
TESMANBut of course you told him that we had it?
HEDDANo. [Quickly.] Did you tell Mrs. Elvsted?
TESMANNo; I thought I had better not. But you ought to have told him. Fancy,
if, in desperation, he should go and do himself some injury! Let me have
the manuscript, Hedda! I will take it to him at once. Where is it?
if, in desperation, he should go and do himself some injury! Let me have
the manuscript, Hedda! I will take it to him at once. Where is it?
HEDDA[Cold and immovable, leaning on the arm-chair.] I have not got it.
TESMANHave not got it? What in the world do you mean?
HEDDAI have burnt it--every line of it.
TESMAN[With a violent movement of terror.] Burnt! Burnt Eilert's manuscript!
HEDDADon't scream so. The servant might hear you.
TESMANBurnt! Why, good God--! No, no, no! It's impossible!
HEDDAIt is so, nevertheless.
TESMANDo you know what you have done, Hedda? It's unlawful appropriation of
lost property. Fancy that! Just ask Judge Brack, and he'll tell you what
it is.
lost property. Fancy that! Just ask Judge Brack, and he'll tell you what
it is.
HEDDAI advise you not to speak of it--either to Judge Brack or to anyone
else.
else.
TESMANBut how could you do anything so unheard-of? What put it into your head?
What possessed you? Answer me that--eh?
What possessed you? Answer me that--eh?
HEDDA[Suppressing an almost imperceptible smile.] I did it for your sake,
George.
George.
TESMANFor my sake!
HEDDAThis morning, when you told me about what he had read to you--
TESMANYes yes--what then?
HEDDAYou acknowledged that you envied him his work.
TESMANOh, of course I didn't mean that literally.
HEDDANo matter--I could not bear the idea that any one should throw you into
the shade.
the shade.
TESMAN[In an outburst of mingled doubt and joy.] Hedda! Oh, is this true?
But--but--I never knew you show your love like that before. Fancy that!
But--but--I never knew you show your love like that before. Fancy that!
ACT FOURTHStrona 77 / 88
HEDDAWell, I may as well tell you that--just at this time-- [Impatiently
breaking off.] No, no; you can ask Aunt Julia. She will tell you, fast
enough.
breaking off.] No, no; you can ask Aunt Julia. She will tell you, fast
enough.
TESMANOh, I almost think I understand you, Hedda! [Clasps his hands together.]
Great heavens! do you really mean it! Eh?
Great heavens! do you really mean it! Eh?
HEDDADon't shout so. The servant might hear.
TESMAN[Laughing in irrepressible glee.] The servant! Why, how absurd you are,
Hedda. It's only my old Berta! Why, I'll tell Berta myself.
Hedda. It's only my old Berta! Why, I'll tell Berta myself.
HEDDA[Clenching her hands together in desperation.] Oh, it is killing me,
--it is killing me, all this!
--it is killing me, all this!
TESMANWhat is, Hedda? Eh?
HEDDA[Coldly, controlling herself.] All this--absurdity--George.
TESMANAbsurdity! Do you see anything absurd in my being overjoyed at the news!
But after all--perhaps I had better not say anything to Berta.
But after all--perhaps I had better not say anything to Berta.
HEDDAOh--why not that too?
TESMANNo, no, not yet! But I must certainly tell Aunt Julia. And then that you
have begun to call me George too! Fancy that! Oh, Aunt Julia will be so
happy--so happy!
have begun to call me George too! Fancy that! Oh, Aunt Julia will be so
happy--so happy!
HEDDAWhen she hears that I have burnt Eilert Lovborg's manuscript--for your
sake?
sake?
TESMANNo, by-the-bye--that affair of the manuscript--of course nobody must
know about that. But that you love me so much,(13) Hedda--Aunt Julia
must really share my joy in that! I wonder, now, whether this sort of
thing is usual in young wives? Eh?
know about that. But that you love me so much,(13) Hedda--Aunt Julia
must really share my joy in that! I wonder, now, whether this sort of
thing is usual in young wives? Eh?
HEDDAI think you had better ask Aunt Julia that question too.
TESMANI will indeed, some time or other. [Looks uneasy and downcast again.]
And yet the manuscript--the manuscript! Good God! it is terrible to
think what will become of poor Eilert now.
And yet the manuscript--the manuscript! Good God! it is terrible to
think what will become of poor Eilert now.
MRSELVSTED, dressed as in the first Act, with hat and cloak,
enters by the hall door.
enters by the hall door.
MRS. ELVSTED[Greets them hurriedly, and says in evident agitation.] Oh, dear Hedda,
forgive my coming again.
forgive my coming again.
ACT FOURTHStrona 78 / 88
HEDDAWhat is the matter with you, Thea?
TESMANSomething about Eilert Lovborg again--eh?
MRS. ELVSTEDYes! I am dreadfully afraid some misfortune has happened to him.
HEDDA[Seized her arm.] Ah,--do you think so?
TESMANWhy, good Lord--what makes you think that, Mrs. Elvsted?
MRS. ELVSTEDI heard them talking of him at my boarding-house--just as I came in. Oh,
the most incredible rumours are afloat about him to-day.
the most incredible rumours are afloat about him to-day.
TESMANYes, fancy, so I heard too! And I can bear witness that he went straight
home to bed last night. Fancy that!
home to bed last night. Fancy that!
HEDDAWell, what did they say at the boarding-house?
MRS. ELVSTEDOh, I couldn't make out anything clearly. Either they knew nothing
definite, or else--. They stopped talking when the saw me; and I did
not dare to ask.
definite, or else--. They stopped talking when the saw me; and I did
not dare to ask.
TESMAN[Moving about uneasily.] We must hope--we must hope that you
misunderstood them, Mrs. Elvsted.
misunderstood them, Mrs. Elvsted.
MRS. ELVSTEDNo, no; I am sure it was of him they were talking. And I heard something
about the hospital or--
about the hospital or--
TESMANThe hospital?
HEDDANo--surely that cannot be!
MRS. ELVSTEDOh, I was in such mortal terror! I went to his lodgings and asked for
him there.
him there.
HEDDAYou could make up your mind to that, Thea!
MRS. ELVSTEDWhat else could I do? I really could bear the suspense no longer.
TESMANBut you didn't find him either--eh?
MRS. ELVSTEDNo. And the people knew nothing about him. He hadn't been home since
yesterday afternoon, they said.
yesterday afternoon, they said.
TESMANYesterday! Fancy, how could they say that?
MRS. ELVSTEDOh, I am sure something terrible must have happened to him.
TESMANHedda dear--how would it be if I were to go and make inquiries--?
ACT FOURTHStrona 79 / 88
HEDDANo, no--don't you mix yourself up in this affair.
JUDGE BRACK, with his hat in his hand, enters by the hall
door, which BERTA opens, and closes behind him. He looks
grave and bows in silence.
JUDGE BRACK, with his hat in his hand, enters by the hall
door, which BERTA opens, and closes behind him. He looks
grave and bows in silence.
TESMANOh, is that you, my dear Judge? Eh?
BRACKYes. It was imperative I should see you this evening.
TESMANI can see you have heard the news about Aunt Rina?
BRACKYes, that among other things.
TESMANIsn't it sad--eh?
BRACKWell, my dear Tesman, that depends on how you look at it.
TESMAN[Looks doubtfully at him.] Has anything else happened?
BRACKYes.
HEDDA[In suspense.] Anything sad, Judge Brack?
BRACKThat, too, depends on how you look at it, Mrs. Tesman.
MRS. ELVSTED[Unable to restrain her anxiety.] Oh! it is something about Eilert
Lovborg!
Lovborg!
BRACK[With a glance at her.] What makes you think that, Madam? Perhaps you
have already heard something--?
have already heard something--?
MRS. ELVSTED[In confusion.] No, nothing at all, but--
TESMANOh, for heaven's sake, tell us!
BRACK[Shrugging his shoulders.] Well, I regret to say Eilert Lovborg has been
taken to the hospital. He is lying at the point of death.
taken to the hospital. He is lying at the point of death.
MRS. ELVSTED[Shrieks.] Oh God! oh God--!
TESMANTo the hospital! And at the point of death!
HEDDA[Involuntarily.] So soon then--
MRS. ELVSTED[Wailing.] And we parted in anger, Hedda!
HEDDA[Whispers.] Thea--Thea--be careful!
MRS. ELVSTED[Not heeding her.] I must go to him! I must see him alive!
BRACKIt is useless, Madam. No one will be admitted.
MRS. ELVSTEDOh, at least tell me what has happened to him? What is it?
TESMANYou don't mean to say that he has himself-- Eh?
ACT FOURTHStrona 80 / 88
HEDDAYes, I am sure he has.
BRACK[Keeping his eyes fixed upon her.] Unfortunately you have guessed quite
correctly, Mrs. Tesman.
correctly, Mrs. Tesman.
MRS. ELVSTEDOh, how horrible!
TESMANHimself, then! Fancy that!
HEDDAShot himself!
BRACKRightly guessed again, Mrs. Tesman.
MRS. ELVSTED[With an effort at self-control.] When did it happen, Mr. Brack?
BRACKThis afternoon--between three and four.
TESMANBut, good Lord, where did he do it? Eh?
BRACK[With some hesitation.] Where? Well--I suppose at his lodgings.
MRS. ELVSTEDNo, that cannot be; for I was there between six and seven.
BRACKWell then, somewhere else. I don't know exactly. I only know that he was
found--. He had shot himself--in the breast.
found--. He had shot himself--in the breast.
MRS. ELVSTEDOh, how terrible! That he should die like that!
HEDDA[To BRACK.] Was it in the breast?
BRACKYes--as I told you.
HEDDANot in the temple?
BRACKIn the breast, Mrs. Tesman.
HEDDAWell, well--the breast is a good place, too.
BRACKHow do you mean, Mrs. Tesman?
HEDDA[Evasively.] Oh, nothing--nothing.
TESMANAnd the wound is dangerous, you say--eh?
BRACKAbsolutely mortal. The end has probably come by this time.
MRS. ELVSTEDYes, yes, I feel it. The end! The end! Oh, Hedda--!
TESMANBut tell me, how have you learnt all this?
BRACK[Curtly.] Through one of the police. A man I had some business with.
HEDDA[In a clear voice.] At last a deed worth doing!
TESMAN[Terrified.] Good heavens, Hedda! what are you saying?
HEDDAI say there is beauty in this.
ACT FOURTHStrona 81 / 88
BRACKH'm, Mrs. Tesman--
MRS. ELVSTEDOh, Hedda, how can you talk of beauty in such an act!
HEDDAEilert Lovborg has himself made up his account with life. He has had the
courage to do--the one right thing.
courage to do--the one right thing.
MRS. ELVSTEDNo, you must never think that was how it happened! It must have been in
delirium that he did it.
delirium that he did it.
TESMANIn despair!
HEDDAThat he did not. I am certain of that.
MRS. ELVSTEDYes, yes! In delirium! Just as when he tore up our manuscript.
BRACK[Starting.] The manuscript? Has he torn that up?
MRS. ELVSTEDYes, last night.
TESMAN[Whispers softly.] Oh, Hedda, we shall never get over this.
BRACKH'm, very extraordinary.
TESMAN[Moving about the room.] To think of Eilert going out of the world
in this way! And not leaving behind him the book that would have
immortalised his name--
in this way! And not leaving behind him the book that would have
immortalised his name--
MRS. ELVSTEDOh, if only it could be put together again!
TESMANYes, if it only could! I don't know what I would not give--
MRS. ELVSTEDPerhaps it can, Mr. Tesman.
TESMANWhat do you mean?
MRS. ELVSTED[Searches in the pocket of her dress.] Look here. I have kept all the
loose notes he used to dictate from.
loose notes he used to dictate from.
HEDDA[A step forward.] Ah--!
TESMANYou have kept them, Mrs. Elvsted! Eh?
MRS. ELVSTEDYes, I have them here. I put them in my pocket when I left home. Here
they still are--
they still are--
TESMANOh, do let me see them!
MRS. ELVSTED[Hands him a bundle of papers.] But they are in such disorder--all mixed
up.
up.
TESMANFancy, if we could make something out of them, after all! Perhaps if we
two put our heads together--
two put our heads together--
MRS. ELVSTEDOh yes, at least let us try--
ACT FOURTHStrona 82 / 88
TESMANWe will manage it! We must! I will dedicate my life to this task.
HEDDAYou, George? Your life?
TESMANYes, or rather all the time I can spare. My own collections must wait in
the meantime. Hedda--you understand, eh? I owe this to Eilert's memory.
the meantime. Hedda--you understand, eh? I owe this to Eilert's memory.
HEDDAPerhaps.
TESMANAnd so, my dear Mrs. Elvsted, we will give our whole minds to it. There
is no use in brooding over what can't be undone--eh? We must try to
control our grief as much as possible, and--
is no use in brooding over what can't be undone--eh? We must try to
control our grief as much as possible, and--
MRS. ELVSTEDYes, yes, Mr. Tesman, I will do the best I can.
TESMANWell then, come here. I can't rest until we have looked through the
notes. Where shall we sit? Here? No, in there, in the back room. Excuse
me, my dear Judge. Come with me, Mrs. Elvsted.
notes. Where shall we sit? Here? No, in there, in the back room. Excuse
me, my dear Judge. Come with me, Mrs. Elvsted.
MRS. ELVSTEDOh, if only it were possible!
[TESMAN and MRS. ELVSTED go into the back room. She takes
off her hat and cloak. They both sit at the table under the
hanging lamp, and are soon deep in an eager examination of
the papers. HEDDA crosses to the stove and sits in the arm-
chair. Presently BRACK goes up to her.
[TESMAN and MRS. ELVSTED go into the back room. She takes
off her hat and cloak. They both sit at the table under the
hanging lamp, and are soon deep in an eager examination of
the papers. HEDDA crosses to the stove and sits in the arm-
chair. Presently BRACK goes up to her.
HEDDA[In a low voice.] Oh, what a sense of freedom it gives one, this act of
Eilert Lovborg's.
Eilert Lovborg's.
BRACKFreedom, Mrs. Hedda? Well, of course, it is a release for him--
HEDDAI mean for me. It gives me a sense of freedom to know that a deed
of deliberate courage is still possible in this world,--a deed of
spontaneous beauty.
of deliberate courage is still possible in this world,--a deed of
spontaneous beauty.
BRACK[Smiling.] H'm--my dear Mrs. Hedda--
HEDDAOh, I know what you are going to say. For you are a kind of specialist
too, like--you know!
too, like--you know!
BRACK[Looking hard at her.] Eilert Lovborg was more to you than perhaps you
are willing to admit to yourself. Am I wrong?
are willing to admit to yourself. Am I wrong?
ACT FOURTHStrona 83 / 88
HEDDAI don't answer such questions. I only know that Eilert Lovborg has had
the courage to live his life after his own fashion. And then--the last
great act, with its beauty! Ah! that he should have the will and the
strength to turn away from the banquet of life--so early.
the courage to live his life after his own fashion. And then--the last
great act, with its beauty! Ah! that he should have the will and the
strength to turn away from the banquet of life--so early.
BRACKI am sorry, Mrs. Hedda,--but I fear I must dispel an amiable illusion.
HEDDAIllusion?
BRACKWhich could not have lasted long in any case.
HEDDAWhat do you mean?
BRACKEilert Lovborg did not shoot himself--voluntarily.
HEDDANot voluntarily?
BRACKNo. The thing did not happen exactly as I told it.
HEDDA[In suspense.] Have you concealed something? What is it?
BRACKFor poor Mrs. Elvsted's sake I idealised the facts a little.
HEDDAWhat are the facts?
BRACKFirst, that he is already dead.
HEDDAAt the hospital?
BRACKYes--without regaining consciousness.
HEDDAWhat more have you concealed?
BRACKThis--the event did not happen at his lodgings.
HEDDAOh, that can make no difference.
BRACKPerhaps it may. For I must tell you--Eilert Lovborg was found shot
in--in Mademoiselle Diana's boudoir.
in--in Mademoiselle Diana's boudoir.
HEDDA[Makes a motion as if to rise, but sinks back again.] That is
impossible, Judge Brack! He cannot have been there again to-day.
impossible, Judge Brack! He cannot have been there again to-day.
BRACKHe was there this afternoon. He went there, he said, to demand the
return of something which they had taken from him. Talked wildly about a
lost child--
return of something which they had taken from him. Talked wildly about a
lost child--
HEDDAAh--so that is why--
BRACKI thought probably he meant his manuscript; but now I hear he destroyed
that himself. So I suppose it must have been his pocket-book.
that himself. So I suppose it must have been his pocket-book.
HEDDAYes, no doubt. And there--there he was found?
ACT FOURTHStrona 84 / 88
BRACKYes, there. With a pistol in his breast-pocket, discharged. The ball had
lodged in a vital part.
lodged in a vital part.
HEDDAIn the breast--yes?
BRACKNo--in the bowels.
HEDDA[Looks up at him with an expression of loathing.] That too! Oh, what
curse is it that makes everything I touch turn ludicrous and mean?
curse is it that makes everything I touch turn ludicrous and mean?
BRACKThere is one point more, Mrs. Hedda--another disagreeable feature in the
affair.
affair.
HEDDAAnd what is that?
BRACKThe pistol he carried--
HEDDA[Breathless.] Well? What of it?
BRACKHe must have stolen it.
HEDDA[Leaps up.] Stolen it! That is not true! He did not steal it!
BRACKNo other explanation is possible. He must have stolen it--. Hush!
TESMAN and MRS. ELVSTED have risen from the table in the back-
room, and come into the drawing-room.
TESMAN and MRS. ELVSTED have risen from the table in the back-
room, and come into the drawing-room.
TESMAN[With the papers in both his hands.] Hedda, dear, it is almost
impossible to see under that lamp. Think of that!
impossible to see under that lamp. Think of that!
HEDDAYes, I am thinking.
TESMANWould you mind our sitting at your writing-table--eh?
HEDDAIf you like. [Quickly.] No, wait! Let me clear it first!
TESMANOh, you needn't trouble, Hedda. There is plenty of room.
HEDDANo no, let me clear it, I say! I will take these things in and put them
on the piano. There!
[She has drawn out an object, covered with sheet music, from
under the bookcase, places several other pieces of music upon
it, and carries the whole into the inner room, to the left.
TESMAN lays the scraps of paper on the writing-table, and moves
the lamp there from the corner table. He and Mrs. Elvsted sit
down and proceed with their work. HEDDA returns.
on the piano. There!
[She has drawn out an object, covered with sheet music, from
under the bookcase, places several other pieces of music upon
it, and carries the whole into the inner room, to the left.
TESMAN lays the scraps of paper on the writing-table, and moves
the lamp there from the corner table. He and Mrs. Elvsted sit
down and proceed with their work. HEDDA returns.
HEDDA[Behind Mrs. Elvsted's chair, gently ruffling her hair.] Well, my sweet
Thea,--how goes it with Eilert Lovborg's monument?
Thea,--how goes it with Eilert Lovborg's monument?
ACT FOURTHStrona 85 / 88
MRS. ELVSTED[Looks dispiritedly up at her.] Oh, it will be terribly hard to put in
order.
order.
TESMANWe must manage it. I am determined. And arranging other people's papers
is just the work for me.
[HEDDA goes over to the stove, and seats herself on one of the
footstools. BRACK stands over her, leaning on the arm-chair.
is just the work for me.
[HEDDA goes over to the stove, and seats herself on one of the
footstools. BRACK stands over her, leaning on the arm-chair.
HEDDA[Whispers.] What did you say about the pistol?
BRACK[Softly.] That he must have stolen it.
HEDDAWhy stolen it?
BRACKBecause every other explanation ought to be impossible, Mrs. Hedda.
HEDDAIndeed?
BRACK[Glances at her.] Of course Eilert Lovborg was here this morning. Was he
not?
not?
HEDDAYes.
BRACKWere you alone with him?
HEDDA## Part of the time.
BRACKDid you not leave the room whilst he was here?
HEDDANo.
BRACKTry to recollect. Were you not out of the room a moment?
HEDDAYes, perhaps just a moment--out in the hall.
BRACKAnd where was your pistol-case during that time?
HEDDAI had it locked up in--
BRACKWell, Mrs. Hedda?
HEDDAThe case stood there on the writing-table.
BRACKHave you looked since, to see whether both the pistols are there?
HEDDANo.
BRACKWell, you need not. I saw the pistol found in Lovborg's pocket, and I
knew it at once as the one I had seen yesterday--and before, too.
knew it at once as the one I had seen yesterday--and before, too.
HEDDAHave you it with you?
BRACKNo; the police have it.
HEDDAWhat will the police do with it?
BRACKSearch till they find the owner.
HEDDADo you think they will succeed?
BRACK[Bends over her and whispers.] No, Hedda Gabler--not so long as I say
nothing.
nothing.
ACT FOURTHStrona 86 / 88
HEDDA[Looks frightened at him.] And if you do not say nothing,--what then?
BRACK[Shrugs his shoulders.] There is always the possibility that the pistol
was stolen.
was stolen.
HEDDA[Firmly.] Death rather than that.
BRACK[Smiling.] People say such things--but they don't do them.
HEDDA[Without replying.] And supposing the pistol was not stolen, and the
owner is discovered? What then?
owner is discovered? What then?
BRACKWell, Hedda--then comes the scandal!
HEDDAThe scandal!
BRACKYes, the scandal--of which you are so mortally afraid. You will, of
course, be brought before the court--both you and Mademoiselle Diana.
She will have to explain how the thing happened--whether it was an
accidental shot or murder. Did the pistol go off as he was trying to
take it out of his pocket, to threaten her with? Or did she tear the
pistol out of his hand, shoot him, and push it back into his pocket?
That would be quite like her; for she is an able-bodied young person,
this same Mademoiselle Diana.
course, be brought before the court--both you and Mademoiselle Diana.
She will have to explain how the thing happened--whether it was an
accidental shot or murder. Did the pistol go off as he was trying to
take it out of his pocket, to threaten her with? Or did she tear the
pistol out of his hand, shoot him, and push it back into his pocket?
That would be quite like her; for she is an able-bodied young person,
this same Mademoiselle Diana.
HEDDABut _I_ have nothing to do with all this repulsive business.
BRACKNo. But you will have to answer the question: Why did you give Eilert
the pistol? And what conclusions will people draw from the fact that you
did give it to him?
the pistol? And what conclusions will people draw from the fact that you
did give it to him?
HEDDA[Lets her head sink.] That is true. I did not think of that.
BRACKWell, fortunately, there is no danger, so long as I say nothing.
HEDDA[Looks up at him.] So I am in your power, Judge Brack. You have me at
your beck and call, from this time forward.
your beck and call, from this time forward.
BRACK[Whispers softly.] Dearest Hedda--believe me--I shall not abuse my
advantage.
advantage.
HEDDAI am in your power none the less. Subject to your will and your demands.
A slave, a slave then! [Rises impetuously.] No, I cannot endure the
thought of that! Never!
A slave, a slave then! [Rises impetuously.] No, I cannot endure the
thought of that! Never!
BRACK[Looks half-mockingly at her.] People generally get used to the
inevitable.
inevitable.
ACT FOURTHStrona 87 / 88
HEDDA[Returns his look.] Yes, perhaps. [She crosses to the writing-table.
Suppressing an involuntary smile, she imitates TESMAN'S intonations.]
Well? Are you getting on, George? Eh?
Suppressing an involuntary smile, she imitates TESMAN'S intonations.]
Well? Are you getting on, George? Eh?
TESMANHeaven knows, dear. In any case it will be the work of months.
HEDDA[As before.] Fancy that! [Passes her hands softly through Mrs. Elvsted's
hair.] Doesn't it seem strange to you, Thea? Here are you sitting with
Tesman--just as you used to sit with Eilert Lovborg?
hair.] Doesn't it seem strange to you, Thea? Here are you sitting with
Tesman--just as you used to sit with Eilert Lovborg?
MRS. ELVSTEDAh, if I could only inspire your husband in the same way!
HEDDAOh, that will come too--in time.
TESMANYes, do you know, Hedda--I really think I begin to feel something of the
sort. But won't you go and sit with Brack again?
sort. But won't you go and sit with Brack again?
HEDDAIs there nothing I can do to help you two?
TESMANNo, nothing in the world. [Turning his head.] I trust to you to keep
Hedda company, my dear Brack.
Hedda company, my dear Brack.
BRACK[With a glance at HEDDA.] With the very greatest of pleasure.
HEDDAThanks. But I am tired this evening. I will go in and lie down a little
on the sofa.
on the sofa.
TESMANYes, do dear--eh?
[HEDDA goes into the back room and draws the curtains. A short
pause. Suddenly she is heard playing a wild dance on the piano.
[HEDDA goes into the back room and draws the curtains. A short
pause. Suddenly she is heard playing a wild dance on the piano.
MRS. ELVSTED[Starts from her chair.] Oh--what is that?
TESMAN[Runs to the doorway.] Why, my dearest Hedda--don't play dance-music
to-night! Just think of Aunt Rina! And of Eilert too!
to-night! Just think of Aunt Rina! And of Eilert too!
HEDDA[Puts her head out between the curtains.] And of Aunt Julia. And of all
the rest of them.--After this, I will be quiet. [Closes the curtains
again.]
the rest of them.--After this, I will be quiet. [Closes the curtains
again.]
TESMAN[At the writing-table.] It's not good for her to see us at this
distressing work. I'll tell you what, Mrs. Elvsted,--you shall take the
empty room at Aunt Julia's, and then I will come over in the evenings,
and we can sit and work there--eh?
distressing work. I'll tell you what, Mrs. Elvsted,--you shall take the
empty room at Aunt Julia's, and then I will come over in the evenings,
and we can sit and work there--eh?
ACT FOURTHStrona 88 / 88
HEDDA[In the inner room.] I hear what you are saying, Tesman. But how am _I_
to get through the evenings out here?
to get through the evenings out here?
TESMAN[Turning over the papers.] Oh, I daresay Judge Brack will be so kind as
to look in now and then, even though I am out.
to look in now and then, even though I am out.
BRACK[In the arm-chair, calls out gaily.] Every blessed evening, with all the
pleasure in life, Mrs. Tesman! We shall get on capitally together, we
two!
pleasure in life, Mrs. Tesman! We shall get on capitally together, we
two!
HEDDA[Speaking loud and clear.] Yes, don't you flatter yourself we will,
Judge Brack? Now that you are the one cock in the basket--
[A shot is heard within. TESMAN, MRS. ELVSTED, and BRACK leap
to their feet.
Judge Brack? Now that you are the one cock in the basket--
[A shot is heard within. TESMAN, MRS. ELVSTED, and BRACK leap
to their feet.
TESMANOh, now she is playing with those pistols again.
[He throws back the curtains and runs in, followed by MRS.
[He throws back the curtains and runs in, followed by MRS.
ELVSTEDHEDDA lies stretched on the sofa, lifeless.
Confusion and cries. BERTA enters in alarm from the right.
Confusion and cries. BERTA enters in alarm from the right.
TESMAN[Shrieks to BRACK.] Shot herself! Shot herself in the temple! Fancy
that!
that!
BRACK[Half-fainting in the arm-chair.] Good God!--people don't do such
things.
things.
**THE END:**
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